DR. TIMOTHY LEARY, You Can Be Anyone This Time Around USA LP Jimi Hendrix Stills
  $   30

 


$ 30 Sold For
Dec 17, 2018 Sold Date
Dec 1, 2018 Start Date
1 Number Of Bids
  USA Country Of Seller
eBay Sold at
 
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Description

  Dr. Timothy Leary ?– You Can Be Anyone This Time Around Label: Douglas ?– 1 Format: Vinyl, LP, Album, Gatefold  Country: US Released: 1970 Genre: Rock, Non-Music Style: Psychedelic Rock, Spoken Word, Experimental Tracklist A1 Live And Let Live 14:12 B1 You Can Be Anyone This Time Around 9:12 B2 What Do You Turn On When You Turn On 6:41 Companies, etc. Distributed By – PIP Records Credits Artwork, Sleeve – Kelley/Mouse Studios Bass Guitar – Jimi Hendrix (tracks: B2) Drums – Buddy Miles (tracks: B2) Electric Guitar – Stephen Stills (tracks: B2) Guitar – John Sebastian (tracks: B2) Mixed By – Usco-Dacey Notes In gatefold sleeve with purple/grey inner sleeve design. Produced by Intermedia Systems Corp, MA Black and white label variation. Musicians on track B2 not credited on sleeve for contractual reasons.   

USA VINYL ALBUM IN GATEFOLD SLEEVE WITH ORIGINAL PRINTED INNER SLEEVE.

Why buy a first or early pressing and not a re-issue or a ‘re-mastered’ vinyl album?

First and early pressings are pressed from the first generation lacquers and stampers. They usually sound vastly superior to later issues/re-issues (which, in recent times, are often pressed from whatever 'best' tapes or digital sources are currently available) - many so-called 'audiophile' new 180g pressings are cut from hi-res digital sources…essentially an expensive CD pressed on vinyl.  Why  experience the worse elements of both formats?  These are just High Maintenance CDs.  There are exceptions where re-masters/re-presses outshine the original issues, but they are exceptions and not the norm.

First or early pressings nearly always have more immediacy, presence and dynamics. The sound staging is wider.  Subtle instrument nuances are better placed with more spacious textures. Balances are firmer in the bottom end with a far-tighter bass. Upper-mid ranges shine without harshness, and the overall depth is more immersive.  Inner details are  clearer.

On first and early pressings, the music tends to sound more ‘alive’ and vibrant.  The physics of sound energy is hard to clarify and write about from a listening perspective, but the best we can describe it is to say that you can 'hear' what the mixing and mastering engineers wanted you to hear when they first recorded the music.  

SLEEVE: VERY GOOD ONLY DUE TO SOME LESSER CORNER DAMAGE, OTHERWISE JUST SHELF, EDGE AND RING WEAR.   INNER SLEEVE VERY GOOD WITH MINOR CORNER DAMAGE AND MIDDLE BOTTOM SEAM SPLIT.

DISC[S]: VERY GOOD+. NO SCRATCHES, JUST A FEW LIGHT HAIRLINES AND PLAY SCUFFS. CLEAN LABELS.



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