DAVID BYRNE/BRIAN ENO/TALKING HEADS BUSH OF GHOSTS TEST PRESSING BANNED SONG
  $   161

 


$ 161 Sold For
Feb 21, 2014 Sold Date
Feb 14, 2014 Start Date
13   Number Of Bids
  USA Country Of Seller
eBay Auctioned at
 
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Description

DAVID BYRNE/BRIAN ENO/TALKING HEADS~BUSH OF GHOSTS~TEST PRESSING~BANNED SONG!!

Product Description

DAVID BYRNE & BRIAN ENO "MY LIFE IN THE BUSH OF GHOSTS" SIRE SRK 6093   VERY RARE AND VERY COLLECTIBLE TEST PRESSING FROM THE GROUNDBREAKING LP, "MY LIFE IN THE BUSH OF GHOSTS"!! COVER IS EXCELLENT AND VINYL IS NEAR MINT - OUR HIGHEST RATING!! YOU WON'T FIND A BETTER COPY!!   INCLUDES THE TRACK "QU'RAN" WHICH WAS DELETED FROM LATER RELEASES!!! (SEE NOTES BELOW FOR MORE INFORMATION)   ABOUT TEST PRESSINGS: BY DEFINITION, TEST PRESSINGS ARE VERY HARD TO ACQUIRE SINCE THEY ARE ONLY CREATED FOR THE USE OF INDUSTRY INSIDERS, MUSIC CRITICS, AND ARTISTS FOR REVIEW BEFORE THE ACTUAL RELEASE OF AN ALBUM. IN SOME CASES, A TEST PRESSING MAY VARY FROM THE FINAL COMMERCIAL RELEASE IN SOME MANNER. IT IS ALSO COMMON THAT THERE ARE FEWER THAN 100 COPIES OF A TEST PRESSING IN EXISTENCE.   A pioneering work for countless styles connected to electronics, ambience, and Third World music, My Life in the Bush of Ghosts expands on the fourth-world concepts of Hassell/Eno work with a whirlwind 45 minutes of worldbeat/funk-rock (with the combined talents of several percussionists and bassists, including Bill Laswell, Tim Wright, David van Tieghem, and Talking Heads' Chris Frantz) that's also heavy on the samples -- from radio talk-show hosts, Lebanese mountain singers, preachers, exorcism ceremonies, Muslim chanting, and Egyptian pop, among others. It's also light years away from the respectful, preservationist angles of previous generations' field recorders and folk song gatherers. The songs on My Life in the Bush of Ghosts present myriad elements from around the world in the same jumbled stew, without regard for race, creed, or color. As such, it's a tremendously prescient record for the future development of music during the 1980s and '90s.   The album was reissued on March 27, 2006 in the UK and April 11, 2006 in the US, remastered and with seven extra tracks. To mark the reissue, two songs were made available to download online, consisting of the entire multitracks. Under the Creative Commons License, members of the public are able to download the multitracks, and use them for their own remixes.   The track "Qu'ran" was excluded from this release without comment. However, in an interview for Pitchfork Media about the 2006 reissue, Byrne said:   “Way back when the record first came out, in 1981, it might have been '82, we got a request from an Islamic organization in London, and they said, 'We consider this blasphemy that you put grooves to the chanting of the Holy Book.' And we thought, 'Okay, in deference to somebody's religion, we'll take it off.' You could probably argue for and against monkeying with something like that. But I think we were certainly feeling very cautious about this whole thing. We made a big effort to try and clear all the voices, and make sure everybody was okay with everything. Because we thought, 'We're going to get accused of all kinds of things, and so we want to cover our asses as best we can.' So I think in that sense we reacted maybe with more caution than we had to. But that's the way it was."   Eno and Byrne first worked together while collaborating on More Songs About Buildings and Food, the 1978 album by Byrne's band Talking Heads. My Life was primarily recorded during a break between touring for Fear of Music (1979) and the recording of Remain in Light (1980), subsequent Talking Heads albums also produced by Eno, but the release was delayed while legal rights were sought for the large number of samples used throughout the album. Drawing on funk and world music (particularly the multi-layered percussion of African music), My Life is similar to Talking Heads' music of the same era. The "found objects" credited to Eno and Byrne were common objects used mostly as percussion. In the notes for the 2006 expanded edition of the album, Byrne writes that they would often use a normal drum kit, but with a cardboard box replacing the bass drum, or a frying pan replacing the snare drum; this would blend the familiar drum sound with unusual percussive noises. Rather than featuring conventional pop or rock singing, most of the vocals are sampled from other sources, such as commercial recordings of Arabic singers, radio disc jockeys, and an exorcist. Musicians had previously used similar sampling techniques, but critic Dave Simpson[18] declares it had never before been used "to such cataclysmic effect" as on My Life.   In 2001, Q magazine asked Eno whether he and Byrne had invented sampling. His response was: “No, there was already a history of it. People such as Holger Czukay had made experiments using IBM Dictaphones and short-wave radios and so on. The difference was, I suppose, that I decided to make it the lead vocal on the album My Life in the Bush of Ghosts”   The album was recorded entirely with analogue technology, before the advent of digital sequencing and MIDI. The sampled voices were synchronized with the instrumental tracks via trial and error, a practice that was often frustrating, but which also produced several happy accidents. Also according to Byrne's 2006 notes, neither he nor Eno had read Tutuola's novel before the album was recorded. Both were familiar with Tutuola's earlier The Palm-Wine Drinkard (1952), but his My Life in the Bush of Ghosts was not easily obtained in the U.S. when the material was recorded. Even without reading the book, Eno and Byrne thought the title reflected their interest in African music, and also had an evocative, vaguely sinister quality that also referenced the voices sampled for the album: the vocalists were recorded sometimes several decades before being re-appropriated by Eno and Byrne, and the voices often seemed to take on unanticipated qualities when placed in the new context.  
The image included with the auction is a scan of the actual item but, due to size limitations of the scanner, the edges of the item may have been cropped.
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