ELTON JOHN LIVE IN AUSTRALIA ORIGINAL MCA 1987 ISSUE + 180 GRAM REMASTERED ISSUE

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ELTON JOHN - LIVE IN AUSTRALIA COLLECTORS SET STARTS WITH THE MCA Records 1987 release - MCA2-8022 - label RELEASE - DECADES OUT OF PRINT ANALOG MASTERPIECE -  has a small cutout notch in jacket. 

PLUS FOR THE COLLECTOR WE ARE ADDING FOR COMPARISON THE ELTON JOHN LIVE IN AUSTRALIA - DOUBLE 180 GRAM REMASTERED LP SET

BOTH IN ORIGINAL FACTORY SEALS AND BOTH TITLES HAVE THE EXACT SAME TRACKS

 E-BAY STORE.  FOR YOUR INDIVIDUAL SIMPLY VINYL SILVER SELECTIONS - INDIVIDUAL TITLE INFORMATION OR INDIVIDUAL PURCHASE JUST HIT THIS STORES TAB >. & TYPE IN  ELTON TITLES USE CODE EJOHN INTO THE SEARCH FIELD WITHIN OUR STORES SECTION AS YOUR PERSONAL CODE AND ALL INDIVIDUAL  TITLES + INFORMATION WILL APPEAR

ELTON JOHN LIVE IN AUSTRALIA - DOUBLE 180 GRAM REMASTERED LP SET    Remastered Album On 180g Vinyl Double LP!

This concert, on December 14, 1986, before 11,000 people in the Sydney Entertainment Centre, was the last in a series of 27 performances covering all of Australia. The tour had begun in Brisbane and had played to capacity audiences everywhere, including Melbourne, Adelaide and Perth. The first half of the show featured Elton John and his 13-piece band - and you are joining the concert, after the interval, just as the 88-piece Melbourne Symphony Orchestra is heard and seen for the first time on this, the last night of the tour. The whole show was also being televised live via satellite to an estimated audience of ten million. The instruments of the orchestra have been repositioned in the stereo spectrum, during the mixing process, in order to afford them maximum clarity. There are absolutely no overdubs on this album.

At the time, Elton was the only rock act to have taken a full orchestra out on tour. The orchestra conductor for the tour and this album was James Newton Howard, who had been Elton's keyboardist from 1975 to 1981. James is now a preeminent film soundtrack scorer and has worked on over 100 films, including Pretty Woman, The Fugitive, The Sixth Sense, Batman Begins and The Dark Knight, The Hunger Games series and Fantastic Beasts and Where to Find Them. A great number of songs on this tour and album had not been performed live by Elton for nearly 15 years. While planning the set list for this orchestral tour, he selected songs from the early records that featured string and horn arrangements: Elton John, Tumbleweed Connection and Madman Across The Water. All but four of the songs on this album were originally from those three albums.

Well before this tour began, Elton was told by his doctor that he should not use his voice at all (singing or speaking) due to nodes on his vocal cords. This is why his vocals have that very raspy quality…which only adds to the emotion of the songs. Elton had successful throat surgery just three weeks after the final show of the tour – the night this album was recorded.

Features:

• Double LP

• 180g Vinyl

• Remastered (2018) by Bob Ludwig at Gateway Mastering, Portland, Maine

• Vinyl cutting by Sean Magee at Abbey Road Studios, London

• Gatefold jacket

Selections:

Side One:

1. Sixty Years On

2. I Need You To Turn To

3. The Greatest Discovery

4. Tonight

Side Two:

1. Sorry Seems To Be The Hardest Word

2. The King Must Die

3. Take Me To The Pilot

4. Tiny Dancer

Side Three:

1. Have Mercy On The Criminal

2. Madman Across The Water

3. Candle In The Wind

Side Four:

1. Burn Down The Mission

2. Your Song

 You should never pass up the opportunity to upgrade your collection. They're each very limited in their pressings and disappear with extraordinary quickness from the vinyl market. This causes prices to skyrocket because once they are gone, they are gone forever! Don't second-guess yourself with this chance to upgrade your collection because before you know it, the opportunity will have passed forever

So enjoy being one of the last people in the world to get your butt up and flip a side of vinyl. It’s the purest form of listening pleasure , not to mention the artistic value of owning a 12” cover of art, -- like posters of your favorite artist.

In the early spring of newly post-war Britain, Reginald Kenneth Dwight (legally changed to Elton John at the age of 20) was born in his grandparents' government-assisted house.  It was the wettest, coldest March on record and the gloom of the long harsh English winter had not yet passed off. These are the inauspicious beginnings for the man who was destined to become one of the most successful and flamboyant musical artists of the modern age. It was his mother who discovered that he was a piano prodigy when she heard him picking out, by ear, "The Skater's Waltz" by Winifred Atwell. John was four years old.

It was this amazing talent that led John to win a junior scholarship to the Royal Academy of Music at the age of 11. This meant that, in addition to his regular school, he would be taking classes on Saturdays, in London, at the Academy. It was his mother and step-father, affectionately nicknamed "Derf" by John, who would help him break into music by helping him become a pianist and singer in the local pub at weekends. At the age of 17, John and his friends formed an English R&B group called Bluesology and although the band supported many big name acts on tour (most notably; Patti LaBelle and The Bluebelles and The Isley Brothers) Bluesology wasn't John's doorway to success. In 1967 John answered an ad in the NME that would lead to one of the most important partnership's John would ever form. The Artists and Repertoire manager for Liberty Records, Ray Williams, placed the ad looking for song writers and both John and a young lyricist named Bernie Taupin answered the ad. Taupin wrote the lyrics and John put them to music. The newly formed team didn't stay long at Liberty, quickly moving to rival label, DJM Records. Over the next two years the duo wrote easy-listening songs for many of DJM's biggest artists, but they also wrote more complex music for John to record.

John's debut album Empty Sky (1969), was largely ignored, however his second album, Elton John, released just a year later, produced John's first Top 10 hit (in both the US and UK), "Your Song". After the release of his second album John had his first American concert at The Troubadour in LA and from this first performance, he showed a natural proclivity to showmanship that would eventually make him one of the world's most popular live performers. Over the next 18 years John's career skyrocketed as he released one album almost every year, most notably: Don't Shoot Me I'm Only the Piano Player (1973), Goodbye Yellow Brick Road (1973), Captain Fantastic and the Brown Dirt Cowboy (1975), and Rock of the Westies (1975). These albums produced numerous Top 10 hits including "Crocodile Rock", "Goodbye Yellow Brick Road", "Bennie and the Jets", "Don't Go Breaking My Heart" and "Candle in the Wind". This latter track has been released three times -- in 1974, 1990, and 1997 -- and is the highest-selling single of all time.

In 1994 John teamed with famed Broadway lyricist Tim Rice (Joseph and the Amazing Technicolor Dreamcoat, Jesus Christ Superstar and Evita) to write the music for the Disney movie The Lion King. One song from the film, "Can You Feel the Love Tonight", won the duo a Grammy (Best Male Pop Vocal Performance), a Golden Globe (Best Original Song for) and an Academy Award (Best Original Song). He has composed for another Disney film, The Road to El Dorado, and several highly successful musical theatre productions, most notably Aida and Billy Elliot the Musical.

John continues to perform live and release the occasional album. In 2001 he released Songs from the West Coast and declared it would be his last studio album; however in 2004 he released his twenty-eighth studio album Peachtree Road, and in 2006 The Captain & The Kid followed, an autobiographical return to the themes of 1975 album Captain Fantastic and the Brown Dirt Cowboy. He told Rolling Stone magazine in 2006 that he would like "to work with Pharrell, Timbaland, Snoop, Kanye, Eminem and just see what happens".

A SONIC WORK OF ART. 

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