David Byrne & St. Vincent – Love This Giant *2012:Vinyl (NM-) 4AD – CAD 3231
$
40
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Description
David Byrne & St. Vincent – Love This Giant
Label:4AD – CAD 3231
Format:Vinyl, LP, Album
Country:UK & US
Released:2012
Genre:Rock, Funk / Soul, Pop
Style:Alternative Rock, Indie Rock, Experimental
A1 Who
A2 Weekend In The Dust
A3 Dinner For Two
A4 Ice Age
A5 I Am An Ape
A6 The Forest Awakes
B7 I Should Watch T.V.
B8 Lazarus
B9 Optimist
B10 Lightning
B11 The One Who Broke Your Heart
Featuring – Antibalas, The Dap-Kings
B12 Outside Of Space And Time
Phonographic Copyright ℗ – Todo Mundo, Ltd.
Copyright © – Todo Mundo, Ltd.
Licensed To – 4AD Ltd.
Published By – Moldy Fig Music
Published By – BMG Chrysalis
Recorded At – Water Music Recorders
Recorded At – Pat Dillett's Studio
Mastered At – Sterling Sound
Lacquer Cut at – Nashville Record Productions
Pressed By – United Record Pressing
Arranged By [Brass] – Kelly Pratt (tracks: A3), Lenny Pickett (tracks: A2), Tony Finno (tracks: A1, A4 to B12)
Art Direction [Art Supervision] – LeeAnn Rossi
Artwork [Package Art] – Catalina Kulczar, Juan Marin, LeeAnn Rossi, Noah Wall
Bass – Paul Frazier (tracks: A1, B12)
Bass [Synth Bass] – Annie Clark (tracks: A4, A5, B7, B10)
Brass [Arrangements] – Ken Thompson (tracks: A6)
Clarinet – Evan Smith (2) (tracks: A1, A5), Jack Bashkow (tracks: B9), Steve Elson (tracks: B9), Tom Timko (tracks: B9)
Co-producer – John Congleton, Patrick Dillett
Contractor [Brass] – Alex Kadvan (tracks: B11), Garo Yellin (tracks: A1, A3 to B10, B12), Lenny Pickett (tracks: A2)
Cover [Back Cover Type Design] – Philip Laslett
Cover [Type Design] – Steve Powers (6)
Design [Package Design] – Noah Wall
Drum Programming – John Congleton
Drums – Anthony LaMarca (tracks: A1)
Engineer [Additional] – Jon Altschuler, Yuki Takahashi
Euphonium – Kenneth Finn (tracks: A3), Tom Hutchinson (tracks: A3)
French Horn – Chris Komer (tracks: A1, A3 to A5, B7, B9, B10, B12), Eric Davis (8) (tracks: A1, A3 to A5, B7 to B10, B12), Jacquelyn Adams (tracks: A1, A4, A5, B7, B10, B12), Lawrence Di Bello* (tracks: A6), Patrick Milando (tracks: A6), R.J. Kelley (tracks: A3, B8, B9), Rachel Drehmann (tracks: A6, B8)
Lacquer Cut By – WG*
Management – Alex Kadvan, David "Boche" Viecelli*, Lever And Beam (AC)*, Maine Road (DB)*, Marisa Brown
Management [Artist Management] – David Whitehead
Management [Business] – Ilene Bashinsky, Ms. Lia Sweet*, Nan Lanigan
Mastered By – Greg Calbi
Mixed By – Patrick Dillett
Omnichord – David Byrne (tracks: B9)
Other [Press] – Carla Sacks, Carrie Tolles, Krista Williams, Matt Hanks
Other [Prosthetics] – Gabe Bartalos
Percussion – Mauro Refosco (tracks: B6, B7, B9)
Photography By [Cover] – Richard Burbridge
Piano – Annie Clark (tracks: A3)
Producer – Annie Clark, David Byrne
Production Manager – Frank Hendler
Programmed By [Percussion Programming] – David Byrne (tracks: B6, B7, B11)
Recorded By – John Congleton (tracks: A1), Patrick Dillett
Saxophone – Alex Foster (tracks: A2), Bob Magnuson (tracks: A6), Cochema Gastelum* (tracks: B11), Ian Hendrickson-Smith (tracks: B11), Jack Bashkow (tracks: A1, A3 to B10), Lenny Pickett (tracks: A2), Martin Perna (tracks: B11), Ron Blake (tracks: A2), Stan Harrison (tracks: A2), Steve Elson (tracks: A1 to B8, B10), Stuart Bogie (tracks: B11), Tom Timko (tracks: A1, A3 to A5, B7 to B10)
Songwriter – Annie Clark (tracks: A1 to B11), David Byrne (tracks: A1 to A3, A5 to B12), Walt Whitman (tracks: A6)
Trombone – Aaron Johnson (tracks: B11), Brian Mahany (tracks: A3 to A5, B7, B9, B10, B12), Jeff Caswell (tracks: A4 to B10, B12), Kenneth Finn (tracks: A5 to B10), Michael Williams* (tracks: B11), Mike Seltzer* (tracks: A4, B12), Ozzie Melendez (tracks: A2), Ryan Keberle (tracks: A2), Steve Turre (tracks: A2), William Lang (3) (tracks: A3, A6)
Trumpet – David Guy* (tracks: B11), Dominic Derasse (tracks: A3, A6, B8), Earl Gardner (tracks: A2), Gareth Flowers (tracks: A3 to B10, B12), Jonathan Powell (tracks: A2), Jordan McLean (tracks: B11), Josh Frank (tracks: A4, A5, B7, B10, B12), Kelly Pratt (tracks: A3, B9), Mike Gurfield (tracks: A3 to B10, B12), Ravi Best (tracks: A2)
Tuba – Bob Stewart (tracks: B11), Kyle Turner (4) (tracks: A3, A6), Marcus Rojas (tracks: A2, A4, B7, B8, B10, B12), Randy Andos (tracks: A2)
Vocals, Guitar – Annie Clark, David Byrne
Issued in a gatefold sleeve
David Byrne is published by Moldy Fig Music, Inc. (BMI)
Annie Clark is published by BMG Chrysalis (ASCAP)
All brass recorded at Water Music Studios, Hoboken, NJ
All additional elements recorded at Patrick Dillett's Studio, New York, NY
Mastered at Sterling Sound, NYC
Special thanks to Gabe Bartalos for molds from cover shoot prosthetics
Artist Management at Maine Road (DB) & Lever and Beam (AC)
Press at Shorefire & Sacks & Co.
Business Management at RZO (DB)
R.J. Kelley has a French Horn credit for track 13
℗&© 2012 Todo Mundo Ltd, under exclusive license to 4AD Ltd.
Barcode (Text): 6 52637 32311 5
Barcode (Scanned): 652637323115
Matrix / Runout (Side A Runout, etched): CAD-3231-A2 WG/NRP ⓤ
Matrix / Runout (Side B Runout, etched): CAD 3231 B-RE2² WG/NRP ⓤ
Rights Society: BMI
Rights Society: ASCAP
Vinyl Grades: NM- copy (see pics) (**IMPORTANT-- SEE GRADING SCALE BELOW DESCRIPTION). * CLEANED / RESTORED UTILIZING A VPI RECORD CLEANER.
* Cleaned on a VPI using the disc doctors restoration method. * Indubitably makes all the difference increasing record quality: > Cleans all grooves deeply with specific restoration chemicals designed for vinyl. > Removes all oils and contaminants from previous handling. > Music depth is brought back from even years of neglect.
Jacket Grades: NM- copy (see pics) Original custom printed inner sleeve...
(**IMPORTANT-- SEE GRADING SCALE BELOW DESCRIPTION). ____________________________________________________________________________________________
**IMPORTANT > GRADING SCALE: My grading is conservative (subjected to opinion) for your benefit, not mine. If you feel that I have erred > please contact me for resolution to your satisfaction. Up to and including 100% money back guaranteed (see below for criteria). (-) is used if it is at lower end of specific category. (++) is used if it is at higher end of specific category. Please note: I may use two grades for a record: eg VG (to) VG+ This means that each side has a variation (I am not side specific).
M (Mint): Never been played or item still sealed. Cover and any extra items such as lyric sheet, booklet or poster (ie contents) are in sealed condition (which exterior can vary - see description)
Nm (Near Mint): In brand new condition with no surface marks or deterioration in sound quality. Cover and contents have been opened and are nearly close to perfect.
Ex (Excellent): Shows some signs of being played, light marks, but there is very little lessening in sound quality. Cover and contents might have slight wear and /or nominal creasing.
VG+ (Very Good Plus): Better than Very Good: Obviously been played but no significant deterioration in sound quality despite some surface marks and light scratches. Some wear and tear on cover and contents, as in corner/edge/ring wear, with names or initials / prices tags on cover.
VG (Very Good): Obviously been played many times, some deterioration in sound quality, despite noticeable surface marks and light scratches. Wear and tear on cover or contents, including more severe corner/edge/ring wear, including a split spine & rips in seams up to 6" / including heavy marking of initials and names on cover. Tape on seams or spines (no masking tape)
Gd+ (Good Plus): Better than Good: Sound quality has deteriorated with surface noise heard. Some scratches and occasional more noticeable scratches that can be felt. Cover and contents suffer from peeling or discoloration, entire spine & split seams / including heavy drawing or marking of initials and names on cover. Tape on seams or spines - including masking tape.
Gd (Good): Sound quality has noticeably deteriorated, perhaps with continual surface noises. Scratches and marks are noticeable, yet record plays without skipping. Cover and contents suffer from more severe peeling or discoloration, entire spine & split seams. Tape on cover that has aged or is obvious.
F (Fair): Playable but has not been cared for properly and displays considerable surface noise - it may even skip due to scratches and marks . Cover and contents will be severely torn, stained and / or defaced, yet will still house an album.
P (Poor): Very poor sound due to scratches, bad surface noise, potential skips, deeper marks and scratches etc.... Cover and contents will be badly damaged or partly missing. This grading is pro-dominantly used for jacket cover grading (I will not sell any vinyl of this poor quality)
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