David Axelrod Song of Innocence Psychedelic Jazz Fusion Capital ST2982 NM/NM-
$
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Description
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David Axelrod
"Songs of Innocence"
William Blake
First Pressing H1/H1
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Record Information
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Check the pictures and feedback for one of the nicest copies available on the internet! Original Deep Groove Vinyl Rich Sonic Analog Recording Not A Re-Issue with No UPC Code Stored In Heavy Plastic Outer Sleeve Since Purchase ************************Dead Wax Information
(A) ST1-2982 H1
(B) ST2-2982 H1
(Official Release Information
Label: Capital ST2982
Released: 1968
Format: 12" vinyl LP (album), 33 1/3 RPM
Disc Condition
Near Mint
Visual Inspection
It is probably unplayed. It looks that way. I purchased my original copy in 1968 and wore it out during those hazy days in California. I bought this copy several years later after having already replaced my original, as a back up. The only flaw is that it that sat in the paper sleeve for 45 years and has sleeve hazing.
Cover Condition
Near Mint Minus/Very Good Plus
Visual Inspection
Close call here, this copy has a cut corner and a chip out of the bottom seam
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Artist Information
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David Axelrod (born April 17, 1931, in Los Angeles, California) is an American composer, arranger, and producer. After starting out as a staff producer for cool jazz labels, Axelrod became famous by the mid 1960s in soul and jazz circles for his recording skills. In 1968, he embarked on a solo career and released several eccentric albums during the 1970s that showcased his characteristic sound, which combined heavily mic'ed drums and baroque orchestration, and avant-garde themes ranging from the environment to heightened mental awareness. With his early solo projects, Axelrod was one of the first recording artists to fuse elements of jazz, rock, and R&B.
In late 1963, he joined Capitol Records as a producer and A&R man, and encouraged the label to develop their black artists. He began working with Lou Rawls, producing his successful Live album and a succession of gold albums and hit singles including "Love Is a Hurtin' Thing", "Your Good Thing (Is About to End)" and "Dead End Street", which Axelrod wrote and produced. He also began working with Julian "Cannonball" Adderley, one of the most successful jazz crossover artists of the 1960s. Axelrod produced Adderley’s 1967 album Live At the Club, which spawned one of the biggest jazz hits of all time, the funky "Mercy, Mercy, Mercy”, written by the band’s pianist Joe Zawinul (who would later, along with Wayne Shorter, create Weather Report, one of the most influential bands in jazz fusion), which reached No. 11 in the US pop charts.
Around this time Axelrod also began working with a regular group of leading session musicians, notably Howard Roberts (guitar), Carol Kaye (bass) and Earl Palmer (drums). In 1968, Axelrod wrote Mass in F Minor and Release of an Oath in a contemporary rock vein for the Electric Prunes; they were released under the band's name, but because of their complexity were recorded by other musicians.[3] The Electric Prunes disbanded during the recording sessions and Axelrod's team completed the albums. These used sweeping strings, booming sound and heavy beats in a way that was unique for the time and became highly influential many years later. Axelrod’s success also encouraged Capitol to allow him to produce solo albums, the first two of which, Song of Innocence (1968) and Songs of Experience (1969), were homages to the mystical poetry and paintings of William Blake. His third solo album, Earth Rot (1970), warned of the impact of environmental pollution and degradation.
He also produced the album Mass in F Minor by the Electric Prunes. At the time of its release it was seen as innovative and adventurous, and it was subject to further interest in 1969 when the song "Kyrie Eleison" appeared in the movie Easy Rider.
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A Brief Discussion On Condition
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Historically sealed albums have been selling for huge prices simply because they are sealed. Sealed albums are in many cases a later pressing bought in some bargain bin or reissues that have since gone out of print. Prime examples are the ones with the “Nice Price” stickers. You can be assured these are later pressings off of old masters. Not always but quite frequently. Rarely did the first pressing of any record make it to the bargain bin unless the record was a flop. That’s not to say that a flop back then isn’t a treasure today. We find that frequently and in those cases a sealed album is a treasure.
Back in the day every record distributor had a sealing machine and would reseal albums. These would end up in the bargain bins. That is why you see the stretching on the corners of many of them offered on eBay. Original sealed albums will usually be squared on the cover and not have signs of stretching around the corners. Unless you plan on leaving the album sealed and reselling it, you are better off with a true Near Mint to Mint pressing from a reputable record dealer. You know what you get.
All of these claims regarding complicated record cleaning systems mean you are getting records that have not had the care they should have had. If the record was cared for properly it won't need these complicated cleanings! A wipe with a Parastat or Discwasher with a few drops of cleaning solution will remove any soiling that is not from abuse.
A properly cared for album (NM or M) should look as close as possible to the record that came out when it was first opened.
Most records come from my personal collection accumulated during my years in the music industry. When purchased new or received as a promotional copy, the album or single was placed in a plastic outer sleeve and sometimes a plastic inner sleeve. When possible the records will include these plastic sleeves.
Many were never played!
I rate rather conservatively but work closely with Goldmine standards. My Near Mint ratings are generally what everybody else rates as Mint or Brand New.
I try very hard to give accurate descriptions of the records and check them prior to shipment to ensure that the condition advertised is indeed what I ship. If there is something that I missed I will notify you prior to shipment. In turn, if you receive your record and the condition is not what you expected, let me know and we will arrange to return the record with a full refund.
Shipment Information
All records are carefully packaged and shipped in heavy duty commercial grade #200 corrugated Record shipping boxes!
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