CHET BAKER wPEPPER ADAMS+BILL EVANS+PAUL CHAMBERS BALLADS ORIG RIVERSIDE MONO LP

$

203

    
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·       CHET BAKER with BILL EVANS,  PEPPER ADAMS, KENNY BURRELL, PAUL CHAMBERS, PHILLY JOE JONES AND HERBIE MANN – CHET: BALLADS BY CHET BAKER – ORIGINAL 1959 RIVERSIDE RECORDS MONO LP RL-1130

·       ORIGINAL U.S. PRESSING

·       ORIGINAL BLUE RIVERSIDE MONO LABEL WITH SILVER PRINT, AND 'MICROPHONE' LOGO

·       THIS IS THE ORIGINAL, AUTHENTIC, FIRST U.S. PRESSING; THIS IS NOT A REISSUE, AN IMPORT, OR A COUNTERFEIT PRESSING.

·       ORIGINAL, THICK CARDBOARD COVER (AMERICAN STYLE)

·       ORIGINAL GLOSSY, LIGHTLY LAMINATED COVER

·       CLEAN, WEAR-FREE LABELS

·       THICK, HEAVY VINYL PRESSING

·       MONO version of this album has NEVER been available on legitimate Compact Disc or in any other digital format.

 (►PLEASE SEE THE IMAGE OF THE COVER, LABEL OR BOTH, SHOWN BELOW)

(Note: this is a REAL image of the ACTUAL item you are bidding on. This is NOT a "recycled" image from our previous auction. What you see is what you'll get.  GUARANTEED!)

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Chet Baker was to record only one more album after this one for the Riverside label before starting down the road to those many other labels he was to visit during the rest of his career. It is somewhat ironic that one of the major figures in West Coast jazz would record for a label that played a leading role in the propagation of East Coast jazz. This penultimate session for Riverside -- which was strictly instrumental -- produced an all-star lineup to support Baker. Jazz heavyweights included Pepper Adams, Bill Evans, and Kenny Burrell. Each of them makes important contributions to the session. Adams' baritone sax solo on "Alone Together" is one of the album's high points, while Herbie Mann and Bill Evans make their presence known on several cuts. Baker possessed one of the most melodious trumpets in jazz, compelling in its simplicity. Rarely extending his range above a single octave, he nonetheless had few peers when it came to slow, romantic ballads, which make up the playlist here. His characteristically soft approach is heard to good effect on "It Never Entered My Mind," where he works with the guitar of Kenny Burrell. Burrell and Baker also collaborate on a moving rendition of "September Song." Chet is a good album to hear Baker's special way with the horn, and is made even more attractive with the presence and contributions of top jazz artists.

 (EXCERPT FROM AN ONLINE REVIEW BY DAVE NATHAN, ALL MUSIC GUIDE  /ALLMUSIC.COM/)

For additional historical or discography information on this album, including track listing ►click here

TO SEE IF WE HAVE OTHER LISTED ITEMS BY THIS GROUP OR ARTIST ►  CLICK HERE

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·       CONDITION:

·       RECORD

(IMPORTANT NOTE: unless otherwise noted, ALL records are graded visually, and NOT play-graded!; we  grade records under the strong, diffuse room light or discrete sunlight)

(a)          WE GRADE THE VINYL AS STRONG VERY GOOD+(+) . CAUTION: The vinyl is NOT MINT or NEAR MINT, but is nevertheless in a very nice and clean condition. There are some surface marks and abrasions, mostly light and superficial, although some may be longer than 1.1/4 inches (1 inch = 2.5 centimeters)

(b)          The record is apparently pressed on a beautiful, thick, inflexible vinyl, which was usually used for the first or very early pressings. Usually, the sound on such thick vinyl pressings is full-bodied, vivid, and even dramatic. Do not expect to obtain such a majestic analog sound from a digital recording!

(c)           Of course, this is a full-bodied ANALOG recording, and not an inferior, digital recording!!!

·       COVER

THE COVER IS ABOUT VERY GOOD+(+)

The following flaws or imperfections are noted on the cover:

-        Cover has a partially split top seam (between 1 and 2 inches  / 2.5 to 5 centimeters)

-        Cover has a partially split bottom seam (between 4 and 6 inches  / 10 to 15 centimeters)

-         Cover has some visible fraying/tattering on the top and bottom seams

-         Cover has all four corners slightly worn / dinged (nothing significant)

-         Cover has a tiny wrinkles along the seams

-         Cover has a visible wrinkle (crease) in the cardboard base on the front panel  (VISIBLE ON FRONT SIDE ONLY)

-         Cover has some light ring wear (nothing significant); On the scale from 1 to 10 (1 being the least, and  10 being the most severe), we assess the severity of ring wear as 2 (front side) and 4 (back side)

-         Cover shows some light yellowing on back side, apparently from aging.

-         Back cover has circular tarnish (grayish, dust-covered sections, which closely follow the contour of the record),  probably caused by friction or by rubbing against other covers during the storage. The tarnish is similar in appearance to a common ring wear, but, UNLIKE ring wear, these grayish areas may be possible to clean up with a minor effort and with a right cleansing solution.

-         A few tiny grease-like stains noted on the back panel (less than ¼ square inch in size, total)

NO OTHER IMPERFECTIONS ON THE COVER:

-        No cut-out (drill) holes.

-        No cut-out corners

-        No saw-marks or indents

-        No writing

-        No stamps

-        No peel-off marks

-        No mold or mildew spots

-        No stickers or labels

-        No water damage

-        No razor marks, scratches, pressure marks, lines, streaks, or  cuts.

-        No warping

-        No wax, glue, paint or liquid drops on the cover

-        No glue traces or wax residue.

-        No bar codes

-        No RIAA stamps or stickers. 

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