FREDDIE REDD w/JACKIE McLEAN SHADES OF REDD RARE 45rpm BLUE NOTE AUDIOPHILE LP

$

53

    
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·       FREDDIE REDD with JACKIE McLEAN, TINA BROOKS, PAUL CHAMBERS AND LOUIS HAYES – SHADES OF REDD - VERY RARE AND ALREADY OUT OF PRINT 2009 BLUE NOTE-EMI/CAPITOLHALF- SPEED MASTERED , AUDIOPHILE, EXTENDED DYNAMIC SET OF 2 LPs MASTERED AND PRESSED AT 45rpm ON HIGH-QUALITY 'VIRGIN' VINYL PRESSING OF THIS 1960 MASTERPIECE ; BLUE NOTE (MUSIC MATTERS DEFINITIVE BLUE NOTE SERIES) STEREO 2-LP SET ST-84045

·       ORIGINAL U.S. AUDIOPHILE PRESSING

·       LIMITED, NUMBERED EDITION; THIS COPY IS NUMBERED  0972

·       Recorded by ►Rudy Van Gelder

·       ORIGINAL WHITE AND BLUE 'BLUE NOTE' LABEL WITH '63RD STREET., NEW YORK',  ADDRESS ON THE LABEL, BUT MOFIDIED FOR 45 rpm PRESSING.

·       THIS IS THE ORIGINAL, AUTHENTIC, U.S. AUDIOPHILE PRESSING; THIS IS NOT A REISSUE, AN IMPORT, OR A COUNTERFEIT PRESSING.

·       GATEFOLD COVER, MADE OF THICK CARDBOARD (AMERICAN STYLE) 

·       ORIGINAL LAMINATED COVER

·       THIS IS EASILY AND WITHOUT MUCH COMPETITION THE HIGHEST-QUALITY COVER WE HAVE HELD IN OUR HANDS IN EXACTLY 40 YEARS OF COLLECTING RECORDS; THE COVER CONSTRUCTION AND FINISH ARE NOTHING SHORT OF MARVEL AND A JOY TO BEHOLD

·       COVER STILL  HAS A NIFTY STICKER STILL AFFIXED TO THE WRAP (LOOSE-FITTING PLASTIC BAGGY).

·       THICK, HEAVY VINYL PRESSING (WE BELIEVE  THIS IS A 2 X 180 GRAM PRESSING)

·       CLEAN, WEAR-FREE LABELS

(►PLEASE SEE THE IMAGE OF THE COVER, LABEL OR BOTH, SHOWN BELOW)

(Note: this is a REAL image of the ACTUAL item you are bidding on. This is NOT a "recycled" image from our previous auction. What you see is what you’ll get.  GUARANTEED!)

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In an all too small discography, Freddie Redd's Shades of Redd is without a doubt his crowning achievement. Completed after a successful stint composing music for the stage play The Connection, Redd wrote music specifically geared for his two formidable front line saxophonists -- emerging alto giant Jackie McLean and the unsung hero of the tenor, Tina Brooks. Redd, bassist Paul Chambers, and drummer Louis Hayes, fresh out of the Detroit scene, took New York City by storm playing clubs and working with Redd when he was not doing production music. All of these tracks, originals by Redd, are brimming with the hope, optimism, and fresh ideas of the early '60s, music perfectly rendered and representative of the time period. The darting, daring, tart sweet alto of McLean and the robust, lean, protein enriched tenor of Brooks fit beautifully together when they play in unison, and they do that a lot. The calm, lovely, then bursting into bop piece "The Thespian" sets the tone, followed by the swinging, head nodding "Blues-Blues-Blues," and the happy, hip, swing/shuffle "Melanie" brings the cream to the top. The teamwork displayed here rivals any seasoned veteran band of the era. Redd's piano playing, never spectacular or boisterous, is instead literate and street smart, and comes to the forefront in any tempo, whether the fleet hard bopper to Latin tinged near-show tune "Swift" and the spicy calypso to swing strutter "Ole," where Brooks steps up and takes a marvelous John Coltrane cum Hank Mobley solo. McLean's feature on "Just a Ballad for My Baby" illustrates his unique style, slightly but purposefully using microtones that might seem somewhat off-putting to the non-cognoscenti, but is remarkable upon closer inspection. Considering this is 1960, and Ornette Coleman was also making his way beyond conventional means, McLean is innovating just as much. Stretched out alternate takes of "Melanie" and "Ole" are included on this single CD, and are also available on Redd's 1988 Mosaic label reissue of his complete Blue Note efforts. Redd is still alive as of this writing, performing occasionally in his Los Angeles area home and in New York in 2007 for a revisited production of The Connection. Shades of Redd, his zenith as a jazz musician, would be a wonderful addition to any collection, and shows that the lesser known musicians have plenty of music to play, in addition to a unique perspective aside from the giants of this music.

 (EXCERPT FROM AN ONLINE REVIEW BY MICHAEL G. NASTOS, ALL MUSIC GUIDE  /ALLMUSIC.COM/)

TO SEE IF WE HAVE OTHER LISTED ITEMS BY THIS GROUP OR ARTIST ►  CLICK HERE

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·       CONDITION:

·       RECORD

(IMPORTANT NOTE: unless otherwise noted, ALL records are graded visually, and NOT play-graded!; we  grade records under the strong, diffuse room light or discrete sunlight)

(a)          WE GRADE THE VINYL AS STRONG NEAR MINT. The original luster is very much intact, and the vinyl shines and sparkles almost like new.

(b)          The record comes in a hi-grade PVC inner sleeve, which has - apparently with success - shielded the record from the harmful impact of elements over many years!

(c)           The records are  pressed on a beautiful, thick, inflexible vinyl, which was usually used for the first or very early pressings. Usually, the sound on such thick vinyl pressings is full-bodied, vivid, and even dramatic. Do not expect to obtain such a majestic analog sound from a digital recording!

(d)          In addition, the records are pressed on a beautiful, thick, inflexible vinyl, which was usually used for the first or very early pressings. Usually, the sound on such thick vinyl pressings is full-bodied, vivid, and even dramatic. Do not expect to obtain such a majestic analog sound from a digital recording!

(e)           Of course, this is a full-bodied ANALOG recording, and not an inferior, digital recording!!!

·       COVER

COVER IS STRONG NEAR MINT

NO SIGNIFICANT IMPERFECTIONS ON THE COVER:

-        No split seams

-        No ring wear

-        No cut-out (drill) holes.

-        No cut-out corners

-        No saw-marks or indents

-        No dirt/dust rubbing stains (friction marks caused by rubbing against other covers)

-        No wrinkles or creases

-        No yellowing from aging

-        No writing

-        No stamps

-        No tearing: no chips, dents or nicks on the seams

-        No peel-off marks

-        No stains

-        No mold or mildew spots

-        No stickers or labels (EXCEPT for the limited edition sticker)

-        No water damage

-        No razor marks, scratches, pressure marks, lines, streaks, or  cuts.

-        No warping

-        No wax, glue, paint or liquid drops on the cover

-        No glue traces or wax residue.

-        No RIAA stamps or stickers. 

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