DON WILKERSON TEXAS TWISTER VERY RARE ORIG '60 RIVERSIDE STEREO LP DG NR MINT
$
34
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IMPORTANT: OUR EBAY STORE WILL BE CLOSED FROM AUGUST 20, 2013 TO SEPTEMBER 14, 2013 AND NO ITEMS WILL BE SHIPPED DURING THIS PERIOD. ALL ITEMS PAID WHILE OUR STORE WAS CLOSED WILL BE SHIPPED AS SOON AS WE REOPEN. THANK YOU !
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· DON WILKERSON – THE TEXAS TWISTER (DON WILKERSON’S FIRST ALBUM) – ORIGINAL 1962 RIVERSIDE RECORDS’ STEREO LP RLP-1186
· ORIGINAL U.S. PRESSING
· DON WILKERSON, WITH…
Cannonball Adderley - Producer
Nat Adderley - Cornet
Barry Harris - Piano
Billy Higgins - Drums
Sam Jones - Bass
Leroy Vinnegar - Bass
· VERY RARE STEREO PRESSING, MANY TIMES RARER THAN MONO
· ORIGINAL "SMALL" BLACK RIVERSIDE STEREO LABEL WITH SILVER PRINT, AND 'MICROPHONE AND REEL' LOGO
· DEEP GROOVE PRESSING
· THIS IS THE ORIGINAL, AUTHENTIC, FIRST U.S. PRESSING; THIS IS NOT A REISSUE, AN IMPORT, OR A COUNTERFEIT PRESSING.
· ORIGINAL, THICK CARDBOARD COVER (AMERICAN STYLE)
· ORIGINAL GLOSSY, LIGHTLY LAMINATED COVER
· THICK, HEAVY VINYL PRESSING
· CLEAN, WEAR-FREE LABELS
(►PLEASE SEE THE IMAGE OF THE COVER, LABEL OR BOTH, SHOWN BELOW)
(Note: this is a REAL image of the ACTUAL item you are bidding on. This is NOT a "recycled" image from our previous auction. What you see is what you’ll get. GUARANTEED!)
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Don Wilkerson was among the unsung heroes of the tenor sax. Although he backed heavyweights like B.B. King and Ray Charles, the improviser's own albums aren't nearly as well known as they should be. But those who were hip to Wilkerson swore by him, and one of his allies was alto saxophonist Cannonball Adderley. It was in 1960 that Adderley produced The Texas Twister, Wilkerson's first album as a leader. The tenor man (who was 27 at the time) shows a lot of promise on this album, embracing standards as well as bop-oriented material by Adderley, pianist Barry Harris, and obscure Texas musician Jim Martin. As its title indicates, The Texas Twister has a strong Lone Star influence. Wilkerson was born in Louisiana, but Houston, TX, was his adopted home -- and the Texas tenor tradition had a major impact on his playing. Like Arnett Cobb, David "Fathead" Newman, James Clay, and other tenor men who have lived in the Lone Star State, Wilkerson was a hard-swinging, aggressive player with a big, fat tone. That isn't to say that he wasn't influenced by saxmen who lived in other parts of the U.S. -- Wilkerson also inspired comparisons to tenor men who ranged from Chicagoan Gene Ammons to Los Angeles resident Wardell Gray. But it is safe to say that Wilkerson was very much a Texan at heart and that the Lone Star influence is hard to miss on this album (which boasts an all-star lineup that includes Nat Adderley on cornet, Barry Harris on piano, Leroy Vinnegar or Sam Jones on bass, and Billy Higgins on drums). The Texas Twister is recommended to anyone who admires the Lone Star school of soulful, hard-blowing tenor.
(EXCERPT FROM AN ONLINE REVIEW BY ALEX HENDERSON, ALL MUSIC GUIDE /ALLMUSIC.COM/)
For additional historical or discography information on this album, including track listing ►click here
TO SEE IF WE HAVE OTHER LISTED ITEMS BY THIS GROUP OR ARTIST ► CLICK HERE
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· CONDITION:
· RECORD
(IMPORTANT NOTE: unless otherwise noted, ALL records are graded visually, and NOT play-graded!; we grade records under the strong, diffuse room light or discrete sunlight)
(a) WE GRADE THE VINYL AS NEAR MINT. Some VERY LIGHT AND SUPERFICIAL abrasions – mostly sleeve scuffs - are (barely) visible, but are probably inaudible, and do not affect visual integrity or beauty of the vinyl. The original luster is very much intact, and the vinyl shines and sparkles almost like new.
(b) The record has a "deep groove" (an indent in the label about 1/2-inch from the edge of the label, which on SOME labels is associated with very early or first pressings).
(c) The record is pressed on a beautiful, thick, inflexible vinyl, which was usually used for the first or very early pressings. Usually, the sound on such thick vinyl pressings is full-bodied, vivid, and even dramatic. Do not expect to obtain such a majestic analog sound from a digital recording!
(d) Stereo pressing of this title is much rarer, and by far more preferable to its mono counterpart. The mix is more graphic, the sound resolution more precise, and the channel separation (which does not exist on mono version) adds a whole new dimension to the music. Also, the stereo mixes are (by definition) somewhat different than on the mono version. We estimate that mono copies of this album outnumber stereo copies by a ratio of at least 5:1.
(e) Of course, this is a full-bodied ANALOG recording, and not an inferior, digital recording!!!
· COVER
THE COVER IS NICE --- ABOUT VERY GOOD++ (VG++).
The following flaws or imperfections are noted on the cover:
- Cover has a partially split top seam (between 2 and 4 inches / 5 to 10 centimeters)
- Cover has a partially split bottom seam (between 1 and 2 inches / 2.5 to 5 centimeters)
- Cover has a small quality control (inspection) stamp on the back panel
- Cover has JUST A HINT of ring wear (nothing significant); On the scale from 1 to 10 (1 being the least, and 10 being the most severe), we assess the severity of ring wear as 2.
- Back cover has circular tarnish (grayish, dust-covered sections, which closely follow the contour of the record), probably caused by friction or by rubbing against other covers during the storage. The tarnish is similar in appearance to a common ring wear, but, UNLIKE ring wear, these grayish areas may be possible to clean up with a minor effort and with a right cleansing solution.
- Cover shows JUST A HINT of yellowing on back side, apparently from aging.
- Cover has a light "wrinkle" (crease) in one of the corners. (VISIBLE ON FRONT SIDE ONLY)
- Cover has some visible fraying/tattering on the top seam
- Minor shelf wear noted on the bottom seam (nothing significant)
- Cover has two corners slightly worn / dinged / bent.(nothing significant)
- Cover has a sticker residue (partially peeled remnants of the price sticker or some other sticker; the buyer can probably remove these small, still affixed bits and pieces of the sticker with a minor effort) (barely visible - less than 1/16th square inch in size, may be possible to peel off)
NO OTHER IMPERFECTIONS ON THE COVER:
- No cut-out (drill) holes.
- No cut-out corners
- No saw-marks or indents
- No writing
- No peel-off marks
- No stains
- No mold or mildew spots
- No water damage
- No razor marks, scratches, pressure marks, lines, streaks, or cuts.
- No warping
- No wax, glue, paint or liquid drops on the cover
- No glue traces or wax residue.
- No bar codes
- No RIAA stamps or stickers.
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POSTAGE & SHIPPING:
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