CLASH, The Clash USA 1st pressing EXC- LP I Fought the Law/Hammersmith Palais
  $   39

 


$ 39 Sold For
Sep 25, 2018 Sold Date
Aug 26, 2018 Start Date
1 Number Of Bids
  USA Country Of Seller
eBay Sold at
 
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Description

  The Clash ?– The Clash Label: Epic ?– JE 36060, Epic ?– 36060 Format: Vinyl, LP, Album  Vinyl,   Country: US Released: 1979 Genre: Rock Style: Punk Tracklist Hide Credits A1 Clash City Rockers Written-By – Strummer*, Jones* 3:55 A2 I'm So Bored With The U.S.A. Written-By – Strummer*, Jones* 2:24 A3 Remote Control Written-By – Strummer*, Jones* 3:00 A4 Complete Control Written-By – Strummer*, Jones* 3:12 A5 White Riot Written-By – Strummer*, Jones* 1:58 A6 White Man In Hammersmith Palais Written-By – Strummer*, Jones* 3:58 A7 London's Burning Written-By – Strummer*, Jones* 2:10 A8 I Fought The Law Written-By – S. Curtis* 2:40 B1 Janie Jones Written-By – Strummer*, Jones* 2:00 B2 Career Opportunities Written-By – Strummer*, Jones* 1:58 B3 What's My Name Written-By – J. Strummer*, K. Levine*, M. Jones* 1:40 B4 Hate And War Written-By – Strummer*, Jones* 2:05 B5 Police And Thieves Written-By – J. Marvin*, L. Perry* 5:58 B6 Jail Guitar Doors Written-By – Strummer*, Jones* 3:05 B7 Garageland  Written-By – Strummer*, Jones* 3:09 C Gates Of The West Written-By – J. Strummer*, M. Jones* 3:25 D Groovy Times Written-By – J. Strummer*, M. Jones* 3:28 Companies, etc. Published By – Riva Music Ltd. Copyright (c) – CBS Records Phonographic Copyright (p) – CBS Records Manufactured By – Epic Records Mastered At – Sterling Sound Credits Bass – Paul Simonon Drums – Nicky Headon* (tracks: A1, A4, A6, A8, B6), Tory Crimes (tracks: A2, A3, A5, A7, B1 to B5, B7)  Guitar, Vocals – Joe Strummer, Mick Jones Mastered By – Jack Skinner Photography By [Back Cover] – Rocco Macauley Photography By [Front Cover] – Kate Simon Producer – Bill Price (tracks: A8, C, D), Lee Perry (tracks: A4), Mickey Foote (tracks: A1 to A3, A5, A7, B1 to B7), The Clash (tracks: A6, A8, C, D)  

USA FIRST PRESSING VINYL ALBUM WITH ORIGINAL PRINTED INNER SLEEVE BUT NO PROMO 45.

MATRIX:  SIDE A: Nothing Can Change... P AL-36060-1A  STERLING JS /  SIDE B: The Shape of Things to Clash P BL-36060-1D STERLING A2.

SLEEVE: VERY GOOD+, JUST LIGHT SHELF, CORNER, EDGE AND RING WEAR.   INNER SLEEVE[S] VERY GOOD+ WITH NO SEAM SPLITS.

DISC[S]: EXCELLENT MINUS. NO SCRATCHES, JUST A FEW VERY LIGHT HAIRLINES. CLEAN LABELS.

Why buy a first or early pressing and not a re-issue or a ‘re-mastered’ vinyl album?

First and early pressings are pressed from the first generation lacquers and stampers. They usually sound vastly superior to later issues/re-issues (which, in recent times, are often pressed from whatever 'best' tapes or digital sources are currently available) - many so-called 'audiophile' new 180g pressings are cut from hi-res digital sources…essentially an expensive CD pressed on vinyl.  Why  experience the worse elements of both formats?  These are just High Maintenance CDs, with mid-ranges so cloaked with a veil as to sound smeared.  They are nearly always compressed with murky transients and a general lifelessness in the overall sound.  There are exceptions where re-masters/re-presses outshine the original issues, but they are exceptions and not the norm.

First or early pressings nearly always have more immediacy, presence and dynamics. The sound staging is wider.  Subtle instrument nuances are better placed with more spacious textures. Balances are firmer in the bottom end with a far-tighter bass. Upper-mid ranges shine without harshness, and the overall depth is more immersive.  Inner details are  clearer.

On first and early pressings, the music tends to sound more ‘alive’ and vibrant.  The physics of sound energy is hard to clarify and write about from a listening perspective, but the best we can describe it is to say that you can 'hear' what the mixing and mastering engineers wanted you to hear when they first recorded the music.  



THIS ITEM SHIPS FROM THE USA (We can ship anywhere in the world EXCEPT to Georgia, USA)


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