DAVE BRUBECK QUARTET Time Out CLASSIC RECORDS HQ 180 Rare AUDIOPHILE Sealed
  $   62

 


$ 62 Sold For
Aug 15, 2012 Sold Date
Aug 8, 2012 Start Date
$   10 Start price
33   Number Of Bids
  USA Country Of Seller
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Description

DAVE BRUBECK QUARTET Time Out
New & Sealed Audiophile Vinyl Record


Record Label: Classic Records/Columbia CS 8192

Highly collectable release from audiophile label, Classic Records. This title was mastered by Classic Records at Half Speed from the original source master tapes. An all-analog, tube amplification process was used at every step. Classic Records used a proprietary vinyl, in either 180 gram or 200 gram weight, that guaranteed virtually no surface noise and sonically superior dynamics.

Classic Records pride themselves for releasing each album with the original artwork, LP labels and any other materials which were included with original pressings.

Record is new and still sealed in it's original plastic sleeve. Perforation is completely intact. Corners are sharp, colors vibrant and spine is straight. There are no flaws or blemishes. 100% mint.

Side One
1. Blue Rondo A La Turk
2. Strange Meadowlark
3. Take Five

Side Two
4. Three To Get Ready
5. Kathy's Waltz
6. Everybody's Jumpin
7. Pick Up Sticks

Review: Dave Brubeck's defining masterpiece, Time Out is one of the most rhythmically innovative albums in jazz history, the first to consciously explore time signatures outside of the standard 4/4 beat or 3/4 waltz time. It was a risky move... Brubeck's record company wasn't keen on releasing such an arty project, and many critics initially roasted him for tampering with jazz's rhythmic foundation. But for once, public taste was more advanced than that of the critics.

Buoyed by a hit single in altoist Paul Desmond's ubiquitous "Take Five," Time Out became an unexpectedly huge success, and still ranks as one of the most popular jazz albums ever. That's a testament to Brubeck and Desmond's abilities as composers, because Time Out is full of challenges both subtle and overt... it's just that they're not jarring.

Brubeck's classic "Blue Rondo à la Turk" blends jazz with classical form and Turkish folk rhythms, while "Take Five," despite its overexposure, really is a masterpiece; listen to how well Desmond's solo phrasing fits the 5/4 meter, and how much Joe Morello's drum solo bends time without getting lost.

The other selections are richly melodic as well, and even when the meters are even, the group sets up shifting polyrhythmic counterpoints that nod to African and Eastern musics.

Some have come to disdain Time Out as it's become increasingly synonymous with upscale coffeehouse ambience, but as someone once said of Shakespeare, it's really very good in spite of the people who like it. It doesn't just sound sophisticated -- it really is sophisticated music, which lends itself to cerebral appreciation, yet never stops swinging. Countless other musicians built on its pioneering experiments, yet it's amazingly accessible for all its advanced thinking, a rare feat in any art form. This belongs in even the most rudimentary jazz collection.


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