"DAWN OF THE DICKIES" A+M TEST PRESSING LABEL COPY

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THE DICKIES "DAWN OF THE DICKIES" A+M TEST PRESSING 11.28.79

THE LABEL READS " THIS IS A TEST PRESSING FOR USE IN DETERMINING THE TECHNICAL QUALITY OF THE RECORDING ONLY". " NOT TO BE SOLD OR DISTRIBUTED TO THE PUBLIC"
HAND TYPED SLEEVE WITH THE DATE 11.28.79 IN UPPER RIGHT CORNER. SUPER RARE HISTORIC PIECE, DEAD MINT VINYL, HAND TYPED PAPER COVER TAPED TO FACE OF PLAIN WHITE CARDBOARD SLEEVE

SIDE ONE ( SP-04796A)
WHERE DID HIS EYE GO
FAN MAIL
MANNY MOE + JACK
INFIDEL ZOMBIE
I'M A CHOLLO
SIDE TWO
NIGHTS IN WHITE SATIN
(I'M STUCK IN A PAGODA WITH) TRICIA TOYOTA
I'VE GOT A SPLITTING HEADCHI
ATTACK OF THE MOLE MEN
SHE LOVES ME NOT

The Dickies were the clown princes of punk, not to mention surprisingly longstanding veterans of the L.A. scene. In fact, by the new millennium, they'd become the oldest surviving punk band still recording new material. In contrast to the snotty, intentionally offensive humor of many comedically inclined punk bands, the Dickies were winningly goofy, inspired mostly by trashy movies and other pop culture camp. Their covers were just as ridiculous as their originals, transforming arena rock anthems and bubblegum pop chestnuts alike into the loud, speed-blur punk-pop — basically the Ramones crossed with L.A. hardcore — that was their musical stock in trade. As the band got older, their music slowed down little by little, but their sound and their sense of humor stayed largely the same, and they were an avowed influence on new-school punkers like Green Day and the Offspring.Inspired by the first wave of punk coming out of New York and London, the Dickies were formed in 1977 in the San Fernando Valley region of Los Angeles. Their initial lineup consisted of cartoon-voiced lead singer Leonard Graves Phillips, guitarist Stan Lee (both of whom would remain constant throughout the band's myriad personnel shifts), keyboardist/saxophonist/guitarist Chuck Wagon (b. Bob Davis), bassist Billy Club (b. Bill Remar), and drummer Karlos Kaballero (b. Carlos Caballero). Already local scenesters, the majority of the band had some connection with the Quick, either as friends or roadies, and started out mostly as a cover band and an amusing diversion for its members. They started playing around the burgeoning L.A. punk scene within a few weeks of forming, and quickly earned a following with their zany live show, which featured outlandish costumes, puppets, and a midget roadie.On the strength of their demo tape, the Dickies became the first L.A. punk band to score a major-label deal in 1978, when they signed with A&M. That year they issued their debut single, which featured their warp-speed cover of Black Sabbath's "Paranoid" and the originals "Hideous" and "You Drive Me Ape (You Big Gorilla)"; the latter reigned as their signature song for many years afterward. In early 1979, the group's debut album, The Incredible Shrinking Dickies, was released to significant sales in the U.K., where their cover of the "Banana Splits" cartoon theme song became a Top Five hit. By the end of the year, the Dickies were able to put together a follow-up, Dawn of the Dickies, which featured the fan favorites "Attack of the Mole Men" and "Manny, Moe and Jack," plus a jokey, rocked-up cover of the Moody Blues' "Nights in White Satin."In 1980, the Dickies released a single version of "Gigantor," the theme from a Japanese cartoon series. By the end of the year, the increasingly volatile Chuck Wagon had left the band; sadly, he shot and killed himself in June 1981. Stunned, the rest of the Dickies went on hiatus, during which much of the original lineup drifted out of the group. Late that year, Phillips and Lee returned with a new version of the Dickies, which included guitarist Steve Hufstetter (ex-Quick), bassist Lorenzo "Laurie" Buhne, and drummer Jerry Angel; Hufstetter was soon replaced by Scott Sindon. This lineup recorded half of the material on the 1983 mini-LP Stukas Over Disneyland, the other half of which dated from 1980 sessions with the late Chuck Wagon replacing Kaballero on drums and Sindon on second guitar.A lengthy hiatus from recording ensued, as Phillips and Lee struggled to keep a steady lineup together just for touring purposes. A new group featuring second guitarist Glen Laughlin, ex-Weirdos drummer Nickey Beat, and founding bassist Billy Club was on the road by the end of 1983.