DINAH WASHINGTON w/AL COHN I WANNA TO BE LOVED RARE ORIG '61 MERCURY MONO LP N/M
  $   19

 


$ 19 Sold For
Jan 6, 2019 Sold Date
Dec 27, 2018 Start Date
$   10 Start price
4   Number Of Bids
  USA Country Of Seller
eBay Auctioned at
 
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Description

WE CURRENTLY HAVE  MORE THAN 400  LISTED ITEMS

 

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·       DINAH WASHINGTON WITH AL COHN, CLARK TERRY, QUINCY JONES, JIMMY CLEVELAND AND OTHERS (NONE CREDITED) - I WANNA BE LOVED - ORIGINAL 1961 MERCURY RECORDS - RARE STEREO  LP MG-20729

 

·       ORIGINAL U.S. PRESSING

 

·       ORIGINAL FLAT (NON-GLOSSY) BLACK MERCURY LABEL WITH SILVER PRINT, MID-TO-LATE 50’s STYLE.

 

·       DEEP GROOVE PRESSING

 

·       THIS IS THE ORIGINAL, AUTHENTIC, FIRST U.S. PRESSING; THIS IS NOT A REISSUE, AN IMPORT, OR A COUNTERFEIT PRESSING.

 

·       ORIGINAL, THICK CARDBOARD COVER (AMERICAN STYLE)

 

·       ORIGINAL LAMINATED COVER

 

·       CLEAN, WEAR-FREE LABELS

 

·       MATRIX NUMBER IN TRAIL-OFF VINYL (DEAD WAX) ENDS WITH '-1/-1'.  ON SOME LABELS,  SUFFIX '–1' DENOTES THE VERY FIRST, ORIGINAL PRESSING)

 

·       MACHINE-STAMPED MATRIX NUMBER IN TRAIL-OFF VINYL (DEAD WAX) OF THE RECORD

 

·       THICK, HEAVY VINYL PRESSING

 

(►PLEASE SEE THE IMAGE OF THE COVER, LABEL OR BOTH, SHOWN BELOW)

(Note: this is a REAL image of the ACTUAL item you are bidding on. This is NOT a "recycled" image from our previous auction. What you see is what you'll get.  GUARANTEED!)

 

 

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A torch song date recorded between Dinah Washington's commercial breakthrough in 1959 and her death in 1963, I Wanna Be Loved flaunts a large cast of talented collaborators -- plus, to be sure, Washington's regal readings of 12 great songs -- but, unfortunately, the musical side is overwhelmed by the heavy strings in attendance. Working with Quincy Jones, Washington found her studio cast to include Joe Newman and Clark Terry on trumpet, Jimmy Cleveland and Kai Winding on trombone, and Al Cohn on tenor. However, the arrangements (from Ernie Wilkins and Quincy Jones) rarely leave room for the musicians -- and, in fact, rarely feature them at all -- preferring instead to concentrate on strings and the occasional wordless vocal chorus. As usually happened in these circumstances, Washington appears unfazed by the treacle surrounding her; although she doesn't improvise, her performances of "Blue Gardenia," "Don't Explain," and the title track (originally an R&B hit for her 12 years earlier) are elegant and bewitching. The larger big band makes its presence felt on the two side-closers, both of them ("Let's Fall in Love," "Sometimes I'm Happy") more uptempo material. Although Washington's latter-day Mercury material is often derided, she always succeeded despite her surroundings, and this date is no different.

 

 (EXCERPT FROM AN ONLINE REVIEW BY JOHN BUSH, ALL MUSIC GUIDE  /ALLMUSIC.COM/)

 

For additional historical information on this album, including track listing ►click here

 

TO SEE IF WE HAVE OTHER LISTED ITEMS BY THIS GROUP OR ARTIST ►  CLICK HERE

 

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CONDITION:

 

RECORD

 

(IMPORTANT NOTE: unless otherwise noted, ALL records are graded visually, and NOT play-graded!; we  grade records under the strong, diffuse room light or discrete sunlight)

 

(a)          WE GRADE THE VINYL AS EXCELLENT. This is one of those albums that are somewhat difficult to grade. It is somewhere between VG++ and NEAR MINT, just a notch below NEAR MINT. A few light abrasions ARE visible, but they are extremely shallow, superficial  and only moderately visually distracting (nothing significant).For the most part, the vinyl looks impeccable without any MAJOR visual flaws or imperfections. Much of the original luster is intact, and the vinyl shines and sparkles almost like new.

 

(b)          The record has a "deep groove" (an indent in the label about 1/2-inch from the edge of the label, which on SOME labels is associated with very early or first pressings).

 

(c)           The record is pressed on a beautiful, thick, inflexible vinyl, which was usually used for the first or very early pressings. Usually, the sound on such thick vinyl pressings is full-bodied, vivid, and even dramatic. Do not expect to obtain such a majestic analog sound from a digital recording!

 

(d)          The record comes in the original stock inner sleeve.

 

(e)           Of course, this is a full-bodied ANALOG recording, and not an inferior, digital recording!!!

 

 

·       COVER (THIS IS THE ORIGINAL, LAMINATED, GLOSSY COVER):

 

THE COVER IS NICE --- ABOUT EXCELLENT OR VERY GOOD++ (VG++).

 

The following flaws or imperfections are noted on the cover:

 

-        Cover has some light ring wear (nothing significant); On the scale from 1 to 10 (1 being the least, and  10 being the most severe), we assess the severity of ring wear as 3   (VISIBLE ON BACK SIDE ONLY)

 

-        Back cover has circular tarnish (grayish, dust-covered sections, which closely follow the contour of the record),  probably caused by friction or by rubbing against other covers during the storage. The tarnish is similar in appearance to a common ring wear, but, UNLIKE ring wear, these grayish areas may be possible to clean up with a minor effort and with a right cleansing solution.

 

-         Cover shows JUST A HINT of yellowing on back side, apparently from aging.

 

-         Cover has one corner slightly worn / frayed / bent (just a beginning of the split seam)

 

 

NO OTHER VISIBLE FLAWS OR IMPERFECTIONS ON THE  COVER

 

 

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POSTAGE & SHIPPING:

 

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