FRANK ZAPPA / MOI Grand Wazoo Scarce Orig UK 1972 EX LP

	£		36
	$		48

Hi, I am Mike, now 50 – yes the big FIVE-O! Old enough to remember the golden era of original, high quality music, bands, artists.

Also records from the 1960s and 70s bought from the shops from new, I have been a music collector and enthusiast for over 37 years now. We all wish we could turn back the clock and buy those wonderful brand new records from the 60s and 70s, but alas, this is not possible; so I always try to offer the finest and most accurately described and graded records I can find. No vinyl/music lover really would choose to buy second-hand, but this is only way now to own these valuable, prized and elusive items now. I pride myself on offering a variety of genres to keep my site as interesting as possible. I will rarely offer any record that falls below a true Excellent grading, unless its of a certain rarity which will justify offering a lesser grade. I try, to the best of my ability to describe as accurately and as honesty as I can all items I offer for sale with all the relevant information I can think of to help any potential bidder and collector. You may notice I only submit records sparingly on Ebay - on average ONEADAY, a couple more at weekends if time permits, hence the name - time rarely allows for more as I Play-Grade virtually every record I offer in their entirety, not just bits to guess a grade - visuals alone do not always tell a true or full story. I will mention any defects or flaws no matter how small that I notice to be fair as possible to any interested reader – I am very fussy and my buyers have the right to be too. Every record I offer, whether it be a common or rare item deserves the same respect as far as I am concerned and will be treated the same - just because an item is rare does not always mean its good. I get just as much pleasure offering a relatively common record in stunning near mint condition as the real rare items. All the pictures I use for your guidance are taken with a digital camera or scanned - they are NOT improved, cleaned-up or made better looking than they are with camera trickery or enhancing with digital programmes. What you see is what you get and scanned labels will give a more accurate representation of the genuine colour than flash photography where light is variable. I cannot guarantee one hundred percent is exact colour matching for covers - this depends on the lighting at the time and that is out of my control, but I feel sure most items will be very close to the actual real item. If any picture I take looks more flattering than the actual item for any reason, I will clearly state the fact in the advert and vice-versa. I hope the item below is to your liking - any questions can be emailed and I will do my very best to answer you. I am enthusiastic , and have a fair degree of knowledge about many genres and I promise quality items - bid with confidence - excellence comes as standard and so does Near Mint regularly. Please assume all records I offer have NO jumps, sticks, warps or writing on covers or labels unless clearly stated to the contrary. Thanks for your interest and Good luck – MIKE.

Deck: Linn LP12 with Ittok Mk IV arm and Ortophon 520 Mk II cartridge (tracks at 1.75 grams). Amps: Arcam 2 x 125W Pre-Power. Speakers: B&W 704 Floorstanding 3-way Monitors (bi-wired). All records I offer on Ebay are cleaned on a professional Moth vacuum machine before play-grading for the cleanest and best possible sound and will include a brand new lined inner and protective cover too.

First-time, zero-rated bidders, who do not ask permission to bid, will be cancelled immediately and blocked – NO exceptions. For winning bidders who I consider excessively slow to make contact or submit payment, I will use my right to block future bids. If any bidder who wins in the final seconds is present to do so, surely they can at least email me to inform of intention and payment method? If swift or promp payment is a problem, please do not bid.

POSTING & PACKING: What You Get: All records are posted in professional boxes (NOT mailers) with the record(s) REMOVED from their main cover to avoid edge splits and placed within a brand new polylined inner. The record’s original inner will be included if available. The boxes are then reinforced with TWO massively thick stiffners for even extra protection and bubble wrap if deemed necessary. These stiffners are the thickest possible and custom supplied for ‘Oneadayrecords’ – these are NOT commercially available and you will not have seen thicker protection anywhere. The cover will be placed within a BRAND NEW heavy duty soft protective sleeve and the actual record will be professionally cleaned on my Moth Pro vacuum system to give ultimate clean grooves and playing surfaces and the best possible looks and ultimate sound quality. Printed address labels are used as well as ‘Fragile’ tape for that extra professional touch for the packet. You will NOT get tired, dull looking, dust infested records inside worn and foggy covers with tatty inners from this seller and that’s a promise and guarantee. Customers requests or special needs for P&P will be respected if at all possible but NOT surface mail abroad. I never make profit on posting and offer probably the cheapest and safest shipping possible. I will invoice any winning bidder as soon as possible after the auction ends, with the total costs including ‘standard’ or ‘optional extra insurance’ P&P – ALL UK and Russian packets go out non-negotiable Recorded Delivery. My ‘loss’ or ‘damage rate’ is less than 0.1 per percent based on over 3,500+ items sold in over 5 years of Ebay trading (I am now one of most established sellers via Ebay) and I consider that pretty exceptional.

PLEASE NOTE: I will now only send packets to Russia with Recorded Delivery at a cost of £7 per single LP. If this is unacceptable to Russian collectors, please do not bid. I only want my records to arrive safely and this gives packets a better chance to do so. Also ALL UK packets will be sent with either Recorded or Special Delivery as standard (both have to be signed for). All shipping costs and rules can be found after my description. If they are not acceptable, please do not bid.

Album Title: The Grand Wazoo.

Producer(s): Frank Zappa.

Track Listing:

Side 1: For Calvin (and his next two hitchhikers); Grand Wazoo.

Side 2: Cletus Awreetus-Awrightus; Eat That Question; Blessed Relief.

Label/Format: Reprise – Dark Tan original with multi ridges. (please see my label scan).

Label Conditions: Both clean and only light and faint spindle marks.

Cat Number: K 44209.

Mode / Speed: Stereo / 33.3 rpm.

Weight of this Record: 140 grams. [These days, many modern Audiophile reissues are pressed on super-heavyweight 180 gram vinyl. Only a small percentage of ‘vintage vinyl’ was ever pressed this heavy. Records pressed in the 1960s averaged around 135 to 145 grams. Records pressed in the 1970s were usually lighter and averaged more around 115 – 125 grams. Some records pressed around 1973 were very thin and light due an oil crisis and shortage around this time. Some records were even issued on recycled vinyl from this period and sounded poor with crackle and surface noise evident from the very first play. If any record I buy is deemed ‘recycled’, I will never offer it, I have a very simple test to detect these records if I suspect this to be the case other than audible imperfection. Some records from this period were even pressed on other materials the most notable was ‘Dynaflex’, used by RCA around this time. Although inferior to vinyl, this at least mostly sounded reasonably acceptable but pressings on this material were wafer thin and flimsy. Beyond the 70s, many records often became thinner and lighter still but most played fine but were never quite the quality as from the ‘Golden Era’]. (This was based on ‘average’ weights for 50 records from these eras.

Country of Manufacture: England.

Rarity: Moderate+, although not strictly commercial, this sold slightly better than would have been predicted, the stunning artwork would have probably helped sales. This is one of the earliest and heaviest pressed ‘Wazoo’s’ I have ever held and a genuine first pressing with the scarce front cover sticker included (please see this in close-up).

Original Year of Release: December 1972

Matrix Nos: K 44209 A1 / K44209 B1 (both fully raised, clear and distinctive)

Run-Out Groove Etchings: ‘RAYS + KIPS’ on side two.

Brief Artist & Album Info: Long overdue for offering another Zappa album, and this is one of his very best. Certainly one of the most inspired albums he produced in the early 70s. This carries on the ideas on Waka/Jawaka and extends them much further with a big band of session musicians and a few of the remaining Mothers of Invention. This is a predominately instrumental set and includes some stunning solos and virtuosity. The Grand Wazoo must have surprised those who thought Zappa had gone down the road of bawdiness – this proved yet again the unpredictable nature of his albums and that was just one reason why his music was so fascinating. This is a superb set, one of my personal favourites from his amazing catalogue. This is big band jazz-rock, often dubbed as ‘Art Rock’, few albums I have heard sound quite like it. Highly rhythmical, with Aynsley Dunbar on drums, George Duke on keyboards and featuring a great Moog solo by Don Preston. An album including 22 musicians including Frank, this is superbly produced by the man himself and this copy plays beautifully. A joy from start to finish and this monumental set was a stepping stone to his later complex instrumental works. The cover is astonishing, featuring stunning artwork from Cal Schenkel, this would have helped sell a few albums for those curious buyers at the time. This is one all collectors will want near perfect and this will not disappoint, never easy to find with unremoved front sticker that was only included on the initial copies of this title. The record has a few light surface marks but have no sound and this record plays beautifully with vast amounts of detail. For those who found a vocal Zappa a little too extreme at this time, this classic mainly instrumental set is well worth checking out – I guarantee, few will be disappointed – this is kind’a like jazz, but not as we know it.

This Cover’s Potential for Wear: High: [Unlaminated covers are always the most vulnerable for rubbing, fading, sticker tears and ringwear, gatefolds are more prone still and the darker they are, the more this type of wear occurs and shows. Some sleeves have a textured finish or die-cut shaped edges or ‘windows’. These are even more delicate and the hardest to find in top condition. Fully laminated covers are more resistent to wear but often the laminate ages with dulling, creases and blistering. Many 60s covers have outer flipback construction, these are very vulnerable to damage]. (US covers are the most fragile of all, very rarely laminated and made with thick brittle card that rubs and ringwears badly. Seams and edges split easily). Please see format below to access this cover’s potential for wear and damage.

Cover Grade and Format: EX++, a gatefold format, unlaminated. Printed in England by Howards Printers Ltd, Slough. An astonishing sleeve, for me one of the best ever, with stunning artwork by Carl Schenkel and this is a splendid example with little wear. This cover will please my ever-expanding customer-base of Zappa collectors.

Cover Front: Always loved the cover of this album, so much detail and work went into this one and this example does it near full justice. This is clean, fresh, with few marks and no rubbing, scuffing or creasing. Even under light it has few blemishes and this well worthy of a second look. The sticker, always important for serious collectors, is near pristine and clearly never removed or even picked at.

Cover Back: Similar to the front with just the odd faint surface blemish or tiny crease when scrutinised closely. Always nice to see devoid of ringwear and grubbiness, this again sets it’s standards high.

Cover Inner Gatefold: Great condition again, little to fault bar the odd light mark here and there. All the musicians are pictured with instrument details and the text describes the ‘Legend of Cleetus Awreetus’.

Top Edges: Unworn.

Bottom Edges: Just a few light patchy surface rubs only.

Right Edge(s), and Type: Clean, sharp with no wear or feathering. Record entered on right outside back edge.

Spine and Text: A complex graphic spine that is solid, very straight, uncompressed and dead square, both right edges meeting up very closely together and parallel. This is in superb condition with barely any traces of wear at all and certainly one of the very best ‘Wazoo’ spines seen yet. All text and artwork near perfect and unworn and this is truly exceptional.

Corners: Very light tip rubs only with the odd faint tip crease if being critical. All retain very neat and well defined shape.

Cover Summary: Certainly one of the very best I have ever seen, any marks or blemishes are simply that – blemishes and practically nothing shows with normal viewing. The inclusion of the rare original cover sticker is always nice to see when this clean and untampered with. The amazing artwork is as complex as the music enclosed. This lovely early item will please most collectors.

Vinyl Condition/Visual Grading: A very fine EX example and possibly undergraded at that. A fine visual copy that is super clean, shiny, jet black and heavily pressed (certainly given its year of issue, this is exceptional). A few light surface marks but no sound and this copy plays beautifully. It should please many collectors again.

Album Played For Grading: Yes. [I play ALL records I offer before submitting to Ebay, also the record is played in its entirety unless clearly stated otherwise. I do NOT play snippetts or joining grooves to check for sound quality and quietness – I play from the beginning to end via clinically revealing B&W speakers that include the legendary tweeter from their awesome Nautilus range that reveals every blemish or miniscule sound present on any record.]

Sound Quality and Audio Grading: This super record plays even above its high visual grading with practically nothing to fault. Strong, distortion-free sound, all frequencies are sharp and clear - sound quality is astonishing with a massive dynamic range and very detailed sound. Practically devoid of surface sounds and no pops or clicks were noted and few copies will better this for fine sound. Detail from the big band, the sheer power and realism on any quality system will impress even the most demanding listener and this record gives a commanding display. This is analogue and vinyl near its very best. Zappa proves again he is the master musician, and for me he rarely sounded better than on this massive issue. This set has clearly been modestly played and carefully stored, almost certainly in a non-smoking environment. Nothing spoilt my pleasure when play-grading this Zappa classic. This copy will prove difficult to find significantly better and can be strongly recommended.

NOTE: First Time Bidders: I will cancel ALL first-time bidders with no feedbacks or excessive negatives who do not ask me if its OK to bid first – NO EXCEPTIONS.

Please Note: I will now offer any item to the runner-up after the mandatory Ebay 3 days if no contact is made by the winning bidder unless prior notice of any delay is given beforehand. The same applies if no payment is received within the mandatory 7 days so any bidder who has just lost out can still email me to reserve the item as priority second chance – it’s always worth asking.

SHIPPING COSTS & OPTIONS:

Posting & Packing: UK & CHANNEL ISLANDS all now sent Recorded Delivery:

1 LP (First Class Recorded Delivery with Standard Royal Mail Insurance) [Signed For] = £4 (OPTIONAL).

1 LP (Special Delivery with Standard £500 Maximum Insurance) [Signed For, Next Day] = £7 (OPTIONAL).

Posting & Packing: EUROPE & SCANDINAVIA (NOT RUSSIA, see below) (Airmail Only):

1 LP (Small Packet Standard with Standard Royal Mail Insurance) = £5.

1 LP (Small Packet ‘Signed For’ with included Insurance to Item’s ‘Sold’ Value, £500* Maximum) = £9 (OPTIONAL).

Posting & Packing: RUSSIA (Recorded Only, if this is unacceptable, please do not bid):

1 LP (Small Packet ‘Signed For’ only £7) = £9 (OPTIONAL extra insurance as above).

Posting & Packing: OVERSEAS (non-European) e.g. US; Australia; Far East; (Airmail Only: I NEVER use Surface Mail):

1 LP (Small Packet Standard with Standard Royal Mail Insurance) = £8.

1 LP (Small Packet ‘Signed For’ with included Insurance to Item’s ‘Sold’ Value, £500* Maximum) = £13 (OPTIONAL).

* If Rules allow for that country.

PLEASE NOTE: I always get a Royal Mail ‘Proof-of-Posting’ receipt for ALL packets that are sent out and I am happy to prove this to any customer who wishes to see it via email.

Payment Conditions:

I prefer PayPal or cheque from UK winning bidders. I can accept PayPal from overseas bidders.

The customer can choose their method of shipping with the exception of second class or surface mail overseas – these I will NOT use. The winner bidder chooses his/her posting method and if uninsured is chosen, its their decision and they have to stick with it, I can accept no responsibility if an item is lost in the post. I can only try to claim at standard levels if no enhancement is chosen (£35).

Potential Bidders: Please do not bid if you have negative feedback unless checking first, I will cancel any bids I feel are timewasters. A maximum 3 days for communication and 7 days for payment to arrive - if not I will relist the item or offer to the runner-up. Fast deals get great feedback from me. Any questions - please ask and thanks for looking.

My Guarantee: If any winning bidder is not satisfied with their purchase I will offer a complete refund minus the Posting and All Ebay costs as long as the item detail has been read and understood. I will not refund if any defect detail is clearly stated on the advert and missed by the buyer. If any overseas collector does not understand anything in my listing, please email and ask me to help.

SOME GENERAL GUIDES TO WEAR AND CONDITIONS TO HELP YOU DECIDE

My Use of Description Terminology: Surface Marks = Superficial, usually light marks, hairlines or light scuffs that rarely sound. Scratch = a needle mark that goes below the record’s surface, some will sound, some will not, my play-grade will inform. Original = a record that has been pressed with the first label design which does NOT neccessarily mean a very first pressed record. First Pressing = A record that I believe or know to be a genuine very first pressed record. I do not claim to always know for sure, and that’s why I state the stamper and matrix numbers if at all possible, for those who claim to know what they all mean, the information is there for the collector to decide. I prefer to use terms like ‘Early Copy’ rather than ‘First Pressing’ if I am not totally sure. Surface Sound = Mild, light sound, usually light crackle or similar. Distortion = Break up of the actual sound caused by groove wear or damage from a chipped stylus – the most undesirable form of unwanted sound, vintage mono records were the most prone to this happening but not exclusively so. The symptoms of distortion are high frequency clipping, moderate constant crackle or an echo type sound quality. Violin, piano and vocals are most prone to groove-wear distortion. Feathering = Fraying or softening of the entry edge of a cover. Covers with feathered entrance edges are more likely to have had the actual record inserted and removed more than a non-feathered, sharp-edged cover which are always far more attractive. Set Off, actually a printer’s term for dark ink leaving mild residue on pale or white ink when rested upon. e.g. when a gatefold cover has black ink closed against white, this can leave some black residue on the pale area – this is mostly unavoidable or course.

The Argument for Vinyl Original sound and mix (mono mixes are rarely available on CD), high quality sound on clean copies (played on a hi-end dedicated analogue system – breathtaking sound!), beautiful, large format covers, artwork, inserts and even full size posters etc; huge investment potential, and the pleasure of owning ‘the real thing’.