DIAMANDA GALAS S/T METALANGUAGE LP FROM 1984 STILL SEALED PUNK/KBD/AVANT JAZZ
$
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Description
DIAMANDA GALAS~S/T METALANGUAGE LP FROM 1984~STILL SEALED~PUNK/KBD/AVANT JAZZ
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FACTORY SEALED ORIGINAL PRESSING FROM 1984! VERY RARE!!
Diamanda Galas' second recording came out on Metalanguage, a label associated with ROVA, Henry Kaiser, and others, with connections to the avant-garde jazz scene in San Francisco, and offered a hint to one of her lesser-known but primary influences. Her expressed admiration for musicians such as Albert Ayler and Ornette Coleman provides a reason why her vocal improvisations tend not to degenerate into mere pyrotechnics but retain a substance even at their wildest. This recording consists of two side-long pieces, both employing electronic effects to amplify some of her unusual techniques and to multiply her voices, creating a choir-like atmosphere. "Panoptikon," named after a circular prison where all occupants could be kept under constant observation, deals with the loss of personal identity and the psychosis derived therefrom. "Tragoutha Apo to Aima Exoun Fonos" deals with murderous oppression in Greece from 1967-74, the grief and rage it engendered. Both pieces are intensely emotional but without bathos, bitter yet without a shred of self-pity. Among many other qualities, Galas' radiates an enormous reserve of strength and resolve. Diamanda Galas was a fine follow-up to her sensational debut album (The Litanies of Satan) and is certainly a must-hear for her fans.
The image included with the auction is a scan of the actual item but, due to size limitations of the scanner, the edges of the item may have been cropped.
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In Your Ear has been selling music to the masses since 1982. We carry new and used LPs, CDs, DVDs, 45s, 12" singles, posters and who-knows-what-else! We have 2 physical locations in Massachusetts and 1 in Rhode Island:
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RECORD GRADING POLICY
MINT = like new or near new with only one or two small insignificant defects, a 9 or better on a 1-10 scale
EXCELLENT = Would be Near Mint, except for a couple of light hairlines or scuffs, which do not affect play
VG++ = still a very nice record with all or nearly all of its original gloss but may have a few more light, surface marks, hairlines, needle tracks or the like which should not materially affect play
VG+ = a nice, but used record that may have a series of light scuffs or scratches. It probably plays with a few pops, but has no serious problems.
VG = a well-used record that still should sound OK when played, but may have moderate surface noise, pops, etc.
VG- = a very well-worn record that plays through without skipping, but will do until a better copy comes along.
Good = not actually good at all but probably will play through but with much in the way of surface noise, pops, crackles, etc. Still, will have no cracks, chips or the like
Fair = you are getting this record just to own but not to play
Poor = the sky's the limit, generally I will discard a record this bad (and sell the cover, jacket or sleeve alone) unless the label holds some particular interest
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