Fanny - Live on Beat-Club '71-'72 (LP, colored Vinyl) - Vinyl Beat/Rock/60s/70s
€
41
$
48
€ 41
Sold For
Jul 8, 2025
Sold Date
Jan 29, 2025
Start Date
1
Number Of Bids
Germany
Country Of Seller
eBay
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Description
Fanny - Live on Beat-Club '71-'72 (LP, colored Vinyl) - Vinyl Beat/Rock/60s/70s
(Real Gone Music) 12 tracks, farbiges Vinyl in in Pfirsich, mit Liner Notes der BandLive on Beat-Club '71-'72 präsentiert die beiden Sets, die Fanny für die deutsche TV-Show aufgenommen hat, gemastert von Mike Milchner von Sonic Vision aus hochauflösenden Mono-Dateien, die von den Original-Videobändern stammen. Abgesehen von den übersprudelnden und unglaublich dichten Darbietungen wird sofort klar, dass alle vier Frauen auf ihre Art ein Kraftpaket waren. June Millingtons bezaubernde Les-Paul-Saiten, die treibenden, melodischen Basslinien ihrer Schwester Jean und ihr an Janis Joplin erinnernder Gesang, Nickey Barclays komplizierte und doch irgendwie rockige Keyboardarbeit und Alice de Buhrs präzises, kolbenartiges Schlagzeugspiel, das von wilden Fills unterbrochen wird - zusammen war Fanny eine atemberaubende Talentschau, doch irgendwie, wie diese Shows zeigen, waren sie live größer als die Summe ihrer Teile. Das ist der Grund, warum die Veröffentlichung dieser Aufnahmen seit langem ein Kreuzzug für Alice ist, und warum June uns in den begleitenden Linernotes (mit Beiträgen von June, Jean und Alice) erzählt, dass der Techniker, der mit der Übertragung des gesamten Beat Club-Materials beauftragt war, ihr sagte, dass ihre Aufnahmen die besten im Tresor seien, sogar besser als Hendrix. Wir veröffentlichen diese unbezahlbare Archivaufnahme auf pfirsichfarbenem Vinyl und auf CD mit einem Bonustrack des Soundchecks als Zugabe. Unverzichtbar für ein umfassendes Verständnis des Rock der 70er Jahre!
Are you ready to hear the best live band of the early ‘70s? We at Real Gone Music have been privileged and proud to release Fanny’s four classic Reprise albums, each a tuneful testament as to why they were the first all-female band signed to a major label. But there has always been a piece missing from the Fanny fable; for while the band hooked up with big-time producers and engineers like Richard Perry, Todd Rundgren, and Geoff Emerick, their studio albums never really were able to capture the sheer excitement they could generate in concert. However, buried away in a vault thousands of miles away from their Los Angeles base there long lay a recording that could make the Fanny myth a reality, one that could provide the emphatic answer as to why these four ladies were the hottest ticket on the Sunset Strip during the early ‘70s.
Now, over 50 years later, its time—and their time—has come. Live on Beat-Club ’71-’72 presents the two sets Fanny recorded for the German TV show, mastered by Mike Milchner of Sonic Vision from hi-res mono files taken from the original videotape. Aside from the incendiary and incredibly tight performances, what immediately becomes apparent is that all four of these women were powerhouses in her own right. June Millington’s stringbending Les Paul wizardry, her sister Jean’s driving, melodic bass lines and Janis Joplin-esque vocals, Nickey Barclay’s intricate yet somehow rocking keyboard work, and Alice de Buhr’s precise, piston-like drumming punctuated by ferocious fills—put together Fanny was an overwhelming display of talent, Yet somehow, as these shows reveal, live they were greater than the sum of their parts. That’s why getting these recordings released has long been a crusade for Alice, and why June tells the story in the accompanying liner notes (which feature contributions from June, Jean, and Alice) that the engineer who was assigned to do the transfers of all the Beat-Club material told her that their material was the best in the vault, better even than Hendrix. We are releasing this invaluable archival recording on juicy peach vinyl and on CD with a bonus track of the soundcheck to boot. Essential for a full understanding of ‘70s rock!
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