Death Cab For Cutie - Transatlanticism Vinyl RARE
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Description
DEATH CAB FOR CUTIE - TRANSATLANTICISM (2xLP) Super rare double-heavy vinyl album from this fantastic band
Death Cab for Cutie is an American indie rock band formed in Bellingham, Washington in 1997. The band consists of Ben Gibbard(vocals, guitar), Chris Walla (guitar, production), Nick Harmer (bass) and Jason McGerr (drums). Gibbard took the band name from the title of the song written by Neil Innes and Vivian Stanshall and performed by their group, the Bonzo Dog Doo-Dah Band, in The Beatles' 1967 film, Magical Mystery Tour. The song's name was in turn taken from a pulp fiction crime magazine.
Gibbard's first album, You Can Play These Songs with Chords, was released as a demo, leading to a record deal with Barsuk Records.[1] It was at this time that Gibbard decided to expand the project into a complete band, and recruited band members to join. The band has released six studio albums, five EPs, and one demo to date. Their most recent album, Narrow Stairs, was released in May 2008.[2] The band will be releasing their next album, Codes and Keys, in Spring 2011.
Transatlanticism is the fourth studio album by Death Cab for Cutie, released October 7, 2003 on Barsuk Records. Prior to the album's release, Ben Gibbard stated: "...unlike The Photo Album, I feel like this record is definitely more like a proper album. We’ve tried to construct it with transitions of songs going in and out of each other, and I think it's a little bit more expansive than the last record."[1]
The album peaked at number 97 on the Billboard 200 Album Chart.[2] The album has been certified Gold in the U.S.[3]
The album received highly positive reviews, and is to date the band's most acclaimed album. Transatlanticism scored an 85 on Metacritic, indicating "universal acclaim".[6] Rob Theakston of Allmusic stated, "It's the group's maturity as musicians as well as songwriters that make Transatlanticism such a decadently good listen from start to finish" and gave it 4.5 out of 5 stars.[7]
Among the most critical of the album was William Morris from Pitchfork Media, who stated, "Transatlanticism dulls the edges of their usually acute divinations", although he gave the album a positive review.[8]
NPR Music named the album one of the fifty most important recordings of the decade.[9]
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I'm sad to see it go, but I need the money to pay for university. Bid hard!
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