FREE 2for1 OFFER-Charlie Parker–The Very Best Of Bird:Warner Bros. Records-2 WB

$

15

2152017



FREE-2 for1-BUY ONE GET ONE FREE
When you buy this item at full price you get a free LP, CD or DVD or other Item.*
Offer does not apply to "Best Offer" sales.
 
Here’s how it works. When you purchase this title you may select a second title of
 equal or lesser value.

Finding your free LP, CD or DVD-
Under the Seller Info heading located on the right side of the auction page click
See Other items and find 1100+ other titles to choose from.
CLICK ON THE “BUY IT NOW” BUTTON/BAR of the higher priced item. In the message section indicate the other Lp,CD, DVD/item you want and I will ship both  together. I will send you an invoice-DONOT PUT THE ITEM IN YOUR CART AS YOU WILL BE REQUIRED TO PAY IMMEDIATELY AND I WILL NOT BE ABLE TO INVOICE YOU I would need to add an extra dollar for shipping (total $ 5 Domestic). Offer does not apply to "Best Offer" sales.
*Applies to other FREE- 2for1 LP,CD or DVD and other items  only.
International shipping will be calculated per location.
Or if you do not understand the billing system PLEASE LET ME INVOICE YOU TO AVOID CONFUSION
 
 Should you purchase this item and you feel there is ANY PROBLEM WHATSOEVER, please contact me first via eBay email/messaging system FIRST so I have the opportunity to resolve the matter within 24 Hours, but I usually have the matter resolved within an Hour. The return postage is not refundable


FREE 2for1 OFFER-Charlie Parker–The Very Best Of Bird:Warner Bros. Records-2 WB 3198 2 × LP, Compilation

COVER-VG+++to near MINT gatefold

VINYL-VG+++ to Near MINT original poly bags with insert credits

TracklistHide Credits

A1 Bird Of Paradise Alto Saxophone – Charlie ParkerBass – Tommy PotterComposed By – C. Parker*Drums – Max RoachPiano – Duke JordanTrumpet – Miles Davis 3:09 A2 Embraceable You Alto Saxophone – Charlie ParkerBass – Tommy PotterComposed By – G. Gershwin, I. Gershwin*Drums – Max RoachPiano – Duke JordanTrumpet – Miles Davis 3:41 A3 How Deep Is The Ocean Alto Saxophone – Charlie ParkerBass – Tommy PotterComposed By – Irving BerlinDrums – Max RoachPiano – Duke JordanTrombone – J.J. JohnsonTrumpet – Miles Davis 3:24 A4 Out Of Nowhere Alto Saxophone – Charlie ParkerBass – Tommy PotterComposed By – Edward Heyman, John W. Green*Drums – Max RoachPiano – Duke JordanTrumpet – Miles Davis 3:46 A5 Don't Blame Me Alto Saxophone – Charlie ParkerBass – Tommy PotterComposed By – Jimmy McHugh, Jimmy McHugh, Dorothy Fields*Drums – Max RoachPiano – Duke JordanTrumpet – Miles Davis 2:43 A6 My Old Flame Alto Saxophone – Charlie ParkerBass – Tommy PotterComposed By – A. Johnson*, S. Coslow*Drums – Max RoachPiano – Duke JordanTrumpet – Miles Davis 3:05 B1 Moose The Mooche Alto Saxophone – Charlie ParkerBass – Vic McMillanComposed By – C. Parker*Drums – Roy PorterPiano – Dodo MarmarosaTenor Saxophone – Lucky ThompsonTrumpet – Miles Davis 2:56 B2 Yardbird Suite Alto Saxophone – Charlie ParkerBass – Vic McMillanComposed By – C. Parker*Drums – Roy PorterGuitar – Arvin GarrisonPiano – Dodo MarmarosaTenor Saxophone – Lucky ThompsonTrumpet – Miles Davis 2:52 B3 Ornithology Alto Saxophone – Charlie ParkerBass – Vic McMillanComposed By – B. Harris*, C. Parker*Drums – Roy PorterGuitar – Arvin GarrisonPiano – Dodo MarmarosaTenor Saxophone – Lucky ThompsonTrumpet – Miles Davis 3:13 B4 Famous Alto Break Alto Saxophone – Charlie ParkerBass – Vic McMillanComposed By – John "Dizzy" Gillespie*, Frank PaparelliDrums – Roy PorterGuitar – Arvin GarrisonPiano – Dodo MarmarosaTenor Saxophone – Lucky ThompsonTrumpet – Miles Davis 0:47 B5 Night In Tunisia Alto Saxophone – Charlie ParkerBass – Vic McMillanComposed By – John "Dizzy" Gillespie*, Frank PaparelliDrums – Roy PorterGuitar – Arvin GarrisonPiano – Dodo MarmarosaTenor Saxophone – Lucky ThompsonTrumpet – Miles Davis 3:00 B6 Max Making Wax Alto Saxophone – Charlie ParkerBass – Bob KestersonComposed By – C. Parker*Drums – Roy PorterPiano – Jimmy BunnTrumpet – Howard McGhee 2:28 B7 Bird's Nest Alto Saxophone – Charlie ParkerBass – Red CallenderComposed By – C. Parker*Drums – Doc West*Piano – Erroll Garner 2:42 C1 Cool Blues (Hot Blues) Alto Saxophone – Charlie ParkerBass – Red CallenderComposed By – C. Parker*Drums – Doc West*Piano – Erroll Garner 3:05 C2 Relaxin' At Camarillo Alto Saxophone – Charlie ParkerBass – Red CallenderComposed By – C. Parker*Drums – Don LamondGuitar – Barney KesselPiano – Dodo MarmarosaTenor Saxophone – Wardell GrayTrumpet – Howard McGhee 2:54 C3 Cheers Alto Saxophone – Charlie ParkerBass – Red CallenderComposed By – H. McGhee*Drums – Don LamondGuitar – Barney KesselPiano – Dodo MarmarosaTenor Saxophone – Wardell GrayTrumpet – Howard McGhee 3:00 C4 Carvin' The Bird Alto Saxophone – Charlie ParkerBass – Red CallenderComposed By – C. Parker*Drums – Don LamondGuitar – Barney KesselPiano – Dodo MarmarosaTenor Saxophone – Wardell GrayTrumpet – Howard McGhee 2:42 C5 Stupendous Alto Saxophone – Charlie ParkerBass – Red CallenderComposed By – C. Parker*Drums – Don LamondGuitar – Barney KesselPiano – Dodo MarmarosaTenor Saxophone – Wardell GrayTrumpet – Howard McGhee 2:50 C6 Dexterity Alto Saxophone – Charlie ParkerBass – Tommy PotterComposed By – C. Parker*Drums – Max RoachPiano – Duke JordanTrumpet – Miles Davis 2:56 C7 Bongo Bop Alto Saxophone – Charlie ParkerBass – Tommy PotterComposed By – C. Parker*Drums – Max RoachPiano – Duke JordanTrumpet – Miles Davis 2:42 D1 Dewey Square Alto Saxophone – Charlie ParkerBass – Tommy PotterComposed By – C. Parker*Drums – Max RoachPiano – Duke JordanTrumpet – Miles Davis 3:04 D2 The Hymn Alto Saxophone – Charlie ParkerBass – Tommy PotterComposed By – C. Parker*Drums – Max RoachPiano – Duke JordanTrumpet – Miles Davis 2:29 D3 Bird Feathers Alto Saxophone – Charlie ParkerBass – Tommy PotterComposed By – C. Parker*Drums – Max RoachPiano – Duke JordanTrumpet – Miles Davis 2:47 D4 Klact-oveeseds-tene Alto Saxophone – Charlie ParkerBass – Tommy PotterComposed By – C. Parker*Drums – Max RoachPiano – Duke JordanTrumpet – Miles Davis 2:58 D5 Scrapple From The Apple Alto Saxophone – Charlie ParkerBass – Tommy PotterComposed By – C. Parker*Drums – Max RoachPiano – Duke JordanTrumpet – Miles Davis 2:36 D6 Drifting On A Reed Alto Saxophone – Charlie ParkerBass – Tommy PotterComposed By – Mayhew*Drums – Max RoachPiano – Duke JordanTrombone – J.J. JohnsonTrumpet – Miles Davis 2:55 D7 Charlie's Wig Alto Saxophone – Charlie ParkerBass – Tommy PotterComposed By – C. Parker*Drums – Max RoachPiano – Duke JordanTrombone – J.J. JohnsonTrumpet – Miles Davis 2:40

Companies, etc.

• Phonographic Copyright (p) – Warner Bros. Records Inc.
• Copyright (c) – Warner Bros. Records Inc.
• Published By – Duchess Music Corp.
• Published By – New World Music Corp.
• Published By – Irving Berlin Music Corp.
• Published By – Famous Music Corporation
• Published By – Robbins Music Corp.
• Published By – Atlantic Music Corp.
• Published By – MCA Music
• Published By – Charlie Parker Music
• Published By – American Academy Of Music, Inc.
• Published By – Criterion Music Corp.
• Published By – Leeds Music Corp.
• Recorded At – WOR Studios
• Recorded At – Radio Recorders
• Recorded At – C.P. MacGregor Studios

Credits

• Art Direction [AGI] – Michael Doud*
• Art Direction [WBRI] – John Cabalka
• Design [Project Designed By] – John Kehe
• Liner Notes – Ross Russell
• Presenter – Bob Krasnow, Raymond Lofaro, Stewart Levine
• Producer [Original Session] – Ross Russell

Notes

Recording info: 
A1, A2, C6 to D2: WOR Studios, Broadway at 38th Street, New York City - Tuesday, October 28, 1947. 
A3, D6, D7: WOR Studios, Broadway at 38th Street, New York City - Wednesday, December 17, 1947. 
A4 to A6, D3 to D5: WOR Studios, Broadway at 38th Street, New York City - Tuesday, November 4, 1947. 
B1 to B5: Radio Recorders Studios, Hollywood - Thursday, March 28, 1946. 
B6: C.P. MacGregor Studios, Hollywood - Monday, July 29, 1946. 
B7, C1: C.P. MacGregor Studios, Hollywood - February 19, 1947. 
C2 to C5: C.P. MacGregor Studios, Hollywood - Wednesday, February 26, 1947. 

Publishers: 
A1: Duchess Music Corp. BMI 
A2: New World Music Corp. ASCAP 
A3: Irving Berlin Music Corp. ASCAP 
A4: Famous Music Corp. ASCAP 
A5: Robbins Music Corp. ASCAP 
A6: Famous Music Corp. ASCAP 
B1: Atlantic Music Corp. ASCAP 
B2: Atlantic Music Corp. ASCAP 
B3: Atlantic Music Corp. ASCAP 
B4: MCA Music. ASCAP 
B5: MCA Music. ASCAP 
B6: Charlie Parker Music Co. BMI 
B7: Duchess Music Corp. BMI 
C1: Duchess Music Corp. BMI 
C2: Duchess Music Corp. BMI 
C3: American Academy Of Music. ACAP 
C4: Charlie Parker Music Co. BMI 
C5: Charlie Parker Music Co. BMI 
C6: Duchess Music Corp. BMI 
C7: Duchess Music Corp. BMI 
D1: Criterion Music Corp. ASCAP 
D2: Duchess Music Corp. BMI 
D3: Duchess Music Corp. BMI 
D4: Duchess Music Corp. BMI 
D5: Criterion Music Corp. ASCAP 
D6: Leeds Music Corp. ASCAP 
D7: Duchess Music Corp. BMI 

©&? 1977 Warner Bros Records Inc. 
Made in U.S.A.

• Matrix / Runout (Side A runout, etched): 2WB-1-3198-WW3. -"[stick figure]" -------?
• Matrix / Runout (Side B runout, etched): 2-WB-2-3198 WW2 #4 -------?
• Matrix / Runout (Side C runout, etched): 2WB-3-3198 WW1 #4
• Matrix / Runout (Side D runout, etched): 2WB-4-3198 WW2 #2 •-------?

ALL VINYL GRADING IS BASED ON VISUAL INSPECTION
A vinyl sound recording has two aspects: visual and audio. I cannot possibly test play every record I list therefore, all grading is visual.
If you purchase a record and are disappointed with it, let me know and I will make good on the promise to do what is reasonable to make you a satisfied customer. My reputation as a seller allows me to stay in business. As my customer please know that I am dependent on your satisfaction.
 
I cannot be held responsible for shipping mishaps to Italy. Italian bidders assume all risk when bidding on items, and are strongly encouraged to upgrade to registered mail.
 
We accept returns on all items. Please contact us prior to leaving negative feedback.
Rating System
 
Mint (M): Absolutely perfect in every way - certainly never played, possibly even still sealed. (More on still sealed below). Should be used sparingly as a grade, if at all.
Near Mint ( M-): A nearly perfect record. Many dealers won't give a grade higher than this implying (perhaps correctly) that no record is ever truly perfect. The record shows no obvious sign of wear. A 45 rpm sleeve has no more than the most minor defects, such as almost invisible ring wear or other signs of slight handling.
An LP jacket has no creases, folds, seam splits or any other noticeable similar defect. No cut-out holes, either. And of course, the same is true of any other inserts, such as posters, lyric sleeves, and the like. Basically, Near Mint looks as if you just got it home from a new record store and removed the shrink wrap.
 (VG+++): Shows some signs that it was played and otherwise handled by a previous owner who took good care of it. Record surfaces may show some slight signs of wear and may have slight scuffs or very light scratches that don't affect one's listening experience. The label may have some ring wear or discoloration, but is should be barely noticeable. The center hole is not misshapen by repeated play. Picture sleeves and LP inner sleeves will have some slight wear, lightly turn-up corners, or a slight seam-split. An LP jacket may have slight signs of wear also and may be marred by a cut-out hole, indentation or corner indicating it was taken out of print and sold at a discount.
 All but the most mint-crazy collectors will find a V G+++ record highly acceptable.
Very Good (VG++): Many of the defects found in a VG+++ record are more pronounced in a VG++ disc. Surface noise is evident upon playing, especially in soft passages and during the song's intro and fade, but will not overpower the music otherwise. Groove wear will start to be noticeable, as will light scratches (deep enough to feel with a fingernail) that will affect the sound.
Labels may be marred by writing, or have tape or stickers (or their residue) attached. The same will be true of picture sleeves or LP covers. However, it will not have all of these problems at the same time, only two or three of them.
Still Sealed (SS) : Let the buyer beware, unless it's a U.S. pressing from the last 10-15 years or so. It's too easy to reseal on. Yes, some legitimately never-opened LPs from the 1960s still exist. But if you're looking for a specific pressing, the only way you can know for sure is to open the record. Also, European imports are not factory-sealed, so if you see them advertised as sealed, someone other than the manufacturer sealed them.