EDGAR BROUGHTON BAND Wasa Wasa LP HARVEST 1969 UK orig 3rd Pressing+Stereo+foc
£
18
$
24
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Description
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EDGAR BROUGHTON BAND
EDGAR BROUGHTON, STEVE BROUGHTON, ARTHUR GRANT
Originally from Warwick, The Edgar Broughton Band were an important part
of the underground scene in the late sixties and early seventies.
The Edgar Broughton Band's vocal style was undoubtedly
influenced by the growling Captain Beefheart
"WASA WASA"
Produced by Peter Jenner
1969 LP HARVEST/EMI RECORDS STEREO SHVL 757
MADE IN ENGLAND ORIGINAL COPY 3RD PRESSING
with boxed EMI Logo and 'MADE IN GT BRITAIN' at 6 o'clock on the label
Released in a full laminated (front & rear) + gatefold cover
Barcode and Other Identifiers
LABEL: HARVEST - GREEN LABEL and boxed 'EMI' - BLACK TEXT
Catalog on cover: (rear): SHVL 757
Catalog on labels: SHVL 757 (SHVL.757A / SHVL.757B)
Matrix / Runout (Side A, Stamped): SHVL 757 A -1
Matrix / Runout (Side B, Stamped): SHVL 757 B -1
On labels: "Made in Gt. Britain" (on the labels appears at 6 o'clock)
?1969 on both labels (on the labels the release year appears at 9 o'clock)
Produced by Peter Jenner For Blackhill Enterprises
Rights Society: Arf Arf Music
On Back Sleeve: 6907 TPS Printed and made by Ernest J. Day & Co. Ltd., London SHVL 757
On Inside Sleeve: Liner notes by John Hopkins, London, June 1969
Engineer: Peter Mew and Peter Bown
Sleeve Design: Jim Epps
Photographs by Dick Imrie
Produced by Peter Jenner For Blackhill Enterprises
Recorded at E.M.I. Studios, St. John's Wood, London
? 1969,
E.M.I. Records (The Gramophone Company Ltd.)
Made and Printed in Great Britain
from my records collection
tracklisting
Side A: DEATH OF AN ELECTRIC CITIZEN - AMERICAN BOY SOLDIER
WHY CAN'T SOMEBODY LOVE ME - NEPTUNE - EVIL
Side B: CRYING - LOVE IN THE RAIN - DAWN CREPT AWAY
grading
RECORD NEAR EX but (please, read above description)
SLEEVE VG(+) but (please, see pictures and read above description)
Edgar’s growling voice was similar to that of Captain Beefheart and they regularly featured his ‘Dropout Boogie’ in their act.
Following their arrival in London they played at a number of small club gigs arranged by Blackhill Enterprises.
They were given a wider audience by playing at the famous Blind Faith free concert in Hyde Park in June 1969,
where the Broughtons incited the crowd to a frenzy with an exhaustive rendition of the favourite, ‘Out Demons Out’.
Establishing themselves as an unholy collision between the still-nascent Pink Fairies and the legendary Fugs,
the debut album by British free-festival favorites the Edgar Broughton Band almost literally re-created the spirit of their natural territory
-- a muddy field full of sunbaked hippies -- with eight more or less epic tracks that, though their inspiration has long become
the stuff of ancient history, remain essential listening to all but the most jaded ears...(AllMusic)
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