ELVIS PRESLEY back in memphis SEALED LP LSP-4429 1970
  $   26

 


$ 26 Sold For
Mar 19, 2009 Sold Date
Mar 12, 2009 Start Date
$   10 Start price
4   Number Of Bids
  USA Country Of Seller
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Description

 

ARTIST: Elvis Presley

TITLE: Back In Memphis LP

LABEL: RCA VICTOR (LSP-4429 stereo)

COUNTRY OF ORIGIN: USA

YEAR: 1970-1975? (unsure of the date. As this is sealed, I cannot tell if it is a dynaflex. It doesn't seem to be particularly flimsy, but then the shrink wrap is pretty tight. It is heavier than other dynalfex albums we have, but not by much. I can only say for certain is that it was pressed sometime between 1970-1975. Any additional information you might have about specific dates would be very helpful)

COVER CONDITION: MINT factory sealed w/original price sticker on outside of shrink

VINYL CONDITION: MINT unplayed

TRACKS:
* Please see pic below for a complete track listing.

DETAILS: A mint, factory sealed press from sometime between 1970-1975 (no barcode!)

"The product of the same early 1969 Memphis sessions under producer Chips Moman that yielded the classic From Elvis in Memphis LP in 1969, Back in Memphis is usually thought of as a distinctly lesser album, but that's far too simplistic and harsh a judgement. For starters, any album that contains Elvis' rendition of Percy Mayfield's "Stranger in My Home Town" isn't going to be seriously "lesser" than too many albums on the planet — that's a given. Indeed, any other singer who released an LP comprised of ten songs as good as those found here could have sat back and congratulated himself on a job magnificently done. "This Is the Story," "Inherit the Wind," "A Little Bit of Green," and "And the Grass Won't Pay No Mind" are all superb Presley vocal showcases, presenting him at his most powerful and expressive up to that point, with the last among the most beautiful album tracks that the King ever cut. His rendition of Mort Shuman's "You'll Think of Me" is a soaring, passionate record, Elvis' voice lofted over a soul chorus and a brass- and dobro-dominated accompaniment, all carrying one of the prettiest melodies that he ever sang. And the finale, "Without Love," is another Presley homage to Clyde McPhatter, one of the first soul singers to inspire him, whose work Elvis first embraced officially on the finale of his very first long-player (ending Elvis Presley with his rendition of McPhatter's hit "Money Honey" back in 1956). Oh, there's nothing here of the extraordinary quality of "In the Ghetto," "Any Day Now," or "Long Black Limousine" — though "And the Grass Won't Pay No Mind" and "Stranger in My Hometown" come very close — but how often does (or can) one get three records like that coming out of one place and one set of sessions?" -Bruce Eder, allmusic guide

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