DAVID BOWIE ALADDIN SANE LP on RCA GATEFOLD INNER LYRICS SLEEVE EX 1973
$
26
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Description
Here is a VERY GOOD PLUS! LP by DAVID BOWIE titled ALADDIN SANE. It is an US pressing on the RCA VICTOR label, catalog #LSP 4852 in STEREO sound and released in 1973. The vinyl is in VERY GOOD PLUS! condition, shiny and black, with hairline/marks, no skips and should have great playback. It has ITS’ UNIQUE INNER LYRICS SLEEVE! The GATEFOLD cover is in VERY GOOD! condition with a small stain on rear top left, surface/ring wear, corner and edge wear. It is an opportunity for you to purchase this LP by DAVID BOWIE in this condition. It’s a true gem for the ALBUM / ART / PROTO-PUNK / GLAM ROCK collector!! Email me with any questions and be sure to look at the pic’s. I DO NOT ACCEPT BIDS FROM OR MAIL TO SOUTH AMERICA, SOUTH AFRICA, ITALY & OTHER COUNTRIES. IF YOU ARE NOT FROM THE USA CONTACT ME BEFORE BIDDING! International bidders can email me for shipping rates. SHIPPING IN THE US IS $5.00 for MEDIA MAIL (IT IS NOT $4.00). US BUYERS PLEASE WAIT FOR INVOICE! Thanks for Looking & Good Luck!
Music Review from AllMusic.com by Stephen Thomas Erlewine
Ziggy Stardust wrote the blueprint for David Bowie's hard-rocking glam, and Aladdin Sane essentially follows the pattern, for both better and worse. A lighter affair than Ziggy Stardust, Aladdin Sane is actually a stranger album than its predecessor, buoyed by bizarre lounge-jazz flourishes from pianist Mick Garson and a handful of winding, vaguely experimental songs. Bowie abandons his futuristic obsessions to concentrate on the detached cool of New York and London hipsters, as on the compressed rockers "Watch That Man," "Cracked Actor," and "The Jean Genie." Bowie follows the hard stuff with the jazzy, dissonant sprawls of "Lady Grinning Soul," "Aladdin Sane," and "Time," all of which manage to be both campy and avant-garde simultaneously, while the sweepingly cinematic "Drive-In Saturday" is a soaring fusion of sci-fi doo wop and melodramatic teenage glam. He lets his paranoia slip through in the clenched rhythms of "Panic in Detroit," as well as on his oddly clueless cover of "Let's Spend the Night Together." For all the pleasures on Aladdin Sane, there's no distinctive sound or theme to make the album cohesive; it's Bowie riding the wake of Ziggy Stardust, which means there's a wealth of classic material here….
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