Creedence Clearwater Revival by Creedence Clearwater Revival.
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Creedence Clearwater Revival by Creedence Clearwater Revival.
or Rating:
Tracks:
I Put a Spell on You
Working Man, The
Susie Q.
Ninety-Nine and a Half (Won't Do)
Get Down Woman
Porterville
Gloomy
Walk on the Water
Performer Notes: Creedence Clearwater Revival: John Fogerty (vocals, guitar); Tom Fogerty (guitar); Stu Cook (bass); Doug Clifford (drums).
Includes liner notes by Ben Fong-Torres.
Digitally remastered utilizing the 20-Bit K2 Super Coding System.
CCR seemed like something of an anomaly on their 1968 debut. They were miles from the mind-expanding flower-power explorations of their California contemporaries. They came across as a gritty, hard-hitting band respectful of their blues, country, and rock & roll roots. John Fogerty's cutting, raspy voice bore echoes of Howlin' Wolf and Little Richard as he delivered lyrics that alternately celebrated and bemoaned a working man's life, much like Merle Haggard and other '60s country artists. That the strong New Orleans swamp-rock flavor seemed so natural (Californian Fogerty's bayou tales were pure flights of fancy) was a testament to the strength of CCR's musical vision. The way they put a respectful but contemporary twist on Dale Hawkins's "Suzie Q" and the chilling "I Put a Spell on You" shows that they knew enough about the past to step confidently into rock & roll's future.
Professional Reviews: Mojo (Publisher) (12/01, p.116) - "...Suprisingly powerful..."
Format: Vinyl (1 Disc)
Country: USA
Studio/Live: Studio
Release Date: 9 March, 2015
Label: Decca
Performer Notes: Creedence Clearwater Revival: John Fogerty (vocals, guitar); Tom Fogerty (guitar); Stu Cook (bass); Doug Clifford (drums).- Includes liner notes by Ben Fong-Torres.
- Digitally remastered utilizing the 20-Bit K2 Super Coding System.
- CCR seemed like something of an anomaly on their 1968 debut. They were miles from the mind-expanding flower-power explorations of their California contemporaries. They came across as a gritty, hard-hitting band respectful of their blues, country, and rock & roll roots. John Fogerty's cutting, raspy voice bore echoes of Howlin' Wolf and Little Richard as he delivered lyrics that alternately celebrated and bemoaned a working man's life, much like Merle Haggard and other '60s country artists. That the strong New Orleans swamp-rock flavor seemed so natural (Californian Fogerty's bayou tales were pure flights of fancy) was a testament to the strength of CCR's musical vision. The way they put a respectful but contemporary twist on Dale Hawkins's "Suzie Q" and the chilling "I Put a Spell on You" shows that they knew enough about the past to step confidently into rock & roll's future.
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