DAVID AXELROD- Songs of Experience 1969 LP classic M-
$
66
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Description
PLEASE TAKE A LOOK AT MY OTHER eBAY AUCTION AND STORES LISTINGS - ALWAYS EXPECT THE UNEXPECTED
MANY RARE AND OBSCURE LP LISTINGS NEW THIS WEEK
David Axelrod-"Songs of Experience" in stereo on Capitol ST-338.
Record Grade: Mint-, a few hairline marks which do not effect play
Cover Grade: VG+, gatefold cover, minor wear to front cover, small area bottom left corner where slick has worn away, 6" top seam split at opening on back half of gatefold, minor ringwear on back cover, some spots on back cover around the perimiter where the paper is worn away (in other words front cover and inside of gatefold is in substantially better condition than the back cover)
Labels: Green, purple logo
First pressing, not a reissue.
About the Album: by Thom Jurek
After the modicum of success he'd experienced with his debut, Song of Innocence, set to William Blake's epic suite of poems, composer, arranger, and producer David Axelrod turned to the British poet's Songs of Experience for inspiration in creating his follow-up album. Using eight of Blake's poems, Axelrod composed a suite that was less rock in its aim and more pop- and jazz-oriented in places, but overall a more orchestral work. Texturizing a symphony with percussive elements and the use of British and Irish folk song, as well as the stylistic inventions of fellow arranger Gerald Wilson for effect, Axelrod created a sobering, and, in places, even melancholy collage of song and lyrical styles that slid rather than drove home its point: that experience is a good but bittersweet teacher. Axelrod's compositions are positively literary here, lush and varied, using as much space as they do sound for dramatic and dynamic effect. His complex use of the various colors the horn section was capable of producing allowed him to create new palettes for the rock instrumentation. The centerpiece of the album is "The Human Abstract," a gently swinging, funky, bass-driven work that juxtaposes a strummed electric guitar playing augmented sevenths against an acoustic piano and a muted drone of horns. By the time the guitar enters for its solo, the strings have erected a space out of the ether for themselves to further shore up the orchestra's time-honored body against the wail of unrepentant youth. The tension in the tune is dramatic, colorful, and hued with as much red and yellow as there is blue and black. When the French horns and tuba state their case against the high-flying impetuousness of the restless spirit, a piano bridges the gap, whispering the melody's main theme in the center channel, whispering them both out into silence. Other notables are the positively majestic "The Divine Image," and the pastoral sadness in "A Little Girl Lost." Axelrod's meditations were getting darker with the times in 1969, but they hadn't yet reached the horrific potential for darkness that they would on 1971's Earth Rot. In 1969, Axelrod was still a musical contemplative searching for a sound that best exemplified not only his feelings but also the heady text he sought to sonically illustrate. He succeeded in spades.
Tracks
- 1 The Poison Tree Axelrod 3:12
- 2 A Little Girl Lost Axelrod 3:28
- 3 London Axelrod 2:49
- 4 The Sick Rose Axelrod 4:49
- 5 The School Boy Axelrod 2:32
- 6 The Human Abstract Axelrod 5:35
- 7 The Fly Axelrod 4:54
- 8 The Divine Image Axelrod 4:42
All of my records are shipped in sturdy cardboard LP or 45 rpm mailers with appropriate padding (heavy cardboard fillers or bubble wrap or "peanuts" or some combination thereof". With the exception of sealed LP's, all LP's are removed from their outer sleeves to prevent seam splitting. Upon request, I will give your sealed LP's the same treatment. (once an LP is shipped sealed, it cannot be returned once opened).
All records are carefully graded. In an attempt to give customers an accurate impression of condition rather than adhere to somewhat arbitrary criteria, I give an "overall presentation" grade, supplemented when necessary with additional remarks. Please refer to my grading system below for a more detailed explanation.
MY GRADING SYSTEMS: I’ve been told that I grade conservatively. My NM (near mint) is my highest grade for opened records (which would also include unplayed records). It’s a 9 or 10 on a 1-10 scale. M- would be equivalent to an 8; VG++ to a 7; VG+ to a 6; VG to a 5; VG- to a 4; G to a 3; F to a 2 and P to a 1. The same scale applies when I grade covers (jackets). Significant defects are specifically noted and taken into consideration in the grade.
GRADING DESCRIPTIONS
RECORDS:- GRADING Grading is based on the following criteria
- Sealed = store stock new
- Near Mint = like new or near new with only one or two small insignificant defects, a 9 or better on a 1-10 scale
- Mint- = extremely nice. Would be Near Mint, except for a couple of light hairlines or scuffs, which do not affect play
- VG++ = still a very nice record with all or nearly all of its original gloss but may have a few more light, surface marks, hairlines, needle tracks or the like which should not materially effect play
- VG+ = a nice, but used record that may have a series of light scuffs or scratches. It probably plays with a few pops, but has no serious problems.
- VG = a well-used record that still should sound OK when played, but may have moderate surface noise, pops, etc.
- VG- = a very well-worn record that plays through without skipping, but will do until a better copy comes along.
- Good = not actually good at all but probably will play through but with much in the way of surface noise, pops, crackles, etc. Still, will have no cracks, chips or the like
- Fair = you’re getting this record just to own but not to play
- Poor = the sky’s the limit, generally I will discard a record this bad (and sell the cover, jacket or sleeve alone) unless the label holds some particular interest
VISUAL GRADING: All records are visually graded only unless I state that they are play-graded. Some major labels were pressed on better quality vinyl and will sound better than a record which visually appears the same on "budget" labels which were pressed on lower quality vinyl. Recording techniques also varied. The sound on live albums may be far inferior to studio recordings. There may also be defects in the pressing which are invisible. The point is that an album on a high quality label that was visually graded VG+ may sound better than an album on a budget label that was visually graded Mint- or even Near Mint. Please refer to my return policy, below. But please don’t be shocked if a record visually graded Near Mint doesn’t sound state of the art. If I base my grade on a PLAY GRADE, I will state this specifically in my grading section.
COVERS: There are really too many possible defects regarding covers to be as specific in my definitions as I had been with my record grades. But please keep in mind these general grading guidelines:
- I will give greater weight to the condition of the front cover than back cover when assigning an overall grade
- No cover with a cut out hole or saw mark will be graded Near Mint even if it is still in factory shrink and there is no other wear
- I will not reduce the grade of a cover for stickers which are glued to the jacket by the record company (eg. Contains the hit song Expressway to Your Heart); but will reduce the grade for stickers glued on the cover by stores, previous owners, etc.
- If I write that a cover has a bb hole, I’m talking about a small cut out hole
- A saw mark is a narrow cut in the perimeter of the cover, could be anywhere and vary in length from 1/2” to 2” at the most.
- The overall grade takes into consideration any stated defects. For example, if I grade a cover VG+ and then state it has 6” top and bottom seam splits - I’ve already reduced the grade because of the seam splits. If the seams weren’t split, the cover would be graded higher such as VG++ or Mint-.
Shipping Costs: NEW SHIPPING RATES & POLICIES AS OF JANUARY 4, 2010.
The buyer pays for shipping.
DOMESTIC SHIPPING WITHIN THE UNITED STATES: Due to increase in postage rates, I have sometimes been losing money on shipping as I send all records in sturdy professional mailers with one or more fillers. Therefore, I now will be using the eBay postage calculator method. This will also result in a more equitable charge for priority mail shipments. Instead of charging $9 across the board, those who live in the southeast and mid-east will reap the benefit of reduced priority mail rates.
DOMESTIC AND INTERNATIONAL SHIPMENTS: COMBINED SHIPPING - Save money when I mail 2 or more records in the same package.
INTERNATIONAL SHIPMENTS (NEW POLICIES): Overseas customers are welcome to bid. As with U.S. shipments, I will use eBay's postage calculator for all overseas shipments. Postage to Canada is substantially less than to other countries - if you live in Canada and don't see a separate rate for Canada , please e-mail me and I'll modify the invoice to reflect the lower shipping charges. Surface mail is no longer available for overseas. Express Mail International and Priority Mail International are available - rates are substantially higher than first class international and will be quoted for each purchase if buyer requests this service. Express Mail International or Registered mail is now required for purchases over $100. Generally, Express International costs $35 for 1 album and additional albums are about $5-6 more. Registered costs about $26 for 1 album, about $5 more for each additional album. Registered mail may not be available to certain countries.Why the change? It's because of eBay's and paypal's policies requiring proof of delivery - or - buyer can make a claim for a refund from paypal. This has happened too often to me in the past couple of months. I know that one buyer (twistwatcher, no longer a registered user) that actually received his package but paypal has given me problems and I cannot get the payment back that they reversed. With the other "non-deliveries", I have no way of knowing if the buyer is being truthful and the package was simply "lost or misdelivered" or if the buyer is making a false claim. So...that is the reason for my policy change. I am sorry but the increased risks and costs must be passed on to the international buyer. On the bright side of things, Express Mail International will get you the package much faster and it is safer. Registered mail is much safer (but not as fast). So there are benefits to the buyer as well as the seller.
In certain situations, Registered Mail might also be an option - please inquire.Sorry, but I do not give refunds for items damaged or lost in the mail.
Please check out my other eBay auctions and stores listings.
. I’ve been listing all types of records - mostly LP’s - including 50’s and 60’s rock ‘n’ roll, country, folk jazz, blues, personalities, new wave and punk, surf, psych, spoken word, comedy, etc., etc....... I try to list unusual, unique or obscure records, not the ones that you see all the time. While a majority of my listings are albums, you’ll often find a nice selection of 45’s, EP’s or picture sleeves...and an occasional 78 or two.My return policy: . You may return an item if it's not in the conditon described. You may not return items if you decide you don't like the music. I will return the base price of the item unless I make an error in shipment such as sending you the wrong record or cd. In that case, you will be reimbursed for the cost of the item and shipping both ways. In addition, the item must be returned in its original condition , i.e. the way it was shipped when it left my hands. While a very high percentage of my records arrive safe and sound (I use professional mailers and a filler or two, more for 78’s), they occasionally are damaged in transit. If that happens, I won’t accept the return of the record or other item.
Sealed Records: After a sealed record is paid for, I will gladly open it before mailing to make sure that the record is new & unplayed. If the record is not, I will give a full refund. Even though it is easy to spot most resealed records from the 50's and 60's [I will mention that in the desription if it looks like a possibility], not all records from the 70's & 80's are quite as obvious. Please ask for any details about the seal of a particular record & I will be happy to answer.
Any other questions? About anything? Please e-mail me at ibuyvinyl@nc.rr.com .
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