CLEARLIGHT SYMPHONY "CLEAR LIGHT SYMPHONY" LAMINATED 1st. PRESS VIRGIN V 2029-EX
  £   15
  $   19

 


£ 15 Sold For
Apr 24, 2016 Sold Date
Apr 17, 2016 Start Date
£   5 Start price
9   Number Of Bids
  Great Britain Country Of Seller
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Description

ARTIST - CLEARLIGHT SYMPHONY 

TITLE - "CLEAR LIGHT SYMPHONY"

Clearlight Symphony is a progressive rock album released in 1975 on Virgin Records in the UK. It is the first in a series of albums by a project led by pianist Cyrille Verdeaux with the participation of other musicians, including in this case three members of Gong on one side, and two other French musicians, Gilbert Artman (of Lard Free and later Urban Sax) and Christian Boulé (formerly with Verdeaux in the band Babylone, and a later Steve Hillage sideman) on the other.

Primarily psychedelic, but also serving as a forerunner of new-age music, the album's musical style manages to blend seemingly contrary elements: the symphonic rock concept is flexible enough to permit extensive jamming in both rock and jazz fusion styles.

LABEL - 1st. PRESS VIRGIN

RECORD NO. -  V 2029

YEAR - 1975

SLEEVE - LAMINATED - EX

VINYL - EX

TRACK LISTING........

Hide Credits

A Clear Light Symphony Part. 1 Bass [Synthesized] – Cyrille VerdeauxElectric Guitar – Steve HillageEngineer – David VorhausSynthesizer [Vcs3], Percussion, Engineer – Tim BlakeTenor Saxophone – Didier Malherbe 20:12 B Clear Light Symphony Part. 2 Bass – Martin IsaacsDrums, Vibraphone, Percussion [C.n.d.p.] – Gilbert ArtmanElectric Guitar – Christian Boule*Engineer – Simon HeyworthGong – Cyrille Verdeaux 20:35

Personnel

  • Cyrille Verdeaux – grand piano, organ, Mellotron (both sides), synthesized bass (side one), gong (side two)
  • Tim Blake – synthesizer VCS3, percussions (side one)
  • Steve Hillage – electric guitar (side one)
  • Didier Malherbe – tenor sax (side one, but a saxophone is also heard on side two)
  • Christian Boulé – electric guitar (side two)
  • Gilbert Artman – drums, vibraphone, percussion C.N.D.P. (side two)
  • Martin Isaacs – bass (side two)

side one produced by Cyrille Verdeaux and Tim Blake

side two produced by Cyrille Verdeaux and Simon Heyworth

Companies, etc.

  • Phonographic Copyright (p) – Virgin Records Ltd.
  • Copyright (c) – Virgin Music (Publishers) Ltd.

Credits

  • Co-producer [Supervisor] – Claire Lait
  • Management – Jacques Reland
  • Painting [Front Cover Painting] – Jean Claude Michel*
  • Producer – Tim Blake
  • Producer, Mixed By – Simon Heyworth
  • Producer, Mixed By, Grand Piano, Organ, Mellotron, Composed By, Arranged By – Cyrille Verdeaux

Notes

Track A recorded and mixed at Kaleidophon Studios
Track B recorded at the Manor
Tim Blake, Steve Hillage & Didier Malherbe courtesy of C.O.I.T.
Gilbert Artman courtesy of Vamp Records.
Published by Virgin Music (Publishers) Ltd.
Distribution C.P.F.
"Special thanks to Emmanuelle Lopez, Francis Maudin, Bruno Verdeaux, Simon Draper, Marie Odile Briot, Anne De Coulombes, Patricia Coaquette and Gong for their hospitality."

Barcode and Other Identifiers

  • Matrix / Runout (Side A): V 2029 A - 2U
  • Matrix / Runout (Side B): V 2029 B - 3U

SIX  LPs CAN BE MAILED FOR SAME PRICE AS ONE SECOND CLASS ONLY **( UK ONLY ) ** DOUBLE ALBUM = 2 x LPs.

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There may be slight paper scuffs or hairlines - if you require further condition reports please just ask.

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GRADING: All records are graded using the standard UK Record Collector Grading system as follows:

  • MINT: The record itself is in brand new condition with no surface marks or deterioration in sound quality. The cover and any extra items such as the lyric sheet, booklet or poster are in perfect condition. Records advertised as Sealed or Unplayed should be Mint.
  • EXCELLENT: The record shows some signs of having been played, but there is very little lessening in sound quality. The cover and packaging might have slight wear and / or creasing.
  • VERY GOOD: The record has obviously been played many times, but displays no major deterioration in sound quality, despite noticeable surface marks and the occasional light scratch. Normal wear and tear on the cover or extra items, without any major defects, is acceptable.
  • GOOD: The record has been played so much that the sound quality has noticeably deteriorated, perhaps with some distortion and mild scratches. The cover and contents suffer from folding, scuffing of edges, spine splits, discolouration, etc.
  • FAIR: The record is still just playable but has not been cared for properly and displays considerable surface noise; it may even jump. The cover and contents will be torn, stained and / or defaced.
  • POOR: The record will not play properly due to scratches, bad surface noise, etc. The cover and contents will be badly damaged or partly missing.
  • BAD: The record is unplayable or might even be broken, and is only of use as a collection filler.


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