DAVID BOWIE Young Americans VG++ 1975 RCA APLI-0998 1ST PRESS JOHN LENNON Fame
  $   35

 


$ 35 Sold For
Jun 17, 2021 Sold Date
May 22, 2021 Start Date
1 Number Of Bids
  USA Country Of Seller
eBay Sold at
 
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Description

Vinyl:  VG++  Play Graded. Sounds great!  Has some marks that don't affect the sound quality. RCA Labels are Clean and Bright. This is the Original 1975 RCA 1ST PRESSING! APL1-0998.  This is the audiophile acclaimed pressing, Mastered at the Master Cutting Room, NYC!  This is the entrance of Bowie's famed Blue-Eyed Soul stage, and features Epic Classics like Fame, the title cut and his reworking of The Beatles' "Across The Universe" and others.  Crucial.

See Review Below!
In the Dead Wax:  On both sides:  Matrices, etched.  On both sides:  MCR  ((Master Cutting Room, NYC))    Complete Dead wax details cheerfully given upon request. 
Cover: VG++ (see photos)  Includes the credits/lyrics inner sleeve.  Nice high gloss on the Original Textured cover. Front and back of cover artwork and text are rich, clear and bright. Seams, corners and spine are solid and clean, with some wear.  No splits.  No writing.  Spine print is clear.
Goldmine Standards.   I play grade every record that I sell on eBay as I have found you can't rate a record accurately by just visually inspecting it.  I wipe the dust off of every cover with clean, unscented baby wipes.  I professionally clean the vinyl.  (I also operate a Vinyl Record Cleaning business for your dusty/dirty records--if interested, send me a message).
U.S. Shipping:  $4 Media Mail.  50 cents additional shipping per additional album, when the shipment is combined.   If you wish to take advantage of my COMBINED SHIPPING deal, simply select your records by clicking on "ADD TO CART" on the main listing page.  Do this for all of your selections and then go to your cart to checkout.  Your combined shipping discount will be computed automatically.  Free domestic shipping if you spend $100 or more!  
All records are packaged securely with the vinyl outside the jacket (to avoid seam split in transit). The vinyl and jacket are sandwiched between two cardboard stiffeners and shipped in a custom cardboard record mailer box. 
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Why buy a first or early pressing and not a re-issue or a ‘re-mastered’ vinyl album? 
First and early pressings are pressed from the first generation lacquers and stampers. They usually sound vastly superior to later issues/re-issues (which, in recent times, are often pressed from whatever 'best' tapes or digital sources are currently available) - many so-called 'audiophile' new 180g pressings are cut from hi-res digital sources…essentially an expensive CD pressed on vinyl.  Why  experience the worse elements of both formats?  These are just High Maintenance CDs, with mid-ranges so cloaked with a veil as to sound smeared.  They are nearly always compressed with murky transients and a general lifelessness in the overall sound.  There are exceptions where re-masters/re-presses outshine the original issues, but they are exceptions and not the norm. 

First or early pressings nearly always have more immediacy, presence and dynamics. The sound staging is wider.  Subtle instrument nuances are better placed with more spacious textures. Balances are firmer in the bottom end with a far-tighter bass. Upper-mid ranges shine without harshness, and the overall depth is more immersive.  Inner details are  clearer.  

On first and early pressings, the music tends to sound more ‘alive’ and vibrant.  The physics of sound energy is hard to clarify and write about from a listening perspective, but the best we can describe it is to say that you can 'hear' what the mixing and mastering engineers wanted you to hear when they first recorded the music.  

AllMusic Review by Stephen Thomas Erlewine

David Bowie had dropped hints during the Diamond Dogs tour that he was moving toward R&B, but the full-blown blue-eyed soul of Young Americans came as a shock. Surrounding himself with first-rate sessionmen, Bowie comes up with a set of songs that approximate the sound of Philly soul and disco, yet remain detached from their inspirations; even at his most passionate, Bowie sounds like a commentator, as if the entire album was a genre exercise. Nevertheless, the distance doesn't hurt the album -- it gives the record its own distinctive flavor, and its plastic, robotic soul helped inform generations of synthetic British soul. What does hurt the record is a lack of strong songwriting. "Young Americans" is a masterpiece, and "Fame" has a beat funky enough that James Brown ripped it off, but only a handful of cuts ("Win," "Fascination," "Somebody Up There Likes Me") comes close to matching their quality. As a result, Young Americans is more enjoyable as a stylistic adventure than as a substantive record.





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