CHARLES MINGUS "The Great Concert of" 3LP 1972 PRESTIGE NM/VG+ DOLPHY, BYARD
  $   20

 


$ 20 Sold For
Mar 15, 2015 Sold Date
Feb 23, 2015 Start Date
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  USA Country Of Seller
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Description

Condition: To my non US customers.  Do not ask me to falsify or alter customs forms values of your items.  I will not do so. 

AMG Review by Scott Yanow

This three-LP set is the finest recording by one of Charles Mingus' greatest bands, his sextet with Eric Dolphy (on alto, bass clarinet, and flute), tenor saxophonist Clifford Jordan, trumpeter Johnny Coles, pianist Jaki Byard, and drummer Dannie Richmond. Taken from their somewhat tumultuous but very musical tour of Europe, most of these rather lengthy workouts actually just feature a quintet because Coles took sick (he is only heard on "So Long Eric," which here is mistitled "Goodbye Pork Pie Hat"), but the playing is at such a high level that the trumpeter is not really missed. "Orange Was the Color of Her Dress" is given definitive treatment, and the nearly 29-minute "Fables of Faubus" and Mingus' relatively brief feature on "Sophisticated Lady" are impressive, but it is the passionate "Meditations on Integration" (an utterly fascinating performance) and "Parkeriana" (a tribute to Charlie Parker that features some stride piano from Byard and what may very well have been Dolphy's greatest alto solo) that make this gem truly essential in all jazz collections.

Charles Mingus ?– The Great Concert Of Charles Mingus

Label: Prestige ?– 34001, Prestige ?– PRT 34001 Format: 3 × Vinyl, LP, Album 
Country: US Released: 1972 Genre: Jazz Style: Hard Bop

TracklistHide Credits

A1 Introduction And Presentation 1:35 A2 Good Bye Pork Pie Hat (Part 1) 23:30 B1 Good Bye Pork Pie Hat (Part 2) 5:40 B2 Orange Was The Color Of Her Dress 14:00 C Parkeriana 23:00 D Meditations On Integration 27:30 E Fables Of Faubus 17:20 F1 Fables Of Faubus (Cont) 11:20 F2 Sophisticated Lady Written-By – Ellington* 6:00

Credits

  • Alto Saxophone, Clarinet, Flute – Eric Dolphy
  • Bass – Charles Mingus
  • Design – Tony Lane (2)
  • Drums – Dannie Richmond
  • Photography By – Grover Sales*, Horace (5), J.P. Lenoir*
  • Piano – Jaki Byard
  • Producer – Pierre Berjot
  • Tenor Saxophone – Clifford Jordan
  • Trumpet – Johnny Coles (tracks: A2, B1)

Notes

Many vinyl editions of this record, including this issue, suffer from poor accuracy of information printed on the record sleeve. For example the title of track A2 - B1 is in fact "So Long Eric (Don't Stay Over There Too Long)" [Not: "Good Bye Pork Pie Hat" as printed]. 

Recorded in Paris on the 18th [Track A2-B1 only] and 19th April 1964. 

Re-channelled for stereo. ? 1972. 
Issued in a triple-gatefold sleeve.

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    GOLDMINE GRADING

    MINT ---- It should appear to be perfect. No scuffs or scratches, blotches or stains, labels or writing, tears or splits. Mint means perfect.

    NEAR MINT ---- Otherwise mint but has one or two tiny inconsequential flaws that do not affect play. Covers should be close to perfect with minor signs of wear or age just becoming evident: slight ring-wear, minor denting to a corner, or writing on the cover should all be noted properly.

    VERY GOOD PLUS ---- The record has been handled and played infrequently or very carefully. Not too far from perfect. On a disc, there may be light paper scuffs from sliding in and out of a sleeve or the vinyl or some of the original luster may be lost. A slight scratch that did not affect play would be acceptably VG+ for most collectors.

    VERY GOOD ---- Record displays visible signs of handling and playing, such as loss of vinyl luster, light surface scratches, groove wear and spindle trails. Some audible surface noise, but should not overwhelm the musical experience. Usually a cover is VG when one or two of these problems are evident: ring wear, seam splits, bent corners, loss of gloss, stains, etc.

    GOOD ---- Well played with little luster and significant surface noise. Despite defects, record should still play all the way through without skipping. Several cover flaws will be apparent, but should not obliterate the artwork.

    POOR ---- Any record or cover that does not qualify for the above "Good" grading should be seen as Poor. Several cover flaws.


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