DON COVAY (w/JIMI HENDRIX) MERCY RARE ORIG '64 MONO LP

$

306

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·       DON COVAY AND THE GOOTIMERS (FEATURING JIMI HENDRIX ON LEAD GUITAR ON TITLE TRACK!!!) - MERCY! - ORIGINAL 1965 ATLANTIC RECORDS MONO LP 8104

·       ORIGINAL U.S. PRESSING

·       ORIGINAL PURPLE  AND PINK ATLANTIC LABEL WITH BLACK "FAN" LOGO

·       THIS IS THE ORIGINAL, AUTHENTIC, FIRST U.S. PRESSING; THIS IS NOT A REISSUE, AN IMPORT, OR A COUNTERFEIT PRESSING.

·       ORIGINAL, THICK CARDBOARD COVER (AMERICAN STYLE)

·       ORIGINAL LAMINATED COVER

·       THICK, HEAVY VINYL PRESSING

·       CLEAN, WEAR-FREE LABELS

·       MONO version of this album has NEVER been available on legitimate Compact Disc or in any other digital format.

(►PLEASE SEE THE IMAGE OF THE COVER, LABEL OR BOTH,  SHOWN BELOW) (Note: the image shown is from our previous auction; it appears here for reference only; the actual item is in a condition quite similar to the one shown, but is not completely identical in every minute detail ).

PLEASE NOTE that the album we are offering DOES NOT come with its original shrink wrap AND has a small cutout hole in one corner

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Don Covay was one of the biggest names of the sixties soul - a gentleman whose penmanship and songwriting skill (not to mention interpretive prowess) attracted the attention of such mega-stars as Aretha Franklin, Booker T. and the MG's, Stepenwolf and many,many,many other. We have a pleasure of presenting here his FIRST - and greatest, we think - album from his golden "Atlantic" age. As was usually the case in the mid-60's, the album combines a few assorted hits and b-sides tossed in for good measure. The album contains three of Don's greatest hit (Mercy,mercy).

And, oh…did we forget to mention that an unknown young lad named Jimi Hendrix plays lead guitar on title track? This is Jimi Hendrix’ very first appearance on an LP album – ever, anywhere!!!

***

In late 1964, Don Covay, then fronting Don Covay & the Goodtimers, scored a Top 40 hit with "Mercy Mercy." He and the record label decided to capitalize on the unexpected crossover success with this LP, one of the finest soul albums ever to come out of Atlantic Records. Given their first chance to stretch out on ten new tracks at once, Covay and his group (including keyboard man and songwriting collaborator Horace Ott) rose to the occasion and delivered an LP's worth of cuts that were as good as the single they were tied to. In addition to the hit, a gospel-blues amalgam of soulful vocals and bluesy lead guitar (which may be better known today to many listeners by way of the Rolling Stones' version from Out of Our Heads), Mercy! is filled with tracks that are never less than good and mostly a lot better than that: "I'll Be Satisfied," with its memorably passionate singing and crunchy guitar; the thumping dance number "Come on In" -- which, true to its origins, features a compendium of dance step references and nods to then-current hit songs; the gorgeous, falsetto-dominated "Can't Stay Away"; and the mournful, wrenchingly beautiful "You're Good for Me," which is too great a performance by Covay and all concerned to be buried at the end of an LP side. "Can't Fight It Baby" is a lost hit, a spellbindingly beautiful, exciting, and memorable cut that ought to have been a single, if not for Covay and company, then in a version by the 1965-vintage Drifters, who were probably working just down the hall in another studio when this side was cut.

Side two is just as good as side one and, indeed, starts out as virtually a repeat of the latter, with "Take This Hurt Off Me" replicating "Mercy Mercy," though it has an unexpected crop of lost singles -- Covay's soaring "Come See About Me," which he'd previously recorded early in 1964 for the Landa label, with its epic-scale lyrical passion, dominates the side, though "You Must Believe Me" and "Daddy Loves Baby" could also certainly have rated a place on a 45-rpm platter. Given the currents rippling out to the Rolling Stones as well as serious soul fans, this record is obviously capable of striking resonant chords 40 years later, but fans of Jimi Hendrix may also want to make special note of Mercy! -- Hendrix played on a number of Covay sessions, and although the records are sketchy, was likely one of the guitarists on "Mercy Mercy" and possibly one or two other songs (the other guitarists present on the album, for the record, were Bob Bushnell, Wally Richardson, Harry Jensen, and Ronald Miller). It's no more significant in relation to Hendrix's later sound than the guitarist's work with the Isley Brothers from the same period, but it is great music that he happened to play on.

(REVIEW REPRINTED COURTESY OF BRUCE EDER, ALL MUSIC GUIDE  /ALLMUSIC.COM/)

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THIS IS A NO-RESERVE AUCTION!

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CONDITION:

RECORD

(IMPORTANT NOTE: unless otherwise noted, ALL records are graded visually, and NOT play-graded!; we  grade records under the strong, diffuse room light or discrete sunlight)

(a)          WE GRADE THE VINYL AS STRONG VERY GOOD+(+) . CAUTION: The vinyl is NOT MINT or NEAR MINT, but is nevertheless in a very nice and clean condition. There are some surface marks and abrasions, mostly light and superficial, although some may be longer than 1.1/4 inches (1 inch = 2.5 centimeters)

(b)          The record is apparently pressed on a beautiful, thick, inflexible vinyl, which was usually used for the first or very early pressings. Usually, the sound on such thick vinyl pressings is full-bodied, vivid, and even dramatic. Do not expect to obtain such a majestic analog sound from a digital recording!

(c)           Of course, this is a full-bodied ANALOG recording, and not an inferior, digital recording!!!

·       COVER (this is the original, glossy, laminated, cover)

THE COVER IS NICE --- ABOUT EXCELLENT OR VERY GOOD++ (VG++).

The following flaws or imperfections are noted on the cover:

-        Cover has a partially split bottom seam (between 1 and 2 inches  / 2.5 to 5 centimeters)

-        Cover has a small cutout hole in one of the corners

-        Cover has a few tiny wrinkles along the spine

-        Cover has some visible fraying/tattering on the bottom seam

-        Back cover has circular tarnish (grayish, dust-covered sections, which closely follow the contour of the record),  probably caused by friction or by rubbing against other covers during the storage. The tarnish is similar in appearance to a common ring wear, but, UNLIKE ring wear, these grayish areas may be possible to clean up with a minor effort and with a right cleansing solution.

-        Cover has some light ring wear (nothing significant);(VISIBLE ON BACK SIDE ONLY);  On the scale from 1 to 10 (1 being the least, and  10 being the most severe), we assess the severity of ring wear as 3

-        Cover has a visible "wrinkle"(crease)  in one of the corners.

-        Cover shows JUST A HINT of yellowing on back side, apparently from aging.

NO OTHER IMPERFECTIONS ON THE COVER:

-        No cut-out corners

-        No saw-marks or indents

-        No writing

-        No stamps

-        No peel-off marks

-        No stains

-        No mold or mildew spots

-        No stickers or labels

-        No water damage

-        No razor marks, scratches, pressure marks, lines, streaks, or  cuts.

-        No warping

-        No wax, glue, paint or liquid drops on the cover

-        No bar codes

-        No RIAA stamps or stickers. 

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