FLAMIN' GROOVIES Supersnazz LP EPIC 1969 US orig+stereo BN 26487 ROY LONEY RARE
£
39
$
52
Favourite Auctions
To save auctions to your favourites, please login
If you don't have an account, please register
Description
U.K. BUYERS PLEASE IGNORE THE SHIPPING COSTS MARKED ON EBAY BECAUSE WE ARE ITALIAN SELLERS
SO PLEASE DO NOT PAY IMMEDIATELY AFTER WINNING
BEFORE I SEND CORRECT INVOICE!
BEFORE BIDDING, PLEASE
CAREFULLY READ BELOW THE CORRECT SHIPPING COST!
THESE RATES ARE FOR BOXES UP TO 3 KG (1 to 5 LPs).
The shipping cost from Italy to UK and Europe from 1 up to 5 albums
[it is a question of weight, we have to stay under 3kg] is £13 with DHL courier
(NOT for Norway, Russia, Ukraine, Ireland, Switzerland, please ask for prices with registered letter),
with a sturdy and well conceived box.
The shipping cost also depends by the exchange euro/pounds.
Still, starting from the 1st of December the Italian Post increased
the price for the international & domestic shipment.
We have done our best to absorb any handling fees in order
to keep all international shipping rates as low as we can
PLEASE ASK FOR ANY INFORMATION
FLAMIN' GROOVIESROY LONEY, CYRIL JORDAN, TIM LYNCH, DANNY MIHM, GEORGE ALEXANDER
plus MIKE LANG keyboards
One of America's greatest, most influential, and legendary cult bands, Flamin' Groovies came out
of the San Francisco area in 1965 playing greasy, bluesy, rock & roll dashed with a liberal sprinkling
of British Invasion panache, in an era soon to be dominated by hippie culture and hyperextended raga-rock freakouts.
Caught in a double bind of playing the wrong kind of music at the wrong time (as well as not looking the part),
the Groovies were almost completely forgotten as the Fillmore/Avalon Ballroom scenes,
dominated by the Dead, the Jefferson Airplane, et al., rendered them anachronistic.
The plain truth, however, was that despite not being in tune with the zeitgeist,
the Groovies made great music, and managed to sustain a career that lasted for over two decades
"SUPERSNAZZ"
1969 LP EPIC RECORDS BN 26487
PRINTED IN USA ORIGINAL PRESSINGTHICK CARDBOARD COVER (AMERICAN STYLE)
SINGLE SLEEVE WITH COMPANY INNER
This version: on back cover "Produced by Stephen R. Goldman"
on labels "Produced by Stephan R. Goldman"
Barcode and Other Identifiers
Barcode: none
LABEL: EPIC - YELLOW LABEL - BLACK TEXT
Catalog on cover: (front+spine+inside) BN 26487
Catalog on labels: BN 26487 (XSB 150672 / BN 26487 (XSB 150673)
Matrix / Runout (Side A, Etched): ? XSB 150672 -1C
Matrix / Runout (Side B, Etched): ? XSB 150673 -1C
On labels: rim text reads '"Epic," Marcas Reg. T.M. Printed In U.S.A.'
Produced by Stephan R. Goldman
On back cover: Produced by Stephen R. Goldman
Arranged by The Flamin Groovies
"Love Have Mercy" and "Rockin' Pneumonia" Recorded Live at Whizman Spiveys
Manufactured by Epic Records / CBS..........Printed in U.S.A.
from my records collection
tracklisting
Side A: LOVE HAVE MERCY - THE GIRL CAN'T HELP IT
LAURIE DID IT - A PART FROM THAT
ROCKING PNEUMONIA AND BOOGIE WOOGIE FLU
Side B: THE FIRST ONE'S FREE - PAGAN RACHEL
SOMETHIN' ELSE / PISTOL PACKIN' MAMA
BRUSHFIRE - BAM BALAM - AROUND THE CORNER
grading
RECORD EX but (please, read above description)
SLEEVE VG(+) but (please, see pictures and read above description)
The Flamin' Groovies' debut album went almost directly into the cut-out bins within
a year or so of its 1969 release. Fortunately, the band survived the neglect
heaped on that record, and has survived in one form or another into the 21st century.
And in the ensuing years, Supersnazz has achieved an exalted reputation among
not just Groovies fans, but lovers of rock & roll in general, having held up
extraordinarily well across the decades and still able to make its own case for
greatness as an astonishing document of straight-ahead rock & roll circa 1969,
fully contemporary to its time (and, by extension, almost timeless), with none
of the artificial period nostalgia (and parodying) that was already creeping into
the "oldies" scene. But it's also a lot of fun; in fact, based on the evidence,
Supersnazz may well have been the most fun record of 1969. Roy Loney, Cyril Jordan,
Tim Lynch, George Alexander, and Danny Mihm run through a quirky mix of
Loney and Loney/Jordan originals and standards, encompassing styles from
proto-'70s punk (want to bet the Ramones wore out copies of this album?)
to '50s New Orleans R&B, country music, and even ragtime, and while a small bit
of it is compromised by the presence of some too-prominent clarinet and saxophone,
the whole record is a rollicking good time, made even better by the sequencing,
which offers a full range of surprises, even on the fourth or fifth listen -- one can
never settle in with this record before something weirdly wonderful comes along
to draw the listener in yet another direction. From the fiery, Brian Jones-era Stones-style,
fuzztone-driven opener "Love Have Mercy," the band shows what it can do
in everything from straight-ahead boogie to slow ballads...(AllMusic)
price rating