Curtis Fuller: Soul Trombone And The Jazz Clan, 1962 LP Mono, Jazz - EX Vinyl
  $   275

 


$ 275   (best offer accepted)   Sold For
Feb 14, 2024 Sold Date
Jul 17, 2022 Start Date
1 Number Of Bids
  USA Country Of Seller
eBay Sold at
 
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Description

(Visually Graded) Vinyl looks Near Mint and sleeve looks VG+. See pics and info for details. 
** Rare, Hard-To-Find **

Curtis Fuller: Soul Trombone And The Jazz Clan

Label:    Impulse! – A-13
Format:    Gatefold, 12", 33rpm, Vinyl, LP, Album, Mono
Country:    US
Released:    1962
Genre:    Jazz
Style:    Post Bop, Cool Jazz, Modern Jazz

Tracklist

A1        The Clan
6:16
A2        In The Wee Small Hours In The Morning
4:54
A3        Newdles
7:37
B1        The Brezze And I
4:00
B2        Dear Old Stockholm
9:05
B3        Ladies' Night
6:30

Notes / Credits

    Bass – Jymie Merritt
    Drums – Jimmy Cobb (tracks: A1 to B1, B3)
    Engineer – Frank Abbey
    Lacquer Cut By – RVG*
    Piano – Cedar Walton
    Producer – Bob Thiele
    Tenor Saxophone – Jimmy Heath
    Trombone – Curtis Fuller
    Trumpet – Freddie Hubbard

Mono first pressing with Ampar on labels.

"RVG" stamped on both sides

- bio - Curtis DuBois Fuller (December 15, 1932 – May 8, 2021) was an American jazz trombonist. He was a member of Art Blakey's Jazz Messengers and contributed to many classic jazz recordings.

 Alfred Lion of Blue Note Records first heard Fuller playing with Miles Davis in the late 1950s, and the trombonist led four dates for Blue Note, though one of these, an album with Slide Hampton, was not issued for many years. Lion featured him as a sideman on record dates led by Sonny Clark (Dial "S" for Sonny, Sonny's Crib) and John Coltrane (Blue Train). Other sideman appearances over the next decade included work on albums under the leadership of Bud Powell, Jimmy Smith, Wayne Shorter, Lee Morgan and Joe Henderson (a former roommate at Wayne State University in 1956).

Fuller was also the first trombonist to be a member of the Art Farmer-Benny Golson Jazztet, later becoming the sixth man in Art Blakey's Jazz Messengers in 1961, staying with Blakey until 1965. In the early 1960s, Fuller recorded two albums as a leader for Impulse! Records, having also recorded for Savoy Records, United Artists, and Epic after his obligations to Blue Note had ended.[3][8] In the late 1960s, he was part of Dizzy Gillespie's band that also featured Foster Elliott. Fuller went on to tour with Count Basie and also reunited with Blakey and Golson. -wikipedia

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- General Standards For Record Grading -


NM-
(NEAR MINT)
The vinyl is almost flawless, bright and shiny. A very light minor, barely visible mark or two may be permitted. The disc should play with no audible noise. The label is bright, clean and unmarked. Sleeve looks almost Mint.
VG++/EX
(VERY GOOD ++/ Excellent)
Disc plays near perfectly, but may have minor, light scuffs that do not interfere with the sound quality. There can possibly be a light hairline scratch or two but nothing that is obvious or affects play. Vinyl is bright and shiny; label is clean and unmarked. Sleeve is Excellent.
VG+
(VERY GOOD PLUS)
Some visible surface wear, very minor scratches and scuffs, but minimal impact on the sound quality. Vinyl will still have good luster; labels may have minor imperfections (small labels or initials, etc.) but otherwise clean. Sleeve may have some shelf wear, or minor writing, no seem splits.
VG
(VERY GOOD)
Vinyl will have noticeable scratches and scuffs that cause surface noise There should be no skips. Vinyl may appear somewhat dull and grayish. Labels may have small tears, tape marks, larger writing, etc. but still easily legible.  Sleeve may have moderate wear or writing, tape, price tags etc, seem splits. May have promo corner, hole or notch in sleeve.


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