ELTON JOHN - MADMAN ACROSS THE WATER GERMAN IMPORT VERY CLEAN NM
$
26
Favourite Auctions
To save auctions to your favourites, please login
If you don't have an account, please register
Description
Label: DJM Records (2) ?– DJLPH 420, Hansa ?– 85 798 IT Format: Vinyl, LP, Album, Gatefold
Country: Germany Released: 1971 Genre: Rock Style: Pop Rock
Tracklist Hide Credits
A1 Tiny Dancer Acoustic Guitar – Davey JohnstoneBacking Vocals – Barry St. John, Dee Murray, Leslie Duncan*, Liza Strike, Nigel Olsson, Roger Cook, Sue & Sunny, Terry Steele, Tony BurrowsBass – David GloverDrums – Roger PopeElectric Guitar – Caleb QuayePiano – Elton JohnSteel Guitar – B.J. Cole* 6:12 A2 Levon Acoustic Guitar – Les ThatcherBacking Vocals – Barry St. John, Leslie Duncan*, Liza Strike, Sue & SunnyBass – Brian OdgersDrums – Barry MorganElectric Guitar – Caleb QuayeHarmonium – Brian DeePiano – Elton John 5:37 A3 Razor Face Accordion – Jack EmblowBass – David GloverDrums – Roger PopeElectric Guitar – Caleb QuayeOrgan – Rick WakemanPiano – Elton John 4:40 A4 Madman Across The Water Acoustic Guitar – Davey JohnstoneDrums – Terry CoxElectric Bass – Herbie FlowersElectric Guitar – Chris SpeddingOrgan – Rick WakemanPercussion – Ray CooperPiano – Elton JohnSynthesizer [A.R.P.] – Diana Lewis 5:22 B1 Indian Sunset Acoustic Bass – Chris LaurenceChoir – Cantores In Ecclesia ChoirDirected By [Choir] – Robert KirbyDrums – Terry CoxElectric Bass – Herbie FlowersPiano – Elton John 6:45 B2 Holiday Inn Acoustic Guitar – Caleb QuayeBacking Vocals – Barry St. John, Dee Murray, Leslie Duncan*, Liza Strike, Nigel Olsson, Roger Cook, Sue & Sunny, Terry Steele, Tony BurrowsBass – David GloverDrums – Roger PopeMandolin, Sitar – Davey JohnstonePiano – Elton John 4:22 B3 Rotten Peaches Acoustic Guitar – Davey JohnstoneBacking Vocals – Barry St. John, Dee Murray, Leslie Duncan*, Liza Strike, Nigel Olsson, Roger Cook, Sue & Sunny, Terry Steele, Tony BurrowsDrums – Terry CoxElectric Bass – Herbie FlowersOrgan – Rick WakemanPercussion – Ray CooperPiano – Elton JohnSlide Guitar – Chris SpeddingSynthesizer [A.R.P.] – Diana Lewis 5:14 B4 All The Nasties Bass – Dee MurrayChoir – Cantores In Ecclesia ChoirDirected By [Choir] – Robert KirbyDrums – Nigel OlssonPiano – Elton JohnTambourine – Ray Cooper 5:08 B5 Goodbye Piano – Elton John 1:48Companies, etc.
- Record Company – Ariola Eurodisc GmbH
- Copyright (c) – Dick James Music Ltd.
- Distributed By – Pye Records (Sales) Ltd.
- Printed By – Garrod & Lofthouse
- Made By – Garrod & Lofthouse
- Recorded At – Trident Studios
Credits
- Arranged By, Conductor – Paul Buckmaster
- Art Direction, Design [Sleeve] – David Larkham
- Artwork [Back Cover Embroidery] – Gill (18)
- Artwork [Front Cover Embroidery] – Yanis (3)
- Coordinator [Co-ordination By] – Steve Brown
- Engineer – Robin Geoffrey Cable
- Engineer [Re-Mix] – Ken Scott
- Photography By – Ed Caraeff
- Photography By [Booklet Cover], Illustration – David Larkham
- Photography By [Booklet] – Bob Gruen
- Producer – Gus Dudgeon
- Written-By – Elton John & Bernie Taupin
Notes
Black labels with yellow DJM logo & silver Hansa logo.Comes in a textured gatefold sleeve including an 11-page lyric book attached to the inside. The cover is identical to the UK release (DJLPH 420 on spine).
© Copyright 1971 by Dick James Music Ltd. London.
(except "Indian Sunset" and "Madman across the Water" © Copyright 1970)
Davey Johnstone, courtesy of Vertigo Records
B.J. Cole, courtesy of United Artists Records
Rick Wakeman, courtesy of A&M Records
Leslie Duncan, courtesy of CBS Records
Chris Spedding, Courtesy of Harvest Records
Tony Burrows, courtesy of Bell Records
Roger Cook, courtesy of Columbia Records
D.J.M. (Distributors) Ltd., James House 71/75 New Oxford St., London W.C.1A 1DP Tel. 01-836 4864
Distributed by Pye Records (Sales) Ltd.
[Cover] Printed and made by Garrod & Lofthouse Ltd.
Recorded at Trident Studios, London
A1: Recorded 9th. August, 1971
A2: Recorded 27th. February, 1971
A3: Recorded 9th. August, 1971
A4: Recorded 14th. August, 1971
B1: Recorded 14th. August, 1971
B2: Recorded 9th. August, 1971
B3: Recorded 14th. August, 1971
B4: Recorded 11th. August, 1971
B3: Recorded 27th. February, 1971
[Labels] Made in Germany
RECORD GRADIN
MINT (M): Perfect! This record looks like it has just left the manufacturer, with NO flaws what so ever. It looks as though it had never been handled. No scuffs or scratches, blotches or stains. No stickers address labels, writing on the covers or labels. No tears or seam splits. No wear to the cover or record period! Age of the record has nothing to do with it.
NEAR MINT or NM, M- : this record appears virtually flawless A very minor scuff and very little else can appear on the vinyl. It should play without any noise over the flaw. The flaw is very hard to see. The cover looks as close to perfect with only minor signs of wear and or age. Minor impressions to the cover (due to the outer edge of the vinyl resting inside) may be acceptable, however the artwork is be as close to perfect as can be.
EXCELLENT or EX or VG++ : minor scuffs which are only slightly visible. There may be more than a few scuffs and NO Scratches COVER: Artwork is still as close to perfect as can be. Some impression to the cover (minor outer ring wear) but no ink wear! Some slight creases to the corners, but not wrinkled and obtrusive to the eye. The corners can show white (where the artwork pasted slick was) meaning, slight wear. No seam splits or writing on the cover or taped repairs can make this grade.
VERY GOOD PLUS or VG+ record shows wear, surface scuffs. The vinyl still has a great luster, but the flaws will be noticeable to the naked eye. If the flaws don't cause any surface noise, the vinyl can still make the VG+ grade. COVERS: A virtually clean cover, but may have small writing on it.The artwork looks clean with slightly more aging. The back of the cover usually gives away the age of the cover. Flat white paper will be somewhat yellow yet no stains or mildew from water damage. Some minor wear to the seams or spine, but no tears or holes popping through. The corners will be slightly dog eared yet no crackly bends, defacing the artwork. In essence, a VG+ cover should have no more than 3 flaws mentioned.
VERY GOOD or VG: this record is a record that is good enough. They are not really going to look very good, but it will STILL play very good. there will almost always be some surface noise when they are played. The Dynamics should still be excellent, overpowering the surface noise. A VG record will appear well have been played but still have some luster. VG covers will look worn, used. There may be some seam splitting . There will be some ring wear, where the ink has begun to wear off. Giving the cover a look of snow falling. If the artwork looks snowy all over, it is less than VG condition. There may be some writing on the cover (still, no Large letters in magic marker). It will look aged and more yellowish due to contamination's in the air (sometimes looking like cigarette smoke). Still it should be decent.
GOOD or G A good record will look very well played, dull, grayish and possibly abused. However a Good record should still play. It will have distracting surface noise. Such as crackle that is continuous or some hiss. Will also have some loss of dynamics caused from grooves being worn. It should play without any skips or any obtrusively loud pops or repeated clicks, caused by deep scratches. Good means that it will play with some form of decency, so one can still enjoy the music even though you can still hear noise caused from the wear. A Good cover will have just about everything wrong with it. It will have seam splits (possibly taped repaired, but only with scotch tape. No duct tape or masking tape repairs. These are big turn offs. May have magic marker writing on the cover but still if they are in huge letters, it is a big turn off.In essence, the cover will looked virtually trashed, but some artwork will still be noticed. If the artwork is worn, it is POOR and the cover is worthless.
price rating
