FREE 2for1 OFFER-Pink Floyd ?– The Dark Side Of The Moon Label: Harvest ?– SMAS-

$

27

4102017


FREE-2 for1-BUY ONE GET ONE FREE
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Offer does not apply to "Best Offer" sales.
 
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PLEASE READ DETAILS CAREFULLY

THIS IS A BIT OF AN ODDITY -I COLLATED THE REGULAR STOCK GATE FOLD JACKET WITH A MFSL PRESSING-Mobile Fidelity Sound Lab ?– MFSL 1-017


FREE 2for1 OFFER-Pink Floyd ?– The Dark Side Of The Moon COVER- Harvest ?– SMAS-11163/VINYL-LP/Mobile Fidelity Sound Lab ?– MFSL 1-017/LP

COVER-VG+++ in shrink open

VINYL-VG+++

TracklistHide Credits

A1 Speak To Me
A2 Breathe
A3 On The Run
A4 Time
A5 The Great Gig In The Sky Vocals – Clare Torry
B1 Money Saxophone – Dick Parry
B2 Us And Them Saxophone – Dick Parry
B3 Any Colour You Like
B4 Brain Damage
B5 Eclipse

Companies, etc.

• Recorded At – Abbey Road Studios
• Manufactured By – Mobile Fidelity Sound Lab
• Distributed By – Mobile Fidelity Sound Lab
• Phonographic Copyright (p) – The Gramophone Co. Ltd.
• Licensed From – Capitol Records, Inc.
• Published By – TRO-Hampshire House Publishing Corp.
• Copyright (c) – TRO-Hampshire House Publishing Corp.

Credits

• Artwork [Sleeve Art, Stickers Art] – George Hardie N.T.A*
• Backing Vocals – Barry St John*, Doris Troy, Leslie Duncan*, Liza Strike
• Bass, Vocals, Synthesizer [Vcs3], Effects [Tape], Lyrics By – Roger Waters
• Design [Sleeve], Photography By – Hipgnosis (2)
• Engineer – Alan Parsons
• Engineer [Assistant] – Peter James
• Keyboards, Vocals, Synthesizer [Vcs3] – Richard Wright
• Lyrics By – Roger Waters
• Mastered By [Half-speed] – Stan Ricker
• Mixed By [Supervised] – Chris Thomas
• Percussion, Effects [Tape] – Nick Mason
• Producer, Music By – Pink Floyd
• Vocals, Guitar, Synthesizer [Vcs3] – David Gilmour
• Written-By – Gilmour* (tracks: A2 to A4, B3), Mason* (tracks: A1, A4, B3), Wright* (tracks: A2, A4, A5, B2, B3), Waters* (tracks: A2 to A4, B1, B2, B4, B5)

Notes

Originally released in 1973.
Standard gatefold sleeve with warranty card.

Recorded at Abbey Road Studios, London between June 1972 and January 1973.
States "Pressed in Japan" on the LP label (see images), "imported pressing" and "Printed in the U.S.A." on spine of the sleeve. 
Early releases by MFSL were pressed in Japan.

Came with two lists of other available MFSL releases and MFSL style inner. 
Super High Definition Vinyl, Static Free Inner Sleeve. 
Source: the Original Stereo Master Tape.

Note on Credits:
Though not specified in the liner notes, Barry St. John, Doris Troy, Lesley Duncan, and Liza Strike perform backing vocals only on tracks A4, B2, B4, and B5.
ALL VINYL GRADING IS BASED ON VISUAL INSPECTION
A vinyl sound recording has two aspects: visual and audio. I cannot possibly test play every record I list therefore, all grading is visual.
If you purchase a record and are disappointed with it, let me know and I will make good on the promise to do what is reasonable to make you a satisfied customer. My reputation as a seller allows me to stay in business. As my customer please know that I am dependent on your satisfaction.
 
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Rating System
 
Mint (M): Absolutely perfect in every way - certainly never played, possibly even still sealed. (More on still sealed below). Should be used sparingly as a grade, if at all.
Near Mint ( M-): A nearly perfect record. Many dealers won't give a grade higher than this implying (perhaps correctly) that no record is ever truly perfect. The record shows no obvious sign of wear. A 45 rpm sleeve has no more than the most minor defects, such as almost invisible ring wear or other signs of slight handling.
An LP jacket has no creases, folds, seam splits or any other noticeable similar defect. No cut-out holes, either. And of course, the same is true of any other inserts, such as posters, lyric sleeves, and the like. Basically, Near Mint looks as if you just got it home from a new record store and removed the shrink wrap.
 (VG+++): Shows some signs that it was played and otherwise handled by a previous owner who took good care of it. Record surfaces may show some slight signs of wear and may have slight scuffs or very light scratches that don't affect one's listening experience. The label may have some ring wear or discoloration, but is should be barely noticeable. The center hole is not misshapen by repeated play. Picture sleeves and LP inner sleeves will have some slight wear, lightly turn-up corners, or a slight seam-split. An LP jacket may have slight signs of wear also and may be marred by a cut-out hole, indentation or corner indicating it was taken out of print and sold at a discount.
 All but the most mint-crazy collectors will find a V G+++ record highly acceptable.
Very Good (VG++): Many of the defects found in a VG+++ record are more pronounced in a VG++ disc. Surface noise is evident upon playing, especially in soft passages and during the song's intro and fade, but will not overpower the music otherwise. Groove wear will start to be noticeable, as will light scratches (deep enough to feel with a fingernail) that will affect the sound.
Labels may be marred by writing, or have tape or stickers (or their residue) attached. The same will be true of picture sleeves or LP covers. However, it will not have all of these problems at the same time, only two or three of them.
Still Sealed (SS) : Let the buyer beware, unless it's a U.S. pressing from the last 10-15 years or so. It's too easy to reseal on. Yes, some legitimately never-opened LPs from the 1960s still exist. But if you're looking for a specific pressing, the only way you can know for sure is to open the record. Also, European imports are not factory-sealed, so if you see them advertised as sealed, someone other than the manufacturer sealed them.