CURTIS FULLER wFREDDIE HUBBARD SOUL TROMBONE RARE ORIG'62 IMPULSE MONO LP RVG NM
$
186
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· CURTIS FULLER with FREDDIE HUBBARD, CEDAR WALTON, JIMMY HEATH AND OTHERS – SOUL TROMBONE – ORIGINAL 1961 IMPULSE RECORDS MONO LP A-13
· ORIGINAL U.S. PRESSING
· ORIGINAL ORANGE AND BLACK IMPULSE LABEL
· The record has a ►Rudy Van Gelder’s name or his initials (RVG) clearly stamped or hand-etched in the trail-off vinyl (dead wax)
· THIS IS THE ORIGINAL, AUTHENTIC, FIRST U.S. PRESSING; THIS IS NOT A REISSUE, AN IMPORT, OR A COUNTERFEIT PRESSING.
· ORIGINAL GATEFOLD COVER, MADE OF THICK CARDBOARD (AMERICAN STYLE)
· ORIGINAL LAMINATED COVER
· CLEAN, WEAR-FREE LABELS
· THICK, HEAVY VINYL PRESSING
· MONO version of this album has NEVER been available on legitimate Compact Disc or in any other digital format.
(►PLEASE SEE THE IMAGE OF THE COVER, LABEL OR BOTH, SHOWN BELOW)
(Note: this is a REAL image of the ACTUAL item you are bidding on. This is NOT a "recycled" image from our previous auction. What you see is what you’ll get. GUARANTEED!)
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Curtis Fuller was very busy as a leader between his recording debut in 1957 and these 1961 sessions, which made up his first LP for Impulse and his eighteenth overall disc of his own. Though not quite as adventurous on the trombone as J.J. Johnson, Fuller more than holds his own leading a band including Freddie Hubbard, Jimmy Heath, Jymie Merritt, and either Jimmy Cobb or G.T. Hogan on drums. The solos on this hard bop disc are superb, with Fuller giving his musicians plenty of room, while his own work is first-rate. Three of the six pieces are originals and even if they never caught on, there is no filler present anywhere.
(EXCERPT FROM AN ONLINE REVIEW BY KEN DRYDEN, ALL MUSIC GUIDE /ALLMUSIC.COM/)
For additional historical or discography information on this album, including track listing ►click here
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· CONDITION:
· RECORD
(IMPORTANT NOTE: unless otherwise noted, ALL records are graded visually, and NOT play-graded!; we grade records under the strong, diffuse room light or discrete sunlight)
(a) WE GRADE THE VINYL AS EXCELLENT. This is one of those albums that are somewhat difficult to grade. It is somewhere between VG++ and NEAR MINT, just a notch below NEAR MINT. A few light abrasions ARE visible, but they are extremely shallow, superficial and only moderately visually distracting (nothing significant).For the most part, the vinyl looks impeccable without any MAJOR visual flaws or imperfections. Much of the original luster is intact, and the vinyl shines and sparkles almost like new.
(b) The record has a ►Rudy Van Gelder name, or his initials (RVG) stamped or hand-etched in the trail-off vinyl (dead wax). On SOME Jazz labels (Blue Note, Savoy, Regent, Prestige, Impulse, Verve…) this stamp signifies highly professional masterings either done by - or personally authorized by - the legendary engineer himself.
(c) The record comes in a poly-lined inner sleeve, which has - apparently with success - shielded the vinyl from the harmful impact of elements over many years!
(d) The record is apparently pressed on a beautiful, thick, inflexible vinyl, which was usually used for the first or very early pressings. Usually, the sound on such thick vinyl pressings is full-bodied, vivid, and even dramatic. Do not expect to obtain such a majestic analog sound from a digital recording!
(e) Of course, this is a full-bodied ANALOG recording, and not an inferior, digital recording!!!
· COVER (THIS IS THE ORIGINAL, LAMINATED, GLOSSY COVER):
THE COVER IS NICE --- ABOUT EXCELLENT OR VERY GOOD+++.
The following flaws or imperfections are noted on the cover:
- Cover shows JUST A HINT of yellowing on both sides, apparently from aging. Yellowing is also noted on the INSIDE gatefold
- Cover has JUST A HINT of ring wear (nothing significant); On the scale from 1 to 10 (1 being the least, and 10 being the most severe), we assess the severity of ring wear as 1.
- Cover has two corners slightly worn (nothing significant)
- The laminated cover has a few air 'bubbles' and wrinkles in lamination (this is a common problem with most laminated 50’s and 60’s covers
- Minor shelf wear noted on the opening side (nothing significant) (VISIBLE ON BACK SIDE ONLY)
NO OTHER IMPERFECTIONS ON THE COVER:
- No split seams
- No cut-out (drill) holes.
- No cut-out corners
- No saw-marks or indents
- No dirt/dust rubbing stains (friction marks caused by rubbing against other covers)
- No wrinkles or creases
- No writing
- No stamps
- No tearing: no chips, dents or nicks on the seams
- No peel-off marks
- No stains
- No mold or mildew spots
- No stickers or labels
- No water damage
- No razor marks, scratches, pressure marks, lines, streaks, or cuts.
- No warping
- No wax, glue, paint or liquid drops on the cover
- No glue traces or wax residue.
- No bar codes
- No RIAA stamps or stickers.
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