DONALD BYRD-GIGI GRYCE JAZZ LAB MINT ORIG '57 COLUMBIA MONO LP 6-EYE LABEL DG 1A

$

56

    
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·       DONALD BYRD AND GIGI GRYCE - JAZZ LAB - ORIGINAL 1957 COLUMBIA RECORDS MONO LP CL-998

·       ORIGINAL U.S. PRESSING

·       ORIGINAL RED AND BLACK COLUMBIA 'SIX EYE' MONO LABEL

·       DEEP GROOVE PRESSING

·       THIS IS THE ORIGINAL, AUTHENTIC, FIRST U.S. PRESSING; THIS IS NOT A REISSUE, AN IMPORT, OR A COUNTERFEIT PRESSING.

·       ORIGINAL, THICK CARDBOARD COVER (AMERICAN STYLE)

·       ORIGINAL GLOSSY, LIGHTLY LAMINATED, COVER.

·       THICK, HEAVY VINYL PRESSING

·       CLEAN, WEAR-FREE LABELS (BUT WITH LIBRARY STAMP ON BOTH SIDES)

·       MATRIX NUMBER IN TRAIL-OFF VINYL (DEAD WAX) ENDS WITH '-1A/-1B'.  ON SOME LABELS,  SUFFIX '–1' DENOTES THE VERY FIRST, ORIGINAL PRESSING)

·       MACHINE-STAMPED MATRIX NUMBER IN TRAIL-OFF VINYL (DEAD WAX) OF THE RECORD

(►PLEASE SEE THE IMAGE OF THE COVER, LABEL OR BOTH, SHOWN BELOW)

(Note: this is a REAL image of the ACTUAL item you are bidding on. This is NOT a "recycled" image from our previous auction. What you see is what you'll get.  GUARANTEED!)

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Alto saxophonist/arranger Gigi Gryce and trumpeter Donald Byrd's innovative, but unfortunately short-lived Jazz Lab Quintet recorded several sides during 1957, seven of which were released on this excellent Columbia album (a handful of other titles were collectively made for Riverside, Verve, and RCA). The nucleus band of Gryce, Byrd, pianist Tommy Flanagan (a spot also filled by Wade Legge and Hank Jones), bassist Wendell Marshall, and drummer Art Taylor are augmented on four cuts here by trombonists Benny Powell and Jimmy Cleveland, French horn player Julius Watkins, baritone saxophonist Sahib Shihab, and tuba player Don Butterfield. The expanded ensemble turn in fleetly swinging renditions of Horace Silver's "Speculation" and Gryce's "Nica's Tempo," while varying the mood a bit with a ballad reading of Benny Golson's "I Remember Clifford" and a Far East-tinged waltz take on Randy Weston's "Little Niles" (shades of Miles Davis' Birth of the Cool group are heard in the complex, yet featherweight arrangements by Gryce). The quintet tracks include Gryce's "Sans Souci" and a provocative version of "Over the Rainbow." With some of the best arrangements heard in jazz and excellent solos by Gryce, Byrd, and Flanagan, Jazz Lab makes for an excellent introduction to the hard bop catalog.

 (EXCERPT FROM AN ONLINE REVIEW BY STEPHEN COOK, ALL MUSIC GUIDE  /ALLMUSIC.COM/)

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THIS IS A NO-RESERVE AUCTION!

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·                               CONDITION:

·                               RECORD

 (IMPORTANT NOTE: unless otherwise noted, ALL records are graded visually, and NOT play-graded!; we  grade records under the strong, diffuse room light or discrete sunlight)

(a)          WE GRADE THE VINYL  AS  (WEAK) NEAR MINT. Some VERY LIGHT AND SUPERFICIAL abrasions – mostly sleeve scuffs -  are (barely) visible, but are probably inaudible,  and do not affect visual integrity or beauty of the vinyl. The original luster is very much intact, and the vinyl shines and sparkles almost like new.

(b)          The record has a "deep groove" (an indent in the label about 1/2-inch from the edge of the label, which on SOME labels is associated with very early or first pressings).

(c)           The record is pressed on a beautiful, thick, inflexible vinyl, which was usually used for the first or very early pressings. Usually, the sound on such thick vinyl pressings is full-bodied, vivid, and even dramatic. Do not expect to obtain such a majestic analog sound from a digital recording!

(d)          Small library stamps noted on BOTH labels

(e)           Of course, this is a full-bodied ANALOG recording, and not an inferior, digital recording!!!

·       COVER

THE COVER IS NICE --- ABOUT EXCELLENT OR VERY GOOD++.

The following flaws or imperfections are noted on the cover:

-        Cover has a small quality control (inspection) stamp on the back panel

-         Cover has one corner slightly worn / dinged (nothing significant)

-         Cover has some tiny, faint writing on its back side (a small filing code written in one corner)

-         Cover has JUST A HINT of ring wear (nothing significant); On the scale from 1 to 10 (1 being the least, and  10 being the most severe), we assess the severity of ring wear as 2 .

-         Back cover has circular tarnish (grayish, dust-covered sections, which closely follow the contour of the record),  probably caused by friction or by rubbing against other covers during the storage. The tarnish is similar in appearance to a common ring wear, but, UNLIKE ring wear, these grayish areas may be possible to clean up with a minor effort and with a right cleansing solution.

-         Cover shows JUST A HINT of yellowing on back side, apparently from aging.

-         Minor shelf wear noted on the opening side (nothing significant)

NO OTHER IMPERFECTIONS ON THE COVER:

-        No split seams

-        No cut-out (drill) holes.

-        No cut-out corners

-        No saw-marks or indents

-        No tearing: no chips, dents or nicks on the seams

-        No peel-off marks

-        No stains

-        No mold or mildew spots

-        No stickers or labels

-        No water damage

-        No razor marks, scratches, pressure marks, lines, streaks, or  cuts.

-        No warping

-        No wax, glue, paint or liquid drops on the cover

-        No glue traces or wax residue.

-        No bar codes

-        No RIAA stamps or stickers. 

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POSTAGE & SHIPPING:

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