Chet Baker & Art Pepper "PLAYBOYS" Orig.1957 DG World Pacific PJ1234 Microgroove
  $   125

 


$ 125 Sold For
Oct 10, 2014 Sold Date
Oct 5, 2014 Start Date
1 Number Of Bids
  USA Country Of Seller
eBay Sold at
 
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Description



Chet Baker & Art Pepper
"Playboys"
On World Pacific Records PJ 1234
Long Playing Microgroove

Vinyl boasts original shine, gloss and luster. It looks as if rarely played. I can see just a faint few light hairline superficial surface marks visible (not "feelable") under strong light. graded at VG++.

Cover shows vague general wear on front, some light stains and a small name in pen on the bottom of back cover. top and bottom seams repaired with tape along edge.





Art Pepper (September 1, 1925 – June 15, 1982),[1] born Arthur Edward Pepper, Jr., was an American alto saxophonist and clarinetist.Pepper was born in Gardena, California.[2] He began his career in the 1940s, playing with Benny Carter and Stan Kenton (1946–52).[1] By the 1950s Pepper was recognized as one of the leading alto saxophonists in jazz, epitomized by his finishing second only to Charlie Parker as Best Alto Saxophonist in the Down Beat magazine Readers Poll of 1952. Along with Chet Baker, Gerry Mulligan and Shelly Manne, and perhaps due more to geography than playing style, Pepper is often associated with the musical movement known as West Coast jazz, as contrasted with the East Coast (or "hot") jazz associated with the likes of Charlie Parker, Dizzy Gillespie and Miles Davis. Some of Pepper's most famous albums from the 1950s are Art Pepper Meets the Rhythm Section, Art Pepper + Eleven - Modern Jazz Classics, Gettin' Together, and Smack Up. Representative music from this time appears on The Aladdin Recordings (three volumes), The Early Show, The Late Show, The Complete Surf Ride, and The Way It Was!, which features a session recorded with Warne Marsh.

Chesney Henry "Chet" Baker, Jr. (December 23, 1929 – May 13, 1988) was an American jazz trumpeter, flugelhornist and vocalist.

Baker earned much attention and critical praise through the 1950s, particularly for albums featuring his vocals (Chet Baker Sings, It Could Happen to You). Jazz historian David Gelly described the promise of Baker's early career as "James Dean, Sinatra, and Bix, rolled into one."[3] His "well-publicized drug habit" also drove his notoriety and fame; Baker was in and out of jail frequently before enjoying a career resurgence in the late 1970s and '80s.


 

All in all, this is a great LP -- described and graded visually -- at a remarkable starting price.



 


 








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