CHARLIE PARKER 5 LP's Volumes 1-5 EVEREST Folk & Jazz NM/NM-EX
$
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Description
Condition: To my non US customers. Do not ask me to falsify or alter customs forms values of your items. I will not do so.
Charlie Parker ?– Charlie Parker
Label: Archive Of Folk & Jazz Music ?– FS-214 Format: Vinyl, LP, CompilationCountry: US Released: 1968 Genre: Jazz Style: Bop
Tracklist
A1 Ko Ko 2:29 A2 'Round Midnight 5:04 A3 Cool Blues 4:34 A4 Ornithology 7:36 B1 Move 4:33 B2 White Christmas 4:04 B3 Ornithology 4:15 B4 Hot House 4:11 B5 Groovin' High 3:33 B6 Theme 2:05Notes
The Archive of Folk Music projects are compilations of original recordings re-mastered on to LP's from 78's.Charlie Parker ?– Charlie Parker Volume II
Label: Archive Of Folk & Jazz Music ?– FS-232 Format: Vinyl, LP, CompilationCountry: US Released: 1970 Genre: Jazz Style: Bop
TracklistHide Credits
A1 Cheryl Written-By – Parker* 3:19 A2 Salted Peanuts 3:30 A3 How High The Moon 2:45 A4 Street Beat Written-By – Thompson* 9:27 B1 Big Foot Written-By – Parker* 4:35 B2 Salted Peanuts 3:45 B3 Out Of Nowhere 3:15 B4 Perdido 6:00Credits
- Alto Saxophone – Chas. Parker*
- Bass – Tommy Potter (tracks: A1 to A3, B1 to B3)
- Drums – Max Roach
- Piano – Al Haig (tracks: A1 to A3, B1 to B3), Bud Powell (tracks: A4, B4)
- Trumpet – Fats Navarro (tracks: A4, B4), Kenny Durham* (tracks: A1 to A3, B1 to B3)
Notes
Audio has been electronically re-channeled to simulate stereo.MCPS
A1, A2, A4, B1, B2, B4 Copyright Control
A3, B3 Chappell & Co.
© Everest Records 1970
Charlie Parker ?– Charlie Parker Volume III
Label: Archive Of Folk & Jazz Music ?– FS-254 Format: Vinyl, LP, CompilationCountry: US Released: Genre: Jazz Style:
Tracklist
A1 Be Bop A2 Hot House #1 A3 Hot House #2 A4 Barbados B1 Groovin' High B2 Slow Boat To China B3 Ooh Bop She Bam B4 Scrapple From The AppleNotes
Dolby System; Electronically Re-Recorded To Simulate Stereothe last note from the text on the backside of the cover sleeve is:
... "Bird" on alto and his playing on this record is the best he's ever done with a microphone present.
For all fanciers of jazz this is an important record; it contains some of Charlie Parker's greatest performances.
Charlie Parker ?– Charlie Parker Volume IV
Label: Archive Of Folk & Jazz Music ?– FS 295 Format: Vinyl, LP, Album, ReissueCountry: US Released: 1974 Genre: Jazz Style: Bop
Tracklist
A1 Rocker 5:15 A2 Sly Mongoose 3:27 A3 Moose The Mooche 3:55 A4 Star Eyes 2:20 B1 This Time The Dream's On Me 5:10 B2 Cool Blues 2:42 B3 My Little Suede Shoes 4:10 B4 Lester Leaps In 3:56 B5 Laura 3:00Companies etc
- Phonographic Copyright (p) – Everest Records, Inc.
Credits
- Bass – Teddy Kotick
- Drums – Max Roach, Roy Haynes
- Guitar – Mundell Lowe
- Piano – Walter Bishop*
- Tenor Saxophone [Tenor Sax] – Charlie Parker
Notes
"Recorded in New York City in 1951""Compatible for Stereo and 4 Channel Quadraphonic equipment"
Barcode and Other Identifiers
- Matrix / Runout (Side A Etching): FS 295-A ALT
- Matrix / Runout (Side B Etching): FS 295-B RE 1 ALT
- Other (Side A & B Sticker Code): FS-295 (E)
-
Charlie Parker ?– Charlie Parker Volume V
Label: Archive Of Folk & Jazz Music ?– FS-315, Archive Of Folk & Jazz Music ?– FS 315 Format: Vinyl, LP, Compilation
Country: US Released: 1976 Genre: Jazz Style: BopTracklist
A1 –Charlie Parker Quintet* The Gypsy 2:25 A2 –Charlie Parker Quartet* Cool Blues 1:52 A3 –Charlie Parker's New Stars* Relaxin' At Camarillo 2:38 A4 –Charlie Parker's New Stars* Cheers 2:45 A5 –Charlie Parker's New Stars* Carvin' The Bird 2:35 A6 –Charlie Parker Quintet* Bongo Bop 2:38 B1 –Charlie Parker Quartet* Cool Blues 2:42 B2 –Charlie Parker's New Stars* Relaxin' At Camarillo 2:48 B3 –Charlie Parker Quintet* Bongo Bop 2:42 B4 –Charlie Parker Sextet* Charlie's Wig 3:00 B5 –Charlie Parker Sextet* Bird Feathers 3:00 B6 –Charlie Parker Sextet* Driftin' On A Reed 2:55Companies etc
- Recorded At – WOR Studios
- Recorded At – C.P. MacGregor Studios
- Phonographic Copyright (p) – Everest Records, Inc.
Credits
- Alto Saxophone – Charlie Parker
- Bass – Dingbod Kesterson * (tracks: A1), Red Callender (tracks: A2 to A5, B1, B2), Tommy Potter(tracks: A6, B3 to B6)
- Compiled By – Tony Williams (13)
- Drums – Don Lamond (tracks: A3 to A5, B2), Harold 'Doc' West * (tracks: A2, B1), Max Roach (tracks: A6, B3 to B6), Roy Porter (tracks: A1)
- Guitar – Barney Kessel (tracks: A3 to A5, B2)
- Liner Notes – Stan Britt
- Piano – Dodo Marmarosa (tracks: A3 to A5, B2), Duke Jordan (tracks: A6, B3 to B6), Erroll Garner(tracks: A2, B1), Jimmy Bunn (tracks: A1)
- Tenor Saxophone – Wardell Gray (tracks: A3 to A5, B2)
- Trombone – J.J. Johnson (tracks: B4 to B6)
- Trumpet – Howard McGhee (tracks: A1, A3 to A5, B2), Miles Davis (tracks: A6, B3 to B6)
Notes
B3 Recorded WOR Studios, New York City-Tuesday, October 28th, 1947.
B4 & B5 Recorded WOR Studios, New York City-Wednesday, December 17th, 1947.
A1 Recorded C. P. MacGregor Studios, Hollywood-Monday, July 29th, 1946.
A2 & B1 Recorded C. P. MacGregor Studios, Hollywood-Wednesday, February 19th, 1947
A3, A4, A5 & B2 Recorded C. P. MacGregor Studios, Hollywood-Wednesday, February 26th, 1947.
Cat. Numbers: FS-315 on labels, FS 315 on the jacket.Barcode and Other Identifiers
- Matrix / Runout (Side A Runout, Etched): FS 315 A ALT ALT-5-18-82
- Matrix / Runout (Side B Runout, Etched): FS 315 B
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GOLDMINE GRADING
MINT ---- It should appear to be perfect. No scuffs or scratches, blotches or stains, labels or writing, tears or splits. Mint means perfect.
NEAR MINT ---- Otherwise mint but has one or two tiny inconsequential flaws that do not affect play. Covers should be close to perfect with minor signs of wear or age just becoming evident: slight ring-wear, minor denting to a corner, or writing on the cover should all be noted properly.
VERY GOOD PLUS ---- The record has been handled and played infrequently or very carefully. Not too far from perfect. On a disc, there may be light paper scuffs from sliding in and out of a sleeve or the vinyl or some of the original luster may be lost. A slight scratch that did not affect play would be acceptably VG+ for most collectors.
VERY GOOD ---- Record displays visible signs of handling and playing, such as loss of vinyl luster, light surface scratches, groove wear and spindle trails. Some audible surface noise, but should not overwhelm the musical experience. Usually a cover is VG when one or two of these problems are evident: ring wear, seam splits, bent corners, loss of gloss, stains, etc.
GOOD ---- Well played with little luster and significant surface noise. Despite defects, record should still play all the way through without skipping. Several cover flaws will be apparent, but should not obliterate the artwork.
POOR ---- Any record or cover that does not qualify for the above "Good" grading should be seen as Poor. Several cover flaws.
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