DANIEL JOHNSTON - Continued Story LP (Vinyl, 1991, Homestead, HMS 155-1, USA )
£
23
$
30
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Description
FORMAT: Vinyl LP, 33rpm
RECORD LABEL: Homestead
COUNTRY OF ORIGIN: US of A
RELEASE DATE: 1991
CATALOGUE NO: HMS 155-1
(NOTE: I am now play-grading all my vinyl. I can't promise to play everything all the way through, but will be checking for any curving or warping and/or excessive surface noise - hiss, snap, crackles & pops. And if there are any dodgy looking areas with gouges, scratches, pit marks etc. I will double check that there is no skipping or sticking, and that playback is not adversely affected)
LP: Excellent
OUTER SLEEVE: Excellent
(Plain paper inner)
POSTAGE: £3.00 UK. £4.00 EUROPE. £7.00 THE REST OF THE WORLD.
COMBINED POSTAGE: UK: EACH ADDITIONAL LP/12" = £1.00
EUROPE: EACH ADDITIONAL LP/12" = £2.00
TR of the W: EACH ADDITIONAL LP/12" = £2.50
RECORDED/ TRACKED DELIVERY: UK: Add £1.00
Europe: Add £5.00
TR of the W: Add £5.50
STORED OUT OF SUNLIGHT IN VERTICAL POSITION. FROM A PET, DAMP AND SMOKE FREE HOME.
ANY QUESTIONS OR REQUESTS FOR MORE DETAILED PHOTOS ETC, PLEASE DO NOT HESITATE TO CONTACT ME.
I TRY & GRADE ALL SLEEVES AND VINYL AS FAIRLY & ACCURATELY AS POSSIBLE, BUT IF YOU FEEL I HAVE GRADED THIS RECORD INCORRECTLY, OR IF ANY OF THE ABOVE INFORMATION IS INCORRECT PLEASE TELL ME.
ALL VINYL WILL BE POSTED IN A GLASS CLEAR, VERY BEST QUALITY 450G PVC SLEEVE, IN A CARDBOARD RECORD MAILER, WITH CARDBOARD STIFFENERS, REMOVING ALL INNERS TO PREVENT SPLITTING TO THE SEAMS IN TRANSIT.
Tracklisting
A1 It's Over
A2 Ain't No Woman Gonna Make A George Jones Outta Me
A3 The Dead Dog Laughing In The Clouds
A4 Funeral Home
A5 Her Blues
A6 Running Water Revisited
A7 I Saw Her Standing There
A8 Casper
B1 Ghost Of Our Love
B2 Fly Eye
B3 Etiquette
B4 A Walk In The Wind
B5 Dem Blues
B6 Girls
LP Review (courtesy of Allmusic.com)
Recorded originally in December of 1985 and released in cassette form by Daniel Johnston (who reportedly gave them away to cute girls that he met at his job at McDonald's), Continued Story is a raw, home-recorded-sounding record that will chiefly be of interest to true Daniel Johnston fans. It has plenty of the noisy, nonsensical recording sounds and glitches that mark all of Johnston's early efforts. Many of the songs don't amount to much of anything, while there are also tunes that are among his most popular, like "Caspar" and "Ain't No Woman Gonna Make a George Jones Outta Me" -- though the recordings of these tunes on Continued Story are really not so great. However, Johnston's cover of the Beatles' "I Saw Her Standing There" is a beautiful thing, accompanied only by a couple of keys on the piano. Johnston has covered numerous Beatles tunes and this is one of his best. On several of these tunes he's also accompanied by an acoustic guitarist or a band, and some of these numbers, like "Etiquette" or "Dem Blues," are pretty clever.
Artist Profile (courtesy of Allmusic.com)
As with other talented but troubled artists such as Syd Barrett, Brian Wilson, and Roky Erickson, Daniel Johnston fights a daily battle with the chronic mental illness that has plagued him nearly his entire life. However, despite recurrent bouts of delusional behavior wherein he has physically endangered himself and others, Johnston has carved out a respectable, influential career as a singer/songwriter of extraordinary talent who has grown since his first crudely recorded cassette was released in 1980. He became the singer/songwriter of choice of the alternative/underground rock scene, and at various times has had his work championed by members of Sonic Youth, Yo La Tengo, Butthole Surfers, Half Japanese, Nirvana (Kurt Cobain was often photographed wearing a Daniel Johnston T-shirt), and numerous others.
Until the '90s, Johnston's recordings were basically homemade affairs, his plain voice accompanied by crude piano and guitar playing. His narrative concerns focused mainly on lost love, the pain of miscommunication, his love for the Beatles, and comic-book superhero Captain America. Johnston's music is unflinchingly direct, almost embarrassingly and painfully honest. Because of this and his increasingly erratic behavior, he was considered a local hero in his home of Austin, TX (where he moved from rural West Virginia), but too extreme to engender the interest of a record label. That situation changed in 1985, when MTV filmed a program on the Austin music scene. Johnston's performance brought him almost overnight acclaim, and he went from local legend to national cult figure. Soon, many of his self-released cassette recordings (on his appropriately named Stress label) began showing up in hip record stores from Boston to L.A., and the buzz was that Daniel Johnston was the coolest. There was, however, a grim side to this "success," as if his mental illness was the primary component of his hipness; therefore, there was a feeling that those not close to him were marketing his illness as much as his talent. Sadly, Johnston's behavior wasn't helping, and he was institutionalized twice in the late '80s after his refusal to take medication led to two dangerous episodes.
In the late '80s, indie label Homestead issued some of Johnston's early recordings on vinyl and a full-blown appreciation of Johnston's work was well underway. Soon he was recording solo and with Half Japanese mastermind Jad Fair on the Shimmy Disc indie label, and later with Butthole Surfer Paul Leary, who may well be the best producer/musical accompanist Johnston ever had. Johnston, to the amazement of virtually everyone, recorded for Atlantic, and despite occasional behavioral lapses, seemed more self-assured than ever. As a result, in the late '90s and 2000s, he recorded some of the best music of his career -- smart, ebullient pop with ringing guitars, primitive keyboards, and a wonderfully naïve way of looking at the world. Although he sometimes becomes sad and bitter, cynicism and self-pity aren't his style, and that makes the little tragedies and epiphanies he writes about all the more compelling. Johnston was exposed to an even larger audience in 2005 with the release of The Devil and Daniel Johnston, a feature-length documentary that premiered at the Sundance Film Festival, eventually making its way around the world. The Electric Ghosts, an album credited to the duo of Johnston and Don "Jack Medicine" Goede, arrived in March 2006, followed by Is and Always Was in 2009. In 2010, Johnston worked with BEAM, an 11-piece orchestra from the Netherlands, touring with them and eventually recording some tracks with them for his album Beam Me Up!, which featured a mix of new solo work as well as some re-recorded classics. Johnston's world may seem small, but it's much bigger and friendlier than that of your wildest imagination.
THANK YOU FOR L@@KING AND HAPPY BIDDING!!!!
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