DAVID BORDEN / MOTHER MALLARD "Migration" LP New / Sealed, 1988 Cuneiform
$
15
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Description
Condition:
David Borden / Mother Mallard* ?– Migration
Label: Cuneiform Records ?– RUNE 10 Format: Vinyl, LP, AlbumCountry: US Released: 1988 Genre: Electronic Style: Modern Classical, Minimal
Tracklist
A1 Trains I 7:30 A2 The Continuing Story Of Counterpoint, Part Four 19:25 B1 Dick Twardzik 9:55 B2 Enfield In Summer 9:15 B3 Trains II 7:30Companies, etc.
- Recorded At – Calf Audio
- Mastered At – SAE Mastering
Credits
- Artwork – Michael Boyd (8)
- Clarinet [E Flat], Bass Clarinet, Bass Clarinet [Contrabass], Tenor Saxophone, Soprano Saxophone –Les Thimmig
- Engineer – Todd Hutchinson
- Keyboards [Yamaha Kx88 Midi Controller, Roland Juno 60, Prophet Vs, Lexoicon Pcm 70], Electronic Drums [Tom] – David Swalm
- Keyboards [Yamaha Kx88 Midi Controller, Tx216+1, Tx81z, Fbo1, Spx90, Roland Jx-10], Computer [Macintosh], Sequenced By, Written-By, Producer – David Borden
- Mastered By – Roger Seibel
- Performer – Mother Mallard*
- Voice – Ellen Hargis
Notes
Recorded at Calf Audio, Ithaca NY. Mastered at SAE.Tracks A1 & B3 are from "Edward Hopper In Three Parts". Track B1 is from "The Boston Elegies". Track B2 is from "Places, Times". "The Continuing Story Of Counterpoint" has twelve parts and was composed over a period of eleven years (1976-1987).
Includes an A4 insert.
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GOLDMINE GRADING
MINT ---- It should appear to be perfect. No scuffs or scratches, blotches or stains, labels or writing, tears or splits. Mint means perfect.
NEAR MINT ---- Otherwise mint but has one or two tiny inconsequential flaws that do not affect play. Covers should be close to perfect with minor signs of wear or age just becoming evident: slight ring-wear, minor denting to a corner, or writing on the cover should all be noted properly.
VERY GOOD PLUS ---- The record has been handled and played infrequently or very carefully. Not too far from perfect. On a disc, there may be light paper scuffs from sliding in and out of a sleeve or the vinyl or some of the original luster may be lost. A slight scratch that did not affect play would be acceptably VG+ for most collectors.
VERY GOOD ---- Record displays visible signs of handling and playing, such as loss of vinyl luster, light surface scratches, groove wear and spindle trails. Some audible surface noise, but should not overwhelm the musical experience. Usually a cover is VG when one or two of these problems are evident: ring wear, seam splits, bent corners, loss of gloss, stains, etc.
GOOD ---- Well played with little luster and significant surface noise. Despite defects, record should still play all the way through without skipping. Several cover flaws will be apparent, but should not obliterate the artwork.
POOR ---- Any record or cover that does not qualify for the above "Good" grading should be seen as Poor. Several cover flaws.
price rating
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