Chuck Israels, National Jazz Ensemble Vol. 1, 1976 LP, Bill Evans, NM Vinyl
$
24
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Description
(Visually Graded) Vinyl looks Near Mint and sleeve looks VG+. See pics and info for details.
** Rare, Hard-To-Find **
National Jazz Ensemble, Chuck Israels – National Jazz Ensemble Vol. 1
Label: Chiaroscuro Records – CR-140, Chiaroscuro Records – CR 140
Format: 12", 33rpm, Stereo, Vinyl, LP, Album
Country: US
Released: 1976
Genre: Jazz
Style: Big Band / Swing, Traditional
Tracklist
A1 Every Tub
A2 Understanding Depression
A3 Black Bottom Stomp
A4 Transblucency
B1 Room 608
B2 Solar Complexes
B3 Hot Feet
B4 Very Early
B5 Harlem Airshaft
Notes
Acoustic Bass – Chuck Israels (tracks: A1, A4, B4)
Alto Saxophone – Lee Konitz (tracks: B2)
Bass – Lisle Atkinson (tracks: A2, A3, B1, B2, B3, B5)
Cover – Ron Warwell
Directed By, Producer, Liner Notes – Chuck Israels
Drum – Bill Goodwin
Engineer – Noel Edward Smith
Guitar – Steve Brown (17)
Horn – John Clark (tracks: B4)
Photography – Lee Neal
Piano – Ben Aronov, Bill Evans (tracks: B4)
Producer – Hank O'Neal
Reeds – Dennis Anderson, Gregory Herbert, Kenny Berger, Lawrence Feldman, Sal Nistico
Remix – Fred Miller
Trombone – Jimmy Knepper, Joe Randazzo, Rod Levitt
Trumpet – Danny Hayes, Dave Berger*, Jimmy Maxwell, Tom Harrell
Voice – Margot Hanson (tracks: A4)
- bio - Chuck Israels
Real Name:
Charles H. Israels
Profile:
American jazz bassist, composer and arranger, born August 10, 1936 in New York.
Israels is best known for his work with The Bill Evans Trio (1961-1966). He has also worked with Billie Holiday, Benny Goodman, Coleman Hawkins, Stan Getz, Herbie Hancock, J.J. Johnson, John Coltrane and many others. He served as Director of the National Jazz Ensemble from 1973 to 1981. He is now the Director of Jazz Studies at Western Washington University in Bellingham. -wikipedia
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- General Standards For Record Grading -
NM-
(NEAR MINT) The vinyl is almost flawless, bright and shiny. A very light minor, barely visible mark or two may be permitted. The disc should play with no audible noise. The label is bright, clean and unmarked. Sleeve looks almost Mint.
VG++/EX
(VERY GOOD ++/ Excellent) Disc plays near perfectly, but may have minor, light scuffs that do not interfere with the sound quality. There can possibly be a light hairline scratch or two but nothing that is obvious or affects play. Vinyl is bright and shiny; label is clean and unmarked. Sleeve is Excellent.
VG+
(VERY GOOD PLUS) Some visible surface wear, very minor scratches and scuffs, but minimal impact on the sound quality. Vinyl will still have good luster; labels may have minor imperfections (small labels or initials, etc.) but otherwise clean. Sleeve may have some shelf wear, or minor writing, no seem splits.
VG
(VERY GOOD) Vinyl will have noticeable scratches and scuffs that cause surface noise There should be no skips. Vinyl may appear somewhat dull and grayish. Labels may have small tears, tape marks, larger writing, etc. but still easily legible. Sleeve may have moderate wear or writing, tape, price tags etc, seem splits. May have promo corner, hole or notch in sleeve.
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