Deutsche 12' LP - Jeton Records 100.3304 " Charly Antolini - Knock Out " 1979
€
21
$
23
€ 21
Sold For
Feb 10, 2013
Sold Date
Feb 5, 2013
Start Date
€ 10
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3
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Germany
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Description
- Interessante original deutsche 12' LP - Jeton Records 100.3304 - Stereo von "
- Charly Antolini - Knock Out " mit den ersten " Direkt - To - Disc " Aufnahmen
- sowie Klapp - Cover ( Fold Out ) in Top - Zustand von 1979 !
- ----------------------------------------------------------------------------------------------------------------------------------
- Angebot : " Eine " original deutsche 12' Jeton Records LP - 100.3304 - Stereo
- von " Charly Antolini - Knock Out " mit Klapp - Cover ( Fold Out ) von 1979 !
- Tonträger - Format : 12' LP ( Langspielplatte ) - ( 30 cm ) mit 6 Titel
- Interpreten : Charly Antolini ( Drums ) - ( Einer der weltbesten Jazz - Schlagzeuger )
- Wolfgang Schmid ( Bass ) - ( Einer der besten Jazz - Bassisten in Europa )
- Nippi Noya ( Persussion ) - ( Auf dem Gebiet weltweit unerreichbar )
- Label - Nr. : Jeton Records 100.3304 - Stereo - Limitierte Auflage
- Matriz - Nr. : A. Seite : ST JTS 772834 ( gestanzt ) HR ( geritzt )
- B. Seite : ST JTS 772835 / 1 ( gestanzt ) HR ( geritzt )
- Erschienen : 1979
- Land : Deutschland ( Germany )
- Musik - Gesellschaft : GEMA
- Genre : Jazz ( Instrumental )
- Abspielgeschwindigkeit : 33 1/3 U/pM
- Zustand : Platte und Cover sehr gut erhalten ( M- / M- ) - ( Neuwertiger Zustand )
- Besonderheit : Die Aufnahmen zu dieser 12' LP Jeton Records 100.3304 - Stereo
- von " Charly Antolini ", wurden im " Direkt - To - Disc " Verfahren gemacht und
- die Auflage ist Weltweit auf 15.000 Stück limitiert !
- ---------------------------------------------------------------------------------------------------
- SIDE ONE :
- 1. Knock Out 16' 20 ( Antolini / Schmid - Grandy )
- SIDE TWO :
- 1. Soundcheck with Nippi 3' 32 ( Antolini )
- 2. Bassbrush 2' 58 ( Antolini )
- 3. Crystalfor Christel 4' 15 ( Antolini )
- 4. Five for Three 4' 09 ( Schmid - Grandy )
- 5. BushFire 0' 56 ( Antolini )
- Total Time : 16' 10
- Musicians :
- Charly Antolin ( Drums ) - ( Schweiz )
- Wolfgang Schmid ( Bass ) - ( Deutschland )
- Nippi Noya ( Percussion ) - ( Asien )
- Equipment :
- Amplifiers : SAL 74
- Cutter Head : SX 74
- Gold Plate : EMT
- Digital Delay : Lexicon Delta T
- Mixer : Neumann ( RTJ ) 30 / 20 / 8
- A JETON MUSIC COMPANY Recording.
- Records in : The JBS - Direct - To - Disc - System.
- Recorded at : Tonstudio Bauer, Ludwigsburg - West Germany / June 22nd 1979
- Recording Engineer : Carlos Albrecht
- Disc - Cutting Engineer : Henry Riedel
- C & P - 1979 JETON GmbH
- Coverphoto : Adrian Lacour
- Coverdesign : Adrian Lacour
- Charly Antolini plays exclusiv Drums by Sonor and Cymbals by Zildijan.
- Charly Antolini uses Microphones by Beyer, Heilbronn, Germany.
- Warning !
- This " direct - to - disc " Record will be played at your own risk.
- Excessive loudness may cause severe damage to inferior Loudspeakers.
- If in doubt, please consult your Hifi Dealer.
- Distributed by : Audio Team
- ----------------------------------------------------------------------------------------------
- Beschreibung : " Direct - to - Disc " Verfahren in Englisch
- ABOUT " DIRECT TO DISC " :
- This Album was recorded in the JBS " direct - to - disc " System employing the
- most sophisticated Audio Equipment available. As a Result, Recording represents
- the very best Sound Quality Technically feasible at this Time - a Fact well worth
- further Discussion. The long chain of Events that Starts with the Music and ends
- with the listening ear usually begins in the Recording Studio. If a Conventional Re -
- cording System is used, the Solists and different Groups of Instruments ( i. e.
- Drums, Brass, Strings) are Recorded seperately on Magnetic Tape. A Multi Track
- Tape Machine Stores the Signals individually. Such Machines can posses more
- than 64 Tracks, each of which can later played back and processed as the Re -
- cording Engineer sees fit. These Tracks are then combined down to just two
- Signals representing the left and right Stereo Channels, wich are then Recorded
- on a quarterinch Tape with two Tracks known as the Final Fixing Master, or the
- original Master Tape. After additional Electrical Modifications these two Signals
- are transmitted to a cutting Stylus, which plows a V - Shaped groove trough the
- Nitro Cellulose coating on a rotating Aluminium Disc called a Master Lacquer.
- From this Master a Number of Stampers can be made which are then Placed in
- Presses where the finished Vinyl Phonograph Record is produced. As anyone who
- listens to Records regularly knows there can be a marked Difference in Sound
- Quality between two different Recordings. These Sonic Abberations are a Result
- of the Storage and Duplication Elements - the Tape and the Disc itself. Tape can
- rightly be saip to cause the majority of these audible flaws : each Time the Tape
- Passes over the Recording Heads, a small amount of hiss is added to the Signal.
- In modern Recordings, a certain Spot on the Tape may Pass over the Heads
- hundreds or even thousands of Times during the complicated Business of mixing
- down to two Stereo Channels. The JBS " direct - to - disc " System the fundamental
- cause of audible by eliminating the Tape itself. During the Recording Session the
- Signals are transmitted directly to the cutting Stylus, the Master Lacquer is
- produced Simultaneously. The Result is perfect Recording and an almost total Lack
- of hiss. Of course, this Procedure Places much greater Demands on the Musicians
- and Technical Personell than conventional Recording Systems as any mistake
- made by either would immediately be engraved upon Master Lacquer. Once a
- direct - to Disc Session begins, nothing may be allowed to go wrong. Before this
- direct - to - disc Recording was released, all concerned had to give their very best
- to make sure that you, the Listener, can enjoy a perfect Reproduction of the
- Atmosphere in the Recording Studio during the original Session. This, coupled
- with the highly enlarged dynamic range due to the direct - to - disc System, brings
- to you the most exciting Musical Experience Modern Recording Techniques can
- provide. " You see, I told you it would Work ", Charly Antolini panted, stripping off
- a soaking wet red T - Shirt and grinning happily, looking a lot like a great black
- Bear from his native alps. Wolfgang Schmid wearily stowed away his beautiful
- Custom - made Electric Bass Guitar by Alembic in 'Frisco, a unique Instrument with
- a fretless, overlong neck and carved out of precous Mahagony. Nippi Noya's
- impassive oriental Features belied the Fact that mere Moments before he
- had been screaming his Lungs out, ecstatically pounding a pair of Congas. It had
- been a Recording Session to end all Recording Sessions. Eleven gruelling Hours
- in the Studios of Rolf Bauer in Ludwigsburg, a small Medival Town in Southern
- Germany; a roller Coaster ride of emotional ups and downs such as none of us
- had ever experienced before. Like the horrible letdown when Charly had to blow
- a perfect Side in the middle of the last Number because his snare Drum had
- become so waterlogged with his own sweat that he could no longer use his Brooms.
- Or the Time Wolfgang was the only one to catch the Signal from the Mixingroom
- telling him that there was only one more Minute left - and how he plunged into the
- Final Theme, surprising the others and leading them to a thundering climax just as
- the Recording Engineer was reaching for the cut - off Button. Or the Frustration of
- watching Nippi perform a beautiful, though in audible Finger Drum Solo before a
- disconnected Microphone someone had left standing in the Studio... A direct - to -
- disc Recording is at best a Nerve wracking Experience, placing ultimate Demands
- on both Musicians and Technicans. Nothing may be allowed to go wrong, the
- allotted Time must not be Overdrawn, an unrepeatable Improvisation is lost forever
- if a Drumstick breaks or a Guitarstring parts will never fully understand, therefore,
- how this Record happened. How three Artists of almost totally Alien Musical
- Heritage managed to overcome not only the immense Physical and Mental Strain
- of their very first direct - to - disc Session, but also the Barriers set up between their
- normal Musical Ways of Life, creating an unique Phenomenon. " It was like three
- Worlds Meeting ", Nippi later said, " each World giving to the others what would let
- them prosper as a whole. " Three Worlds : Charly Antolini, born 1937 in Switzerland
- near the Italian Border, possibly the best Jazz Drummer Europe has to offer Today,
- a Veteran of almost every Major Goup to Tour or Record here in the last ten Years,
- as well as the Leader of his own famous Band "Jazz Power ". Wolfgang Schmid,
- born 1946, soft spoken Rock Bassist living in Munich who started out as a Rock
- Guitarist, then switched to Bass at Age 16, an established Studio Musician who has
- played with everyone from Les McCann to Alexis Korner, Winner of the German
- Record Prize in 1976 as a Member of Klaus Doldinger's Passport, Leader of the
- German Rock Formation " Head, Heart and Hands ". Nippi Noya, born on the exotic
- Pacific Island of Celebes in 1948, Father Japanese, Mother a native of the South -
- Moluccas, he grew up in the back Streets of Amsterdam, dreaming of becoming a
- Percussionist ever. Since watching Caterina Valente play the Congas on
- Television, practicing endlessly on garbagecans and finally entering the
- Limelight as a Musician for Udo Lindenberg, Peter Herbolzheimer and Peter
- Maffay. When the three of them met in the Bauer Studios, no one was sure exactly
- what was going to happen. " Im not sure what did happen ", Charly said later. "
- Maybe we have discovered a new form of Fusion Music ", Wolfgang ventured. And
- Nippi said simply : " This is new, there is no Name for it ". The Music seemed to
- Progress as the Musicians became more accustomed to each other. " There are
- Moments on this Record which would never have been able to happen if we had
- talked about them before Hand ", Charly believes. " I may have played certain
- Parts of a Solo differently before, but have never been so satisfied with my
- Performance as a whole ". The Feeling of failure after a futile attempt might have
- thrown any other Musician into deep Melancholy - but not Charly. " I was getting
- madder and madder at myself ", he Remembers. A Fact the Recording Engineers
- will be glad to verify : As the Day grew older, Charly kept getting louder and louder.
- Wolfgang finds it " exciting to hear an emancipated Bass " himself not only
- performing the traditional duties of the Bass Player, but also acting as the only
- Melody Instrument in the Group with almost total freedom of expression. " I' ve
- wanted to do something like that for Years ", he told me later, " and was prepared.
- After all, I'm still a Guitarist at Heart ". Anyone hearing him on this Record as he
- builds a sparkling crystal Palace of notes on mere four Strings of an Electric Bass
- will agree. Nippi, himself the embodiment of Fusion between his Oriental
- Heritage, the Western Civilization he found in Holland plus the Afro - Cuban
- Manifestations of his chosen Musical habitat, loved " listening to the Way the
- Spirits blended, how each of us was able to learn from the others while in the very
- Act of playing, The experimental Flavor of' the Music is enhanced by the neccessity
- to remain in a State of complete Concentration at all Times due to the Demands of
- the direct - to - disc Technique ".As a witness to this spontaneous melting of distinct
- Musical Cultures, I find this Record to be a Documentation of a very unique
- Experience. One that Calls for the poetry of Charly Antolini in the Jubilant
- Atmosphere at the End of the Recording Session : " When three Worlds meet,
- they generate a Power neither of them would have imagined possible " !
- Gary Freeman
- ---------------------------------------------------------------------------------------------------------------------------------
- Printed in Western Germany
- P - 1979 ( Jeton Records GmbH )
- -----------------------------------------------------
- Beschreibung :
- Hier eine praktisch neue original deutsche 12' Jeton Records LP - 100.3304 -
- Stereo von einer ( nur für diese spezielle Aufnahme - Session ) Musik - Formation,
- die im Jazz - Rock Bereich Musik - Geschichte geschrieben hat. Es handelt sich um
- einen der weltbesten Schlagzeuger, dem Schweizer " Charly Antolini " sowie dem
- deutschen Bassisten " Wolfgang Schmid " und dem asiatischen Percussion Player "
- Nippi Noya ". Nicht nur, das diese Besetzung in den 70er Jahren in diesem Genre
- einmalig war, sondern auch die Aufnahmen zu dieser 12' Angebots LP " Knock Out
- " enstanden in dem sogenannten " Direct - To - Disc " Verfahren, welches bis dato
- nicht so bekannt war. Man muß sich vorstellen, das 3 Musiker in einem Studio
- lange Musik - Passagen so konzentriert in Einklang gebracht haben, das diese direkt
- auf einem Aufnahme Phonografen mit geschnitten worden sind, und zwar auf einer
- Aluminium Folie ( im Gegensatz zu der herkömmlichen Aufnahmen - Methode auf
- Band ), die dann später zur Pressung der limitierten 15.000 Auflage verwendet
- wurde. Der Vorteil liegt darin, das jegliches Grundrauschen weg fällt und die
- Wiedergabe beim abspielen der LP, absolut naturgetreu wieder gegeben wird,
- würde die LP in den audiophilen Bereich einordnen, da über eine gute Anlage
- der Sound wirklich überragend ist. Habe die LP extra in einem " High End Studio "
- angehört und bin dabei unweigerlich in die Studio - Atmosphäre ( wie bei den
- Aufnahmen ) eingetaucht, sprich ich hatte das Gefühl in dem Studio bei den
- Aufnahmen selber dabei zu sein, so toll war der Sound. Kenner, die sich für
- ausgefeiltes Schlagzeug - Spiel, mit allen nur erdenklichen Varianten interessieren
- oder auch für schön dumpf und melodiös erklingende Bassläufe sowie zu guter letzt
- noch ein überragendes Percussion - Spiel auch nicht verachten, kommen hier voll
- auf ihre Kosten. Die LP ist für das Alter ( 32 Jahre ) praktisch wie neu ( M- ) und
- auch die Label sind einwandfrei ( Absolute Empfehlung für Mintsammler ).
- Das Klapp - Cover steht dem auch kaum nach ( M- ) und ist weder beschrieben
- noch sonst irgendwie beeinträchtigt, sodaß sich für einen Freund dieser
- außergewöhnlichen Musik, ein tolles Gesamtangebot ergibt. Das Angebotsbild
- zeigt oben die Cover - Vorder und Rückseite und darunter das aufgeklappte Cover
- von innen sowie rechts die beiden Label zur besseren Ansicht !
- --------------------------------------------------------------------------------------------------------------------------------
- Versand : Porto & Verpackung
- Deutschland : per " Hermes - Versand " versichert 4,90 Euro.
- Europa & Welt : Je nach Postgebühren in das jeweilige Land.
- Versicherter Versand : bei teuren LP' s ins Ausland gegen
- Extra Gebühr ( wird per e. mail mit dem Käufer abgeklärt )
- Kombination mehrer ersteigerter Artikel : Ist ebenfalls
- innerhalb eines Monats ( wird per e. mail mit dem Käufer
- abgeklärt ) möglich, um Portokosten zu sparen !
- Bezahlung :
- Innerhalb von Deutschland und Europa bitte nur Banküberweisung,
- ist bei jeder europäischen Bank mit " IBAN " und " BIC " kostenlos !
- Weltweit mit allen bekannten Kreditkarten.
- Bitte keine Schecks, da diese bei der Einlösung zu teuer
- sind ( Scheckgebühren ) !
- Benachrichtigung :
- Melde mich nach Auktionsende per e. mail bei dem Käufer mit allen
- weiteren Angaben, um den Kauf ordnungsgemäß abzuschließen !
- Bemerkung :
- Für diesen Privatverkauf gilt das europäische Handelsrecht !
- Da es sich um einen Privatverkauf handelt, kann ich
- kein Rückgaberecht einräumen, bitte dies zu beachten !
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