Cannonball Adderley - Somethin' Else - 4 x Clear 200g LP - Classic Records Mint

	£		112
	$		148

For information relating to payment, postage packaging and grading guidelines please see the details beneath the bulk of the advert.

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It is an understatement to say that Miles Davis did not record as a sideman for just anyone. In fact, the number of times after 1950 that the trumpeter agreed to uplift another musician’s record can be counted on one hand, but Cannonball Adderley was not just “another musician.” Considered a sensation when he debuted in New York in 1955, Adderley’s brilliant technique and creative ideas were matched by his jubilant sound which was always full of joy and excitement. After leading a very enjoyable and commercially successful quintet during 1955-57, Adderley became a member of the Miles Davis Sextet, playing next to John Coltrane. Cannonball would have phenomenal success with his own quintet in 1959 but he was already one of the greatest jazz musicians when he recorded his lone Blue Note album, Somethin’ Else in 1958. Joined by the Hank Jones Trio, this was the lone album that Adderley and Davis ever made together as the only horns. Among the five performances are very memorable renditions of “Love For Sale” and “One For Daddy-O.” The highpoint is what could be considered the finest jazz recording ever of “Autumn Leaves.” Davis’ melancholy tone proved to be the perfect contrast to Adderley’s joyful and exuberant playing which is overflowing with both creative ideas and pure enthusiasm. The classic music on Somethin’ Else is sophisticated and earthy, melodic yet full of constant creativity. This is a true gem.

Classic Records Reissue QUIEX SV-P 200 gram premium vinyl,replica of the DG (deep groove) -BLUE NOTE RECORDS INC · 47 WEST 63rd · NYC

 Artist - Cannonball Adderley

A Autumn Leaves   
B Love For Sale   
C Somethin' Else   
D1 One For The Daddy-O   
D2 Dancing In The Dark

 Catalogue No. - BST 1595-45

Record Condition - Mint

Box Condition - Mint

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PAYMENT

Payment can be made by Paypal Only.

We accept Paypal cheques, but need to wait for clearance before despatching your item.

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POSTAGE

I hate being overcharged for postage, it’s money for nothing. So we aim to keep our postage costs fair and transparent. Obviously each item is different, but we’ve done a fair bit of work to establish the correct postage price before posting.  If you feel hard done by, please get in contact.

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PACKAGING

We’re record lovers too and hate receiving items marked as ‘Mint’ and turns out to be scuffed or ripped. This can be avoided!

We use top quality packaging materials - so all our items arrive with you, the buyer, in top notch condition.

Please note: all records are removed from their sealed packaging UNLESS REQUESTED OTHERWISE. Once removed from their packaging, they are kept in a 250g polysleeve which ensures protection. The record(s) and its sleeves are then placed between 2 stiffeners. This ensures that everything arrives exactly as you’d want it to.

Remember - we all need to recycle where possible, so with larger orders and larger items, we re-use the packing boxes and protective wrapping received from our suppliers.

The charges for packaging are based on the following:

FORMAT

PACKAGING

COST

7”

1 polysleeve, 2 stiffeners, 1 card envelope

£0.80

10”

1 polysleeve, 2 stiffeners, 1 card envelope

£1.00

12” / LP

1 polysleeve, 2 stiffeners, 1 card envelope

£1.00

2 x12”

2 polysleeve, 2 stiffeners, 1 card envelope

£1.10

CD

1 Jiffy bag

£0.60

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Grading based on Record Collector Guidelines:

Mint   The record itself is in brand new condition with no surface marks or deterioration in sound quality. The cover and any extra items such as the lyric sheet, booklet or poster are in perfect condition. Records advertised as sealed or unplayed should be Mint.

Excellent   The record shows some signs of having been played, but there is very little lessening in sound quality. The cover and packaging might have slight wear and/or creasing.

Very Good   The record has obviously been played many times, but displays no major deterioration in sound quality, despite noticeable surface marks and the occasional light scratch. Normal wear and tear on the cover or extra items, without any major defects, is acceptable.

Good   The record has been played so much that the sound quality has noticeably deteriorated, perhaps with some distortion and mild scratches. The cover and contents suffer from folding, scuffing of edges, spine splits, discolouration etc.

Fair   The record is still just playable but has not been cared for properly and displays considerable surface noise, it may even jump. The cover and contents will be torn, stained and/or defaced.

Poor   The record will not play properly due to scratches, bad surface noise, etc. The cover and contents will be badly damaged or partly missing.

Bad   The record is unplayable or might even be broken, and is only of use as a collection-filler.

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