FROG 2-LPs ABRP-22010: MUDDY WATERS - Fathers And Sons - 1981 ITALY OOP NM
  $   60

 


$ 60 Sold For
Dec 26, 2020 Sold Date
Sep 30, 2015 Start Date
1 Number Of Bids
  USA Country Of Seller
eBay Sold at
 
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Description

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Background -

McKinley Morganfield (April 4, 1913 – April 30, 1983), known by his stage name Muddy Waters, was an American blues musician. He is often considered the "father of modern Chicago blues".

Muddy Waters grew up on Stovall Plantation near Clarksdale, Mississippi and by age seventeen was playing the guitar at parties, emulating local blues artists Son House and Robert Johnson. He was recorded by Alan Lomax there for the Library of Congress in 1941. In 1943, he headed to Chicago with the hope of becoming a full-time professional musician, eventually recording, in 1946, for first Columbia and then Aristocrat Records, a newly formed label run by brothers Leonard and Phil Chess.

In the early 1950s, Muddy and his band, Little Walter Jacobs on harmonica, Jimmy Rogers on guitar, Elgin Evans on drums and Otis Spann on piano, recorded a series of blues classics, some with bassist/songwriter Willie Dixon, including "Hoochie Coochie Man", "I Just Want to Make Love to You" and "I'm Ready". In 1958, Muddy headed to England, helping to lay the foundations of the subsequent blues boom there, and in 1960 performed at the Newport Jazz Festival, recorded and released as his first live album, At Newport 1960.

Muddy's influence is tremendous, not just on blues and rhythm and blues but on rock 'n' roll, hard rock, folk, jazz, and country; his use of amplification is often cited as the link between Delta blues and rock 'n' roll.

Fathers and Sons is the seventh studio album by American blues musician Muddy Waters, originally released as a double LP by Chess Records in August 1969.

The album features both studio and live recordings recorded in April 1969 with an all-star band including Michael Bloomfield and Paul Butterfield of the Paul Butterfield Blues Band, Donald "Duck" Dunn of Booker T. & the M.G.'s and Sam Lay in Chicago, Illinois.

The album was Muddy's biggest mainstream success, reaching #70 on the Billboard 200, which was his only appearance in the top half of the chart. Muddy would not make another appearance on the 200 until Hard Again in 1977.

According to Marshall Chess, the idea behind Fathers and Sons came when Mike Bloomfield was at his house and said that he and Paul Butterfield wanted to do an album with Muddy Waters because they would be in Chicago for a charity concert. Chess then rounded up Donald "Duck" Dunn, Otis Spann, and Sam Lay for the studio sessions.

While many blues purists criticized the Waters "psychedelic" album Electric Mud at the time, Fathers and Sons was received more favorably since it avoided psychedelia, instead showcasing the "classic" Waters sound of the 50's. In many ways, the album anticipated the later, critically acclaimed Waters blues albums produced by Johnny Winter.

The studio disc of the album was recorded in April 21–23, 1969 at Ter Mar Studios. These sides were engineered by Ron Malo and featured rhythm guitarist Paul Asbell, who did not play on the live songs.

The live songs were recorded on April 24, 1969 at the Super Cosmic Joy-Scout Jamboree. These sides were engineered by Reice Hamel. Drummer Buddy Miles played on the second part of "Got My Mojo Working".

The producer on all sessions was Norman Dayron, who would go on to produce The London Howlin' Wolf Sessions in 1970, among other items. 
 
  • LPs made by FROG / CAROSELLO Records, in ITALY

  • LPs released in 1981

  • LPs are recorded in STEREO

  • Record Catalog Number: ABRP 22010

  • Record Labels are primarily BLACK with SILVER lettering, with the FROG records logo

This listing is for a rare, out of print 2-LP title - an OPENED and in near MINT minus condition LP PRESSED and ISSUED by FROG / CAROSELLO Records of a highly collectible title from their catalog - a superb title featuring -

Muddy Waters

2-LP Title -

Fathers And Sons

Track Listing -
All songs written by McKinley Morganfield, except where indicated.

Side A (studio)
1. "All Aboard" – 2:50
2. "Mean Disposition" – 5:42
3. "Blow Wind Blow" – 3:35
4. "Can't Lose What You Ain't Never Had" – 3:03
5. "Walkin' Thru The Park" – 3:07

Side B (studio)
6. "Forty Days and Forty Nights" (Bernard Roth) – 3:04
7. "Standin' Round Crying" – 4:01
8. "I'm Ready" (Willie Dixon) – 3:33
9. "Twenty Four Hours" (Eddie Boyd) – 4:46
10. "Sugar Sweet" (Mel London) – 2:16

Side C Live
11. "Long Distance Call" – 6:35
12. "Baby, Please Don't Go" (Big Joe Williams) – 3:05
13. "Honey Bee" – 3:57

Side D Live
14. "The Same Thing" (Dixon) – 6:00
15. "Got My Mojo Working, Part 1" (Preston Foster, Morganfield) – 3:39
16. "Got My Mojo Working, Part 2" (Foster, Morganfield) – 5:33

Performers -

    Muddy Waters – vocals, guitar
    Otis Spann – piano
    Michael Bloomfield – guitar
    Paul Butterfield – harmonica
    Donald "Duck" Dunn – bass guitar
    Sam Lay – drums
    Paul Asbell – rhythm guitar
    Buddy Miles – drums on "Got My Mojo Working, Part 2"
    Jeff Carp – chromatic harmonica on "All Aboard"
    Phil Upchurch – bass guitar on "All Aboard"
    Norman Dayron – producer
    Ron Malo – engineer

    CONDITION Details:

    The GATE-FOLD LP jacket is in near mint minus condition! The jacket is tight and clean, with NO seam splits. The corners are solid, with just a bit of shelf wear the seams and corners. There is a sticker on the back of the jacket. The colors on the jacket are sharp...just lovely (see pictures with this listing as they are of the actual item).

    The LPs are in near mint minus condition! We found that the vinyl looked superb on this vintage 2-LP set. There are no significant marks and the LPs retain much of the original gloss and sheen - obviously well taken care of! There are NO serious spindle marks on the record labels either. Just beautiful ITALIAN made vinyl!

    A Short Note About LP GRADING -

    • Mint = Only used for sealed items.
    • Near Mint = Virtually flawless in every way.
    • Near Mint Minus = Item has some minor imperfections, some audible.
    • Excellent = Item obviously played and enjoyed with some noise.
    • Very Good Plus = Many more imperfections which are noticeable and obtrusive.

    For best results, always thoroughly clean your LPs before playing them.

    LPs can be audiophile quality pressings (any collector of fine MFSL, half speeds, direct to discs, Japanese/UK pressings etc., can attest to the difference a quality pressing can make to an audio system).

    Don't let this rarity slip by!!!


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