Eamonn de Valera, Maurice Smith ,Recognition Of The Republic Of Ireland / Irish
  $   35

 


$ 35 Sold For
Oct 27, 2015 Sold Date
Oct 26, 2015 Start Date
1 Number Of Bids
  USA Country Of Seller
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Description

 

Eamonn de Valera, Maurice Smith ,Recognition Of The Republic Of Ireland / Irish Waltz, Nation's Forum?– 49783/37294, Shellac, 12" 78 RPM  


Tracklist

A     Recognition Of The Republic Of Ireland, Performer – Eamonn de Valera, 4:27

B     Irish Waltz: Introducing "Barney O'Hea," "Those Endearing Young Charms," "Low Back'd Chair," "Come Back To Erin." Arranged By – Maurice Smith


About the Collection: From The Library of Congress, American Memory

"The Nation's Forum recordings were made between 1918 and 1920 in an effort to preserve the voices of prominent Americans; in most cases, they are the only surviving recordings of a speaker. The project originated with St. Louis attorney Guy Golterman (1879-1967), an active supporter of the opera and other performing arts. With the endorsement of the Department of State's Committee on Public Information -- a governmental propaganda ministry -- the Nation's Forum sought speakers, and the Columbia Graphophone Company pressed and distributed the recordings under the Nation's Forum label.

This recording contains one of three speeches "by Eamonn DeValera, who led the fight to establish the Republic of Ireland. At the time of the recordings, DeValera had escaped from an English prison and was living in exile in the United States. The label of one DeValera recording states that with the sale of each album, a royalty of twenty-five cents would be paid to Dale Eireann, the revolutionary Irish Parliament.

The speeches included in the Nation's Forum collection are not actuality recordings -- recorded at the time of their original delivery. Instead, speakers were invited to repeat their significant orations for the Nation's Forum project at a location convenient to the particular speaker. All of the Nation's Forum recordings were acoustically made. Until the development in the mid-1920's of electrical recordings -- recording aided by microphones and electrical amplifiers during the recording process, and electrical amplification and loudspeakers for playback -- all sound recording processes were acoustic. The diaphragm and needle cutting an acoustic record were powered only by the force of a voice. A speaker making a record had to shout into a recording horn to successfully record. Thus, almost no speeches recorded in the acoustic era are actuality recordings. All of the speeches recorded for the Nation's Forum were delivered solely for the recording machine, without a public audience."


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