CLYDE McPHATTER LIVE AT THE APOLLO RARE ORIG '64 MERCURY MONO LP DG NR MINT
  $   34

 


$ 34 Sold For
Oct 25, 2012 Sold Date
Oct 18, 2012 Start Date
$   25 Start price
2   Number Of Bids
  USA Country Of Seller
eBay Auctioned at
 
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Description

    
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·       CLYDE McPHATTER – LIVE AT THE APOLLO - ORIGINAL 1964 MERCURY RECORDS MONO LP  MG-20915

 

·       ORIGINAL U.S. PRESSING

 

·       ORIGINAL RED LABEL WITH SMALL BLACK DETAIL (TINY IMAGE OF MERCURY, THE WINGED MESSENGER) AT THE 11 O’CLOCK POSITION ON THE LABEL (EARLY-TO-MID 60’s STYLE)

 

·       DEEP GROOVE PRESSING

 

·       THIS IS THE ORIGINAL, AUTHENTIC, FIRST U.S. PRESSING; THIS IS NOT A REISSUE, AN IMPORT, OR A COUNTERFEIT PRESSING.

 

·       CLEAN, WEAR-FREE LABELS

 

·       THICK, HEAVY VINYL PRESSING

 

·       MACHINE-STAMPED MATRIX NUMBER IN TRAIL-OFF VINYL (DEAD WAX) OF THE RECORD

 

·       MONO version of this album has NEVER been available on legitimate Compact Disc or in any other digital format.

 

(PLEASE SEE THE IMAGE OF THE COVER, LABEL OR BOTH, SHOWN BELOW)

(Note: this is a REAL image of the ACTUAL item you are bidding on. This is NOT a "recycled" image from our previous auction. What you see is what you'll get.  GUARANTEED!)

 

 

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Live at the Apollo album shows Clyde McPhatter in surprisingly good form, backed by a band that's just a little bigger than it probably needed to have been. None of that detracts from his performances on numbers ranging across his entire career, including "A Lover's Question," "Ta Ta," "Baby Baby," "Such a Night," "Lucille," and "Just to Hold My Hand." Some of this is done in a bit too much of a big-band style, especially "Such a Night," and those arrangements -- along with the presence of his more pop-oriented material (including "Second Window, Second Floor" and "What's Love to Me") -- make this album less revelatory than it might otherwise have been (though even then it's hard to dislike the voice). "Lucille," by contrast, is done as a hard R&B number that rates as one of his best performances on record. And "Deep in the Heart of Harlem," his then recent single, reveals McPhatter emulating the sound of the latter day Drifters with a song that bears a pleasing resemblance to "Under the Boardwalk" in beat, texture, and theme. One suspects that, despite the Apollo Theater setting, the intent of this album was to emulate Sam Cooke at the Copa by presenting McPhatter in his most mainstream, accessible manner. The R&B elements were somewhat compromised, all to little avail since it never sold in large numbers anyway.

 

(REVIEW REPRINTED COURTESY OF BRUCE EDER, ALL MUSIC GUIDE  /ALLMUSIC.COM/)

 

TO SEE IF WE HAVE OTHER LISTED ITEMS BY THIS GROUP OR ARTIST ►  CLICK HERE

 

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·                               CONDITION:

 

·                               RECORD

 

 (IMPORTANT NOTE: unless otherwise noted, ALL records are graded visually, and NOT play-graded!; we  grade records under the strong, diffuse room light or discrete sunlight)

 

(a)          WE GRADE THE VINYL  AS  NEAR MINT. Some VERY LIGHT AND SUPERFICIAL abrasions – mostly sleeve scuffs -  are (barely) visible, but are probably inaudible,  and do not affect visual integrity or beauty of the vinyl. The original luster is very much intact, and the vinyl shines and sparkles almost like new.

 

(b)          The record has a "deep groove" (an indent in the label about 1/2-inch from the edge of the label, which on SOME labels is associated with very early or first pressings).

 

(c)           The record is pressed on a beautiful, thick, inflexible vinyl, which was usually used for the first or very early pressings. Usually, the sound on such thick vinyl pressings is full-bodied, vivid, and even dramatic. Do not expect to obtain such a majestic analog sound from a digital recording!

 

(d)          The record comes in a poly-lined inner sleeve, which has - apparently with success - shielded the vinyl from the harmful impact of elements over many years!

 

(e)           Of course, this is a full-bodied ANALOG recording, and not an inferior, digital recording!!!

 

 

·       COVER

 

THE COVER IS NICE --- ABOUT EXCELLENT OR VERY GOOD+++.

 

The following flaws or imperfections are noted on the cover:

 

-        Cover has JUST A HINT of ring wear (nothing significant); On the scale from 1 to 10 (1 being the least, and  10 being the most severe), we assess the severity of ring wear as 2.

 

-        Cover shows JUST A HINT of yellowing on back side, apparently from aging.

 

-        Minor shelf wear noted on the seams (nothing significant)

 

-        Cover has a few tiny wrinkles along the spine (nothing significant)

 

-        Minor shelf wear noted on the opening side (nothing significant)

 

NO OTHER IMPERFECTIONS ON THE COVER:

 

-        No split seams

-        No cut-out (drill) holes.

-        No cut-out corners

-        No saw-marks or indents

-        No dirt/dust rubbing stains (friction marks caused by rubbing against other covers)

-        No writing

-        No stamps

-        No tearing: no chips, dents or nicks on the seams

-        No peel-off marks

-        No stains

-        No mold or mildew spots

-        No stickers or labels

-        No water damage

-        No razor marks, scratches, pressure marks, lines, streaks, or  cuts.

-        No warping

-        No wax, glue, paint or liquid drops on the cover

-        No glue traces or wax residue.

-        No bar codes

-        No RIAA stamps or stickers. 

 

 

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POSTAGE & SHIPPING:

 

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