DUKE ELLINGTON MEETS COLEMAN HAWKINS RARE ORIG '62 IMPULSE MONO LP RVG MINT

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·       COLEMAN HAWKINS – DUKE ELLINGTON MEETS COLEMAN HAWKINS -  ORIGINAL 1963 IMPULSE RECORDS MONO LP A-26

·       ORIGINAL U.S. PRESSING

·       ORIGINAL ORANGE AND BLACK IMPULSE LABEL

·       The record has a ►Rudy Van Gelder’s name or  his initials (RVG) clearly stamped or hand-etched in the trail-off vinyl (dead wax)

·       THIS IS THE ORIGINAL, AUTHENTIC, FIRST U.S. PRESSING; THIS IS NOT A REISSUE, AN IMPORT, OR A COUNTERFEIT PRESSING.

·       THICK CARDBOARD GATEFOLD COVER, AMERICAN STYLE

·       ORIGINAL LAMINATED COVER

·       CLEAN, WEAR-FREE LABELS

·       THICK, HEAVY VINYL PRESSING

·       MONO version of this album has NEVER been available on legitimate Compact Disc or in any other digital format.

(►PLEASE SEE THE IMAGE OF THE COVER, LABEL OR BOTH, SHOWN BELOW)

(Note: this is a REAL image of the ACTUAL item you are bidding on. This is NOT a "recycled" image from our previous auction. What you see is what you'll get.  GUARANTEED!)

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The combination of Duke Ellington and Coleman Hawkins alone would be ideal for the vast majority of jazz fans. But add to the front line trombonist Lawrence Brown, saxophonists Harry Carney and Johnny Hodges, and cornetist/violinist Ray Nance, and you have a modern small jazz ensemble for the ages that would be tough to beat under any criteria, not so much a showcase for Hawkins as a group effort with everyone getting more than two cents' worth in. On this collection you receive, for your hard-earned dollars, eight originals, two of which have become well-known standards. Of the familiar fare, you hear a brief but unique off-minor intro on the heart-melting ballad "Mood Indigo," and all horns united on the democratic evergreen swinger "The Jeep Is Jumpin'." Hawkins plays a bit atonally and Brown struts during the bluesy modal head-nodding "Ray Charles' Place," while the band acts sly and slinky as you hear a signature uptown Ellington melody during the purebred "You Dirty Dog." The main feature for Hawkins where you clearly hear his familiar stoic and robust vibrato tenor sax sound is the slow and bluesy "Self-Portrait (Of the Bean)." The recording is bookended by Ellington's chiming, playful, concise, and rhythmic "ricitic" piano phrasings on the all-time favorite "Limbo Jazz" and "The Ricitic," the latter piece a showcase for the singularly beautiful and distinctive violin of Nance. Over the years, this near-perfect and timeless recording has only grown and matured with age, and should be a must-own for any traditional, mainstream, or general jazz aficionado. Also -- consider that this historic session was done in a single day!

 (EXCERPT FROM AN ONLINE REVIEW BY MICHAEL G. NASTOS, ALL MUSIC GUIDE  /ALLMUSIC.COM/)

For additional historical or discography information on this album, including track listing ►click here

TO SEE IF WE HAVE OTHER LISTED ITEMS BY THIS GROUP OR ARTIST ►  CLICK HERE

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·                               CONDITION:

·                               RECORD

 (IMPORTANT NOTE: unless otherwise noted, ALL records are graded visually, and NOT play-graded!; we  grade records under the strong, diffuse room light or discrete sunlight)

(a)          WE GRADE THE VINYL  AS  NEAR MINT. Some VERY LIGHT AND SUPERFICIAL abrasions – mostly sleeve scuffs -  are (barely) visible, but are probably inaudible,  and do not affect visual integrity or beauty of the vinyl. The original luster is very much intact, and the vinyl shines and sparkles almost like new.

(b)          The record comes in the original stock inner sleeve.

(c)           The record is pressed on a beautiful, thick, inflexible vinyl, which was usually used for the first or very early pressings. Usually, the sound on such thick vinyl pressings is full-bodied, vivid, and even dramatic. Do not expect to obtain such a majestic analog sound from a digital recording!

(d)          The record has a ►Rudy Van Gelder name, or  his initials (RVG) stamped or hand-etched in the trail-off vinyl (dead wax). On SOME  Jazz labels (Blue Note, Savoy, Regent, Prestige, Impulse, Verve…) this stamp signifies highly professional masterings either done by - or  personally authorized by - the legendary engineer himself.

(e)           Of course, this is a full-bodied ANALOG recording, and not an inferior, digital recording!!!

·       COVER (THIS IS THE ORIGINAL, LAMINATED, GLOSSY COVER):

THE COVER IS (WEAK) NEAR MINT !

The following flaws or imperfections are noted on the cover:

-         Cover has all four corners slightly worn (nothing significant)

-         Cover has JUST A HINT of ring wear (nothing significant); On the scale from 1 to 10 (1 being the least, and  10 being the most severe), we assess the severity of ring wear as 1.

-         Cover shows JUST A HINT of yellowing on back side, apparently from aging. Minor yellowing is also noted on the INSIDE gatefold

NO OTHER IMPERFECTIONS ON THE COVER:

-        No split seams

-        No cut-out (drill) holes.

-        No cut-out corners

-        No saw-marks or indents

-        No dirt/dust rubbing stains (friction marks caused by rubbing against other covers)

-        No wrinkles or creases

-        No writing

-        No stamps

-        No peel-off marks

-        No stains

-        No mold or mildew spots

-        No stickers or labels

-        No water damage

-        No razor marks, scratches, pressure marks, lines, streaks, or  cuts.

-        No warping

-        No wax, glue, paint or liquid drops on the cover

-        No glue traces or wax residue.

-        No bar codes

-        No RIAA stamps or stickers. 

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