CHET BAKER & THE CREW NR MINT ORIG '57 PAC JAZZ MONO LP
  $   139

 


$ 139 Sold For
Mar 16, 2009 Sold Date
Mar 6, 2009 Start Date
$   25 Start price
6   Number Of Bids
  USA Country Of Seller
eBay Auctioned at
 
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Description

   

    THIS  RECORD  COMES  FROM  OUR  PERSONAL COLLECTION 


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·       CHET BAKER - CHET BAKER AND THE CREW – ORIGINAL 1957 PACIFIC JAZZ MONO LP 1224

 

·       ORIGINAL U.S. PRESSING

 

·       ORIGINAL BLACK PACIFIC JAZZ LABEL WITH SILVER PRINT.

 

·       DEEP GROOVE PRESSING

 

·       THIS IS THE ORIGINAL, AUTHENTIC, FIRST U.S. PRESSING; THIS IS NOT A REISSUE, AN IMPORT, OR A COUNTERFEIT PRESSING.

 

·       THICK, HEAVY VINYL PRESSING

 

·       CLEAN, WEAR-FREE LABELS

 

·       MONO version of this album has NEVER been available on legitimate Compact Disc or in any other digital format.

 

(PLEASE SEE THE IMAGE OF THE COVER, LABEL OR BOTH, SHOWN BELOW)

(Note: this is a REAL image of the ACTUAL item you are bidding on. This is NOT a "recycled" image from our previous auction. What you see is what you'll get.  GUARANTEED!)

 

 

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The numbers heard on Chet Baker & Crew were among a prolific flurry of recordings Baker was involved in during the last week of July 1956 -- fresh from an extended European stay. Sessions were held every day from the 23rd through the 31st, which resulted in such classic titles as The Route, Chet Baker Sings, and Chet Baker Quintet at the Forum -- which is also available under the title Young Chet -- as well as Chet Baker & Crew. The crew on these sides includes Phil Urso (tenor sax), Bobby Timmons (piano), Jimmy Bond (bass), Peter Littman (drums), and of course Baker (trumpet/vocals). Joining the combo on both the original as well as the alternate take of "To Mickey's Memory" and "Pawnee Junction" is Bill Loughbrough (chromatic tympani). His unmistakable percussive accents and tuned drum solos give these West Coast bop tracks uniquely Polynesian intonations. The band members take full advantage of their individual roles and abilities as soloists to really stretch out on "Slightly Above Moderate" and the Urso-credited composition "Halema" -- named after Baker's wife. The chemistry of cool that flows between Urso and Baker is perhaps at its finest during the seamless exchange heard on "Worryin' the Life Out of Me." Timmons also boasts notable contributions throughout. His playful and scampering style dresses up the bluesy "Lucius Lu" and "Line for Lyons," among others. The latter is also notable as it contains the sole Baker vocal on this set. Baker enthusiasts seeking companion tracks featuring the same lineup should likewise obtain the 1995 CD release Young Chet. Among the contents is the frenetic rendering of "Night on Bop Mountain." [The 1993 CD reissue of Chet Baker & Crew increases the original eight-song Pacific Jazz collection to include all 14 tracks completed during three sessions in late July 1956 at the Forum Theater in Los Angeles.]

 

 (EXCERPT FROM AN ONLINE REVIEW BY LINDSAY PLANER, ALL MUSIC GUIDE  /ALLMUSIC.COM/)

 

For additional historical information on this album, including track listing ►click here

 

TO SEE IF WE HAVE OTHER LISTED ITEMS BY THIS GROUP OR ARTIST ►  CLICK HERE

 

THIS IS A NO-RESERVE AUCTION!

 

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CONDITION:

 

RECORD

 

(IMPORTANT NOTE: unless otherwise noted, ALL records are graded visually, and NOT play-graded!; we  grade records under the strong, diffuse room light or discrete sunlight)

 

(a)          WE GRADE THE VINYL AS STRONG VG++, just a notch below NEAR MINT. A few light abrasions (probably just sleeve scuffs inflicted in storage over the years) ARE VISIBLE, but they appear fairly  insignificant relative to the overall condition of the vinyl, and are only moderately visually distracting. For most part, the vinyl looks impeccable, without any MAJOR visual flaws or imperfections. Much of the original luster is intact, and the vinyl shines and sparkles almost like new.

 

(b)          The record has a "deep groove" (an indent in the label about 1/2-inch from the edge of the label, which on SOME labels is associated with very early or first pressings).

 

(c)             The record is pressed on a beautiful, thick, inflexible vinyl, which was usually used for the first or very early pressings. Usually, the sound on such thick vinyl pressings is full-bodied, vivid, and even dramatic. Do not expect to obtain such a majestic analog sound from a digital recording!

 

(d)            Of course, this is a full-bodied ANALOG recording, and not an inferior, digital recording!!!

 

 

·       COVER (THIS IS THE ORIGINAL, LAMINATED, GLOSSY COVER):

 

THE COVER IS NICE --- ABOUT EXCELLENT OR VERY GOOD++ (VG++).

 

The following flaws or imperfections are noted on the cover:

 

-        Cover has partially split top and bottom seams; These two split seams were delicately taped by the previous owner with a piece of transparent scotch tape (one on each seam)

 

-         Cover has JUST A HINT of ring wear (nothing significant); On the scale from 1 to 10 (1 being the least, and  10 being the most severe), we assess the severity of ring wear as 1 (front side) and 2 (back side).

 

-         Cover shows some light yellowing on back side, apparently from aging.

 

-         Back cover has circular tarnish (grayish, dust-covered sections, which closely follow the contour of the record),  probably caused by friction or by rubbing against other covers during the storage. The tarnish is similar in appearance to a common ring wear, but, UNLIKE ring wear, these grayish areas may be possible to clean up with a minor effort and with a right cleansing solution.

 

-         Minor shelf wear noted on the spine (nothing significant)

 

NO OTHER IMPERFECTIONS ON THE COVER:

 

-        No cut-out (drill) holes.

-        No cut-out corners

-        No saw-marks or indents

-        No writing

-        No stamps

-        No peel-off marks

-        No stains

-        No mold or mildew spots

-        No stickers or labels

-        No water damage

-        No razor marks, scratches, pressure marks, lines, streaks, or  cuts.

-        No warping

-        No wax, glue, paint or liquid drops on the cover

-        No glue traces or wax residue.

-        No bar codes

-        No RIAA stamps or stickers. 

 

 

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POSTAGE & SHIPPING:

 

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OUR REFUND POLICY :

 

Cash refund will be granted only for DEFECTIVE  items, but we are flexible and reasonable in reviewing the merits of each individual case. We do NOT play-grade records and can only make reasonable judgment  on the item's condition based on its visual appearance. Every bid carries a risk that purchased item might play worse than its visual grade may indicate. Still sealed items MUST be returned sealed in order to be eligible for a refund. Please read our complete refund policy before placing a bid. Click here  for the full text of our policy .

 

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