CYBORTRON "Enter" LP NM/NM 1983, JUAN ATKINS Techno w COSMIC CARS

$

26

• Cybotron ?– Enter
• Label:
• Fantasy ?– F-9625
• Format:
• Vinyl, LP, Album
• Country:
• US
• Released:
• 1983
• Genre:
• Electronic
• Style:
• Electro, Synth-pop
• Tracklist
• A1 Enter 5:37
• A2 Alleys Of Your Mind 3:34
• A3 Industrial Lies 6:14
• A4 The Line 5:01
• B1 Cosmic Cars 4:21
• B2 Cosmic Raindance 4:00
• B3 El Salvador 5:49
• B4 Clear 4:47
• Companies, etc.
• Recorded At – Solid Sound, Ann Arbor
• Recorded At – Pearl Sound Studios
• Recorded At – Randy Howe's Parents' House
• Mastered At – Fantasy Studios
• Phonographic Copyright (p) – Fantasy Records
• Published By – Deep Space Music
• Pressed By – Columbia Records Pressing Plant, Pitman
• Credits
• Advisor [Special] – Tyrone Steels, Billy Talbert*
• Art Direction – Phil Carroll
• Artwork [Digital Video Processing] – Ed Tannenbaum, James Wiseman
• Cover, Artwork, Design – Jamie Putnam
• Electric Guitar [Electronic] – Jon-5
• Engineer – Ben Grosse (tracks: A4, B1), Rob Martens (tracks: A1, A3, B2 to B4), Will Spencer (tracks: A1, A3, B2 to B4)
• Mastered By – George Horn
• Producer – 3070, Juan*
• Vocals, Electronics, Composed By – 3070, Juan Atkins
• Written-By – 3070 (tracks: A1, A4), Jon-5 (tracks: A1, A4), Juan Atkins (tracks: A1, A2, A4 to B4)
• Notes
• This first pressing is known for containing the "rougher" original version of track B4 "Clear".
• 
  
• On second pressing variations and subsequent reissues, it was replaced with a Jose Animal Diaz remixed version of the track.
• 
  
• It can be identified from subsequent versions by the differences in runout etchings. Mainly by the additional etchings found on side B of those editions.
 
• Recorded at Solid Sound, Ann Arbor, except 'Cosmic Cars' and 'The Line' which were recorded at Pearl Sound, Ann Arbor, and 'Alleys Of Your Mind' which was recorded at Randy Howe's Parents' House.
• 
  
• The sleeve credits Juan Atkins as the writer on tracks where he was involved whereas the center labels credit him as both Juan Atkins and Atkins.
• Barcode and Other Identifiers
• Matrix / Runout (Label side A): (F-9625-A)
• Matrix / Runout (Label side B): (F-9625-B)
• 
  
• GOLDMINE GRADING

MINT ---- It should appear to be perfect. No scuffs or scratches, blotches or stains, labels or writing, tears or splits. Mint means perfect.

NEAR MINT ---- Otherwise mint but has one or two tiny inconsequential flaws that do not affect play. Covers should be close to perfect with minor signs of wear or age just becoming evident: slight ring-wear, minor denting to a corner, or writing on the cover should all be noted properly.

VERY GOOD PLUS ---- The record has been handled and played infrequently or very carefully. Not too far from perfect. On a disc, there may be light paper scuffs from sliding in and out of a sleeve or the vinyl or some of the original luster may be lost. A slight scratch that did not affect play would be acceptably VG+ for most collectors.

VERY GOOD ---- Record displays visible signs of handling and playing, such as loss of vinyl luster, light surface scratches, groove wear and spindle trails. Some audible surface noise, but should not overwhelm the musical experience. Usually a cover is VG when one or two of these problems are evident: ring wear, seam splits, bent corners, loss of gloss, stains, etc.

GOOD ---- Well played with little luster and significant surface noise. Despite defects, record should still play all the way through without skipping. Several cover flaws will be apparent, but should not obliterate the artwork.

POOR ---- Any record or cover that does not qualify for the above "Good" grading should be seen as Poor. Several cover flaws.