Crusaders Make A Jouyful Noise Xian Garage Fuzz Psych Love Exchange
  $   28

 


$ 28 Sold For
Feb 10, 2013 Sold Date
Feb 3, 2013 Start Date
1 Number Of Bids
  Japan Country Of Seller
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Description


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Item shipping from Japan / Item Description

The Crusaders -
Make A Jouyful Noise With Drums And Guitars
(US Tower ST-5046 Stereo) 1966
Album Produced by Hank Levine and Larry Goldberg.
Arranged and Conducted by Hank Levine.
The Crusaders was a Southern Californian garage rock band,
whose 1966 album Make a Joyful Noise with Drums and Guitars
is considered one of the first gospel rock releases,
or even "the first record of Christian rock".
The Crusaders was a five member band that evolved out
of surf bands Scope Unlimited and The Sidewinders who
got together while attending Westchester High School, Los Angeles.
Scope Unlimited, which included Fred Barnett,
his brother Jeff Barnett, Dan Altchuler and Walt Flannery,
played mostly at recreational centers in Westchester and
school dances. According to lead guitarist Fred Barnett,
he was taught how to play surf style lead guitar by Tom Stanton,
the original guitarist of The Crossfires from the Planet Mars,
another Westchester surf band, who became The Turtles in 1965.
Scope Unlimited rehearsed for eight years
in Barnett's parents' garage, played songs by Duane Eddy,
Dick Dale, the Surfaris, and the Pyramids, and recorded
a surf music "Square Dance" and a surf instrumental
written by Fred Barnett.
While still students at Westchester High School, Altchuler
and Flannery formed a new band called Freddy and The Fanatics,
which included the Barnett brothers and Mike Joyce.
According to Fred Barnett, "one of Walt Flannery's trademarks
as our lead singer was to wear either a biker jacket
or a monk's robe with chains on stage.
Then when he would start to sing, usually a Rolling Stones song,
he'd bite down on packets of ketchup so it would look as
though he was spitting up huge amounts of blood".
By 1966 the band was signed by Tower Records,
a subsidiary of Capitol Records. and their name was changed
to The Crusaders. While the band was described as:
"five sincere young men ... who have chosen the Big Beat
as the means of expressing the religious faith",
Flannery and Joyce were both raised as Roman Catholics,
while Altchuler and the Barnett brothers were raised
in liberal Jewish families.
The Crusaders were "one of the first on the scene
with a “contemporary musical expression: The Beat”"
By 1967 their manager Barry Kaye, who was "a real Hollywood creep ..
[who] took every penny we made off of some real big gigs",
persuaded The Crusaders to change their name to The Love Exchange,
and moved to San Francisco, California.According to Richie Unterberger:
"The Love Exchange were a typical support-level Los Angeles band
of the psychedelic era, right down to their name.
After experimenting briefly with 14 year-old Lana V. Hale,
the only daughter of actor Alan Hale, Jr.,famous as the skipper
on Gilligan's Island, as their female lead singer,
they replaced Hale with 16 year-old lead singer Bonnie Blunt,
described as "the group's strongest asset, giving them
the competent vocals in the soaring, folky Mamas & the Papas or
early Jefferson Airplane style".
After The Love Exchange disbanded, Walt Flannery moved to
Los Angeles and became a member of a band called Charity.
The other members of Charity were Jeff Oxman (vocals),
James Peters, John Cortinas, and Kent Henry,
who later became a member of Steppenwolf, played guitar on this album.
In 1969 Charity was signed to Uni Records and
released album called "Charity Now"
A tiny pin hole on cover top left corner.
Few minor paper scuffs on Clean disc


I have indicated only the thing attached to this item in description.
What is not indicated in description is not attached to this item.
All Visual Gradings Condition - Cover / Disc
VG+/M-


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A package with cardboard fillers and air cap.
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In the case of Small Packet Standard Mail
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Grading Standards (All Visual Gradings)
However Lower than VG++ is played for sound check.Don't worry about that.
SEALED Cover Unopened Still Sealed M (Mint) Beautiful And Has Glossy M- (Mint-) Almost Mint. Still in the beautiful condition.
Might have a slight paper scuff or hairline EX (Excellent) Quite Excellent However it has dim like Near Mint minus VG++ (Very Good++) Very Clean Records, Well taken care of. Some light scuffs
and hairlines, a few light marks. Plays extremely well.
Under this condition is not a beautiful item. VG+ (Very Good+) General condition by the record of the 60s.
A certain damage is on a cover. Although there is a part
which can check surface noise as rub against a disc.
Well taken care of. A few scuffs, possibly a few light scratches and
marks. Minimum of distracting noise.it can be heard good enough. VG (Very Good) The bruise or dirt on a cover are conspicuous. A noise is conspicuous.
It is the appearance which is the radio broadcast of prewar days. VG- (Very Good-) A tender-hearted person allows. It tastes and deep noise enters.
The past until it arrives here is recalled. G (Good) / F (Fair) Good ? Ha ! / Fair ? Ha ! Frisbee ! !



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