EMAK – EMAK 3 LP KRAFTWERK CLUSTER private Press, rare
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EMAK – EMAK 3 -E. M. A. K. Elektronische Musik Aus Köln
Originalton West ?– OW 001
(special pressing by EMI Electrola GmbH but not released by EMI);
label is Originalton West (EMAK's own Label)
look for other emak records in my offers
EMAK are a loose collective of synthesizer, electro-pop and experimental musicians
(some involved with Camera Obscura) working in various combinations.
Vinyl: plays great, NM
- shining vinyl with minimalst use only
Cover:NM, beautiful
--- no bends, handwriting, splits !!!, see fotos
E.M.A.K. (‘Elektronische Musik Aus Koeln’), Cologne’s synth-core/minimal-wave/ deutsche electronische group who made a stunning set of radical records in the 1980s. (
Joining the dots between German electronic experimentalists such as Cluster, Conrad Schnitzler, Tangerine Dream,
the synth-core/minimal-wave of Germany’s electronic new wave such as D.A.F. (itself influenced by UK groups
Cabaret Voltaire, Human League and The Normal) and with hints of the cosmic disco of Giorgio Moroder and Daniel Baldelli,
Cologne’s E.M.A.K. remain one of electronic music’s best-kept secrets.
"E.M.A.K. (Electronische Musik aus Köln) was founded in Cologne in autumn 1981. Situated in the basement of a music
store called ‘Hört-Hört’ (‘Listen-Listen’) was a small 8-track studio run by Matthias Becker. It was here at the ‘
Originalton West’ studio that Becker and Kurt Mill, along with Michael Filz and Klaus Stühlen, formed E.M.A.K.
and here also where Becker launched the Originalton West label with the release of ‘E.M.A.K.1’ in January 1982.
E.M.A.K. originally functioned more as a collective of individuals than a traditional group. Filz and Stühlen worked
on tracks individually and Mill and Becker worked on material at the studio. Kurt Mill and Mathias Becker were
the producers and chose all the tracks and final mixes.
Matthias Becker:‘ I grew up to the music of Kraftwerk and Amon Düül. I remember that in 1970, when I was 15,
there was a ‘Kommune’ living in the house next door and shortly after the release of ‘Kraftwerk’ for more than
a week or two each day the sounds of ‘Ruckzuck’ and ‘Stratovarious’ vibrated through the walls of our living room,
(very much to the irritation of my parents).
Although E.M.A.K. were not part of any larger electronic scene in their local city, Cologne was nevertheless
still the base of Can, and Holger Czukay’s own studio was barely 200 metres from Originalton West.
There was also nearby Johannes Fritsch’s ‘Feedback’ Studio. Fritsch was a serious composer of
‘Neue Musik’ who had collaborated with Stockhausen, who - incidentally - lived and worked in
Kürten, a small village about 35 kms from Cologne."
Tracklist
B4
B5
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