David Allan Coe "Penitentiary Blues"  His 1969 Debut LP (RARE)
  $   69

 


$ 69 Sold For
Jul 7, 2020 Sold Date
Jun 30, 2020 Start Date
$   30 Start price
10   Number Of Bids
  USA Country Of Seller
eBay Auctioned at
 
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Description

David Allan Coe "Penitentiary Blues"  His 1969 Debut LP (RARE). Condition is Used. Shipped with USPS Media Mail.
What to Expect:> Cover:> Excellent (E) or a 7 on a 1 to 10 Scale VIEW PHOTOS manufactures cut corner top right fully intact no splits.
What to Expect :> Vinyl:> Excellent Plus (E+) or a strong 7/8 on a 1 to 10 scale a few faint surface marks nothing serious (NM) for some.
Should you have any questions comments or suggestions please do so prior to bidding. Once auction is over I would like the winner to pay within 24 hours of auctions end through PayPal. This will make for a quick and smooth transaction for the both of us. Thank you so much for your interest in my auction and be sure to check out my other ones I do combine shipping for a much lesser cost. David.

The Mysterious Rhinestone Cowboy. The Original Outlaw. The Legend.


Born in Akron, Ohio, US, Coe lived a troubled youth, spending much of his time in and out of various youth correctional facilities. Having befriended each other in prison, it is thought that Coe was inspired to pursue a career in music by Screamin’ Jay Hawkins, with the pair thought to have written songs together whilst behind bars. Upon release from a prison term, Coe took heed of Hawkins’ advice and travelled to Nashville to begin a career in music, where he caught the attention of Plantation Records, releasing his debut album “Penitentiary Blues” in 1970.

Coe became one of the most desired songwriters in the Nashville scene, writing hit songs for artists such as Billie Joe Spears’ 1972 song “Souvenirs and California Mem’rys” and Tanya Tucker’s number one hit in 1973, “Would You Lay With Me (in a field of stone). Despite this success, he had not managed to forge a path with his own career as a solo artist, remaining an underground talent, unable to break into the mainstream charts. Although in 1975, his second record, “Once upon a Rhyme, “ featured the number ten hit of his cover of Steve Goodman’s and John Prine’s “You Never Even Called Me By My Name.”


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