FRED NEIL Everybody's Talkin' SEALED Capitol ST-294 MIDNIGHT COWBOY The Dolphin
$
33
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Description
Vinyl: SEALED! This is the 1966 Release, Reissued when the title song became the theme song to 1969's hit movie Midnight Cowboy! This is Fred Neil's finest hour and he has help from a great team of musicians who made this album sound like no other. And Fred Neil's voice is like no others...a truly moving experience, this album is. allmusic gives it 4 1/2 stars!!!
See Review Below!
Cover: SEALED! (see photos). There's three tiny tears in the shrink: one on the top right hand corner and two more, both about an inch long along the opening of the record sleeve. Nice high gloss on cover. Front and back of cover artwork and text are rich, clear and bright. Seams and spine are solid and clean, essentially flawless. No writing. No creases, no bumps. Spine print is crystal clear. Also, the record appears straight; when I look, with one eye, down all 4 edges there's no big, ominous bow that would suggest that it's warped.
I will gladly accept the return of Sealed records as long as they have not been opened (i.e. as long as they are still in the condition I sent them in). Every record has a "fingerprint" of imperfections in the seal and/or the cover and I separately photograph and keep these details to prevent fraudulently returned items...yep, there are a few rotten apples out there!) I will not accept a previously sealed record that has been opened, even if the complaint is that the record is warped. This is why I look down the edge of all 4 sides of the record, to assess for potential bowing. Look for that in the description of the covers of all my Sealed items. Thanks! By the way, I've never (knock on wood!) had a buyer complain that they received a warped Sealed record. :)
Goldmine Standards.
U.S. Shipping: $5.99 Media Mail. Tracking included. 50 cents additional shipping per additional item, when the shipment is combined. If you wish to take advantage of my COMBINED SHIPPING deal, simply select your items by clicking on "ADD TO CART" on the main listing page. Do this for all of your selections and then go to your cart to checkout. Your combined shipping discount will be computed automatically. Free domestic shipping if you spend $100 or more!
All records are packaged securely with the vinyl sandwiched between two cardboard stiffeners and shipped in a custom cardboard record mailer box.
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Why buy a first or early pressing and not a re-issue or a ‘re-mastered’ vinyl album?
First and early pressings are pressed from the first generation lacquers and stampers. They usually sound vastly superior to later issues/re-issues (which, in recent times, are often pressed from whatever 'best' tapes or digital sources are currently available) - many so-called 'audiophile' new 180g pressings are cut from hi-res digital sources…essentially an expensive CD pressed on vinyl. Why experience the worse elements of both formats? These are just High Maintenance CDs, with mid-ranges so cloaked with a veil as to sound smeared. They are nearly always compressed with murky transients and a general lifelessness in the overall sound. There are exceptions where re-masters/re-presses outshine the original issues, but they are exceptions and not the norm.
First or early pressings nearly always have more immediacy, presence and dynamics. The sound staging is wider. Subtle instrument nuances are better placed with more spacious textures. Balances are firmer in the bottom end with a far-tighter bass. Upper-mid ranges shine without harshness, and the overall depth is more immersive. Inner details are clearer.
On first and early pressings, the music tends to sound more ‘alive’ and vibrant. The physics of sound energy is hard to clarify and write about from a listening perspective, but the best we can describe it is to say that you can 'hear' what the mixing and mastering engineers wanted you to hear when they first recorded the music.Fred Neil Review
by Steve Leggett
[-]Fred Neil's self-titled second album was a languid and fluid gem that continues to stand outside of time decades later. The beautifully sad, introspective songs of weary modern urban disaffection that Neil brought to these sessions in 1967 are among the best he ever wrote, and the perfectly balanced electric instrumentation suits them to a T. Neil's calm, wearied basso vocals pull things along here at a decidedly unhurried pace, and the songs themselves seem to drift organically into being as he sings them, until listening to this album begins to feel like floating. And what songs! "The Dolphins" and "Everybody's Talkin'" -- a huge hit in a cover version by Harry Nilsson -- are classics by anybody's definition, and Neil's reconstruction of Libba Cotton's "Shake Sugaree" as "I've Got a Secret" is a perfect example of the folk process alive and well in a commercial recording studio. Neil had absolutely no interest in the business aspect of making music, though, and where most musicians seek the spotlight, he shunned it, which meant Fred Neil the album went nowhere commercially, although it influenced countless other artists. Long out of print, it is reissued here straight and unadorned, and while some bonus material would have been nice, it is such a perfect album as is, additional tracks may have tipped it out of balance. Fred Neil, all these years later, remains a haunting and reassuring masterpiece.
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