DEPECHE MODE "101" 1989 SIRE NM/NM (GATEFOLD) OOP PROMO STAMPED +16 PAGE BOOKLET

$

36

NOTE: NO INTERNATIONAL SHIPPING AT THIS TIME DUE TO THE VIRUS! HOPEFULLY THIS WILL CHANGE SOON.

THIS RECORD COMES FROM THE TIME I WAS THE MUSIC & PROMOTIONS COORDINATOR FOR A MAJOR NATIONAL RADIO NETWORK BASED IN THE L.A. AREA. WHEN I STARTED WORKING THERE THEY WERE IN THE PROCESS OF GETTING RID OF THEIR RECORDS FOR CD'S. I ALSO HAVE SOME THAT WERE GIFTED TO ME BY AN EMPLOYEE OF THE NETWORK THAT WAS RELOCATING BACK EAST AND DIDNT WANT TO KEEP HAULING THEIR RECORDS ALL OVER THE COUNTRY. ALSO A FEW MAY BE THRIFT STORE FINDS. I AM CURRENTLY DOWNSIZING.

THE PHOTO'S MAY BE A LITTLE BLURRY (SORRY ABOUT THAT), BUT THE PHOTO'S ARE OF THE ACTUAL ITEM YOU ARE BIDDING ON. THANKS FOR LOOKING.

ARTIST- DEPECHE MODE

TITLE- “101” (RECORDED LIVE AT THE ROSE BOWL)

TRACK LISTING-SEE PHOTOS & BELOW:

A1

Pimpf

0:57

A2

Behind The Wheel

5:54

A3

Strangelove

4:49

A4

Something To Do

3:51

A5

Blasphemous Rumours

5:09

B1

Stripped

6:45

B2

Somebody

4:36

B3

Things You Said

4:18

B4

Black Celebration

4:54

C1

Shake The Disease

5:10

C2

Pleasure Little Treasure

4:38

C3

People Are People

4:59

C4

A Question Of Time

4:12

D1

Never Let Me Down Again

6:40

D2

Master And Servant

4:30

D3

Just Can't Get Enough

4:01

D4

Everything Counts

6:27

Companies, etc.

• Phonographic Copyright (p) – Sire Records Company

• Copyright (c) – Sire Records Company

• Mastered At – K Disc Mastering

• Mastered At – Sheffield Lab Matrix – ?24134, ?24135

• Pressed By – Allied Record Company

• Published By – Emile Music

• Published By – Stainless Music

Credits

• Engineer – Alan Moulder

• Photography By – Anton Corbijn, Paul West (6)

• Producer – Depeche Mode

• Recorded By – Randy Ezratty

• Recorded By [Assistant] – Billy Yodelman, John Harris, Mark Shane

• Songwriter – M.L. Gore* (tracks: A1 to D2, D4)

Notes

Recorded live at the Rose Bowl in Pasadena, California on June 18, 1988.

[Labels]:
? 1989 Sire Records Company

Direct Metal Mastering - as mentioned in the matrix/runout groove.

A "A" punched in the centre label area indicate it was pressed at Allied Record Company. 

YEAR OF RELEASE- 1989

LABEL- SIRE RECORDS

CAT.#- 1-25853

RECORD CONDITION-THE RECORD IS IN NM-/NM CONDITION, NICE SHINEY BLACK LUSTER. NO MARKS OR SCRATCHES,BOTH LABELS IN EXCELLENT CONDITION.NICE SHINEY LUSTER TO THE VINYL. THE SONGS SOUND GREAT. PLAYS SUPER CLEAN!

JACKET CONDITION: THE JACKET IS IN NM/NM- CONDITION. NICE CLEAN EDGES, NO WRITING, MARKS, TEARS, CLEAN CORNERS. ORIGINAL GATEFOLD JACKET. HAS A GOLD INK EMBOSSED PROMO STAMP (SEE PHOTO).

MORE INFO – THIS RECORD IS CURRENTLY OUT OF PRINT. INCLUDES 16 PAGE GLOSSY B&W PHOTO BOOKLET (SEE PHOTOS). ALLIED PRESSING.

MORE INFO ON THE ARTIST/RELEASE:

Depeche Mode are an English electronic music band formed in Basildon, Essex in 1980. The group as of now consists of a trio of Dave Gahan (lead vocals and co-songwriting), Martin Gore (keyboards, guitar, co-lead vocals and main songwriting), and Andy Fletcher (keyboards).

Depeche Mode released their debut album Speak & Spell in 1981, bringing the band onto the British new wave scene. Founding member Vince Clarke left after the release of the album; they recorded A Broken Frame as a trio. Gore took over as main songwriter and, later in 1982, Alan Wilder replaced Clarke, establishing a lineup that continued for 13 years.

The band's last albums of the 1980s, Black Celebration and Music for the Masses, established them as a dominant force within the electronic music scene. A highlight of this era was the band's June 1988 concert at the Pasadena Rose Bowl, where they drew a crowd in excess of 60,000 people. In early 1990, they released Violator, an international mainstream success. The following album, Songs of Faith and Devotion, released in 1993, was also a success, though internal struggles within the band during recording and touring resulted in Wilder's departure in 1995.

Depeche Mode has had 54 songs in the UK Singles Chart and 17 top 10 albums in the UK chart; they have sold more than 100 million records worldwide.Q included the band in the list of the "50 Bands That Changed the World!".[3] Depeche Mode also ranks number 98 on VH1's "100 Greatest Artists of All Time" In December 2016, Billboard named Depeche Mode the 10th most successful dance club artist of all time.They were nominated for induction into the Rock and Roll Hall of Fame in 2017 and 2018, and will be inducted as part of the Class of 2020.

Music for the Masses and 101 (1987–1988)

1987's Music for the Masses saw further alterations in the band's sound and working methods. For the first time a producer not related to Mute Records, Dave Bascombe, was called to assist with the recording sessions, although, according to Alan Wilder, Bascombe's role ended up being more that of engineer.In making the album, the band largely eschewed sampling in favour of synthesizer experimentation.While chart performance of the singles "Strangelove", "Never Let Me Down Again" and "Behind the Wheel" proved to be disappointing in the UK, they performed well in countries such as Canada, Brazil, West Germany, South Africa, Sweden and Switzerland, often reaching the top 10. Record Mirror described Music for the Masses as "the most accomplished and sexy Mode album to date". The album also made a breakthrough in the American market

The Music for the Masses Tour began 22 October 1987. On 7 March 1988, with no previous announcement that they would be the headlining act, Depeche Mode played in the Werner-Seelenbinder-Halle, East Berlin,[48] becoming one of the few Western groups to perform in the Communist East Germany. They also performed concerts in Budapest and Prague in 1988, both at the time also Communist.

The world tour ended 18 June 1988 with a concert at the Pasadena Rose Bowl with paid attendance of 60,453,[50] the highest in eight years for the venue.[citation needed] The tour was a breakthrough for the band[citation needed] and a massive success[citation needed] in the United States. It was documented in 101 – a concert film by D. A. Pennebaker and its accompanying soundtrack album. The film is notable for its portrayal of fan interaction.[51][52] Alan Wilder is credited with coming up with the title, noting that the performance was the 101st and final performance of the tour. On 7 September 1988, Depeche Mode performed "Strangelove" at the 1988 MTV Video Music Awards at the Universal Amphitheatre in Los Angeles.

101 is a live album and documentary film by English electronic music band Depeche Mode. It was released on 13 March 1989 by Mute Records. It chronicles the final leg of the band's Music for the Masses Tour and the final show on 18 June 1988 at the Rose Bowl in Pasadena, California.

Band member Alan Wilder is credited with coming up with the album's title; the performance was the 101st and final performance of the tour (and coincidentally also the number of a famous highway in the area). The film was directed and produced by D. A. Pennebaker.

Background and development

The band's original concept for the film was going to be about how Depeche Mode "fit into" the 1980s. After discussions with an "experienced director", they came to the conclusion that the (unnamed) choice was going to do something "too glossy" and that they wanted to present something more nuanced and interesting. At this point, they reached out to renowned documentary filmmaker D. A. Pennebaker.He accepted, but discarded their initial concept, feeling that it was "impossible to examine in an entertainingly cinematic fashion".

Ultimately, the film focused on what Depeche Mode considered to be their strongest selling point—their live performance—as well as capturing the spirit of their fan base. Notably, the film prominently features a group of young fans travelling across America as winners of a "be-in-a-Depeche Mode-movie-contest", which culminates at the band's landmark concert at the Rose Bowl stadium in Pasadena.

Much to the chagrin of fans, the film does not depict the full Rose Bowl concert, but instead shows interspersed snippets of the band, the "bus kids" and live performances recorded throughout the tour. The 2003 DVD reissue included more concert footage, but as Pennebaker was "shooting a documentary, not a concert film", a complete record of the Rose Bowl concert does not exist.

Pennebaker used his direct cinema approach, which he described as "letting the camera run as unobtrusively as possible, thereby encouraging events to unfold on their own. [...] You edit more and the film changes every three days, but [the band] were very nice and patient about it."

Pennebaker admitted there was a similarity between Depeche Mode and some of the other artists he'd filmed before (Bob Dylan and David Bowie): "I found the audience very rapt; they were there for that band. Not any band would do. I got the feeling that maybe there was no other band they'd ever go out for again in that assemblage, and it made me take that audience fairly seriously."

Due to the prominence of the "bus kids" in the film, it is widely considered to be the impetus for the "reality" craze that swept MTV in the following years, including The Real World and Road Rules.

In various interviews, DVD commentaries and on their own website, both Pennebaker and collaborator Chris Hegedus have cited 101 as "their favourite" and "the one that was the most fun to make" out of all their films to date.

NOTE: NO INTERNATIONAL SHIPPING AT THIS TIME DUE TO THE VIRUS! HOPEFULLY THIS WILL CHANGE SOON.

I DO COMBINE SHIPPING. THE SHIPPING PRICE INCLUDES THE COST OF THE LP MAILER.

PLEASE NOTE MY RETURN POLICY!

I DO COMBINE SHIPPING……….

CHECK OUT MY OTHER AUCTIONS

PLEASE PAY FOR ALL ITEMS WITHIN 7 DAYS, OR MESSAGE ME TO EXPLAIN WHY YOU CAN’T,(IF YOU ARE BIDDING OR PLAN TO BID ON OTHER ITEMS) I WILL DO A ONE WEEK WAIT FROM THE DATE OF THE END OF THE FIRST AUCTION WIN, TO COMBINE SHIPPING ON ITEMS, AFTER THAT I NEED PAYMENT IN FULL AND WILL MAIL OUT THE ITEMS , EVEN IF YOU ARE BIDDING ON OTHERS, THUS BEGINS A NEW BILLING/SHIPPING CYCLE. THIS CASH FLOW IS MY SOURCE OF INCOME FOR PAYING RENT/BILLS, ETC. IF YOU HAVE WON AN ITEM AND I DO NOT HEAR FROM YOU ONE WAY OR THE OTHER WITHIN 7 DAYS I WILL OPEN AN “UNPAID ITEM CASE”, IN ORDER TO FREE UP THE ITEM FOR A POSSIBLE RE-LISTING OR A “SECOND CHANCE OFFER”. PLEASE WHEN YOU WIN AN ITEM TRY AND PAY FOR IT IN A TIMELY FASHION OR LET ME KNOW YOU ARE LOOKING AT OTHER ITEMS I HAVE LISTED, I MAIL ITEMS OUT WITHIN ONE WORKING DAYS ONCE PAYMENT IS RECEIVED.

NEW NOTE TO ALL POTENTIAL BIDDERS PLEASE! DO NOT BID IF YOU HAVE NO INTENTION OF PAYING FOR AN ITEM YOU MIGHT WIN,

I DO NOT LIKE OPENING UNPAID ITEM CASES BUT I WILL IF YOU NEGLECT TO PAY AND I WILL PUT YOU ON MY “BLOCKED BIDDER” LIST.